Happy November Twoth!

November twoth is a big day on the Muddled Calendar, the day I (and tens of thousands of others) wake up and realize we’re already behind our word counts for NaNoWriMo.

In years past part of the tradition has been for me to publish the product of my first night of scribbling here. This year, I’m not going to do that. The product of my first night was more like sketches of three scenes than any sort of coherent narrative. The scenes aren’t even sequential; one is from the first act and two from the second. Alas, the elusive third act remains too ill-defined even to sketch a scene.

So, no excerpt this year. I know you all are devastated at missing out on the prospect of reading a long rough draft of a scene with no hope of ever finding out what happens next. Lost is off the air, after all.

Good luck to all my fellow NaNoWriMo participants, and I’ll see you on the other side of 50K!

1

NaNoWriMo X: Half a Million Words

Last night, as my sweetie sang a victory song for me, I submitted for verification my NaNoWriMo effort for the year. Overall, I’d say it was a success; I think the crap-to-merely-bad ratio was better than in several of my other NaNo attempts.

This was my tenth NaNoWriMo. Back in the day there was no word-count verification, and we used Yahoo! groups for the forums – which proved to be mighty inadequate. In 2001 there were about 1100 participants total, if memory serves, and it was the first year that people clamored for some kind of system to verify their word counts. This caught the organizers unprepared, since the whole thing is on the honor system anyway — it’s not like you benefit from lying about it. The thing is, it’s a tangible reward to submit your work and get a “hooray!” message back. It’s not about honesty, it’s about breaking through the ribbon at the finish line. I made a little AppleScript that could take an email, count the words in an attachment and return an “official” count, but I didn’t push it as a real solution.

My, how things have changed. As NaNoWriMo grew and its infrastructure improved, I made a bunch of friends on the message boards. I even found a sweetie there. Then, as NaNoWroMo grew yet more I stopped visiting the boards entirely. It’s too noisy for me there.

But now I’ve participated in NaNoWriMo ten times, and ‘won’ every time. Last year was close; it took a huge effort over the last three days to get me over the line. But I did it. At 50,000 words per year, that makes half a million words typed in November. The actual total is much higher, of course; there was one year where I wrote nearly 100,000 words. Still, half a million has a nice ring to it.

There was a period this year when NaNoWriMo started to feel like a job, like I was doing it this year just to keep my streak alive. I think there were about 100 winners in 2001, so at most 100 other people in the world can have a ten-year streak. But really, is that any reason to write something?

Then, at the end of the month, I wrote a couple of really good scenes, including an actual ending for the story (some of the middle is missing), and while it was not the ending I was imagining, it turned out really good. And sad. But good. It’s an ending that would probably piss off most action-adventure/mystery/detective/crime/whatever readers, but it resonates with me.

Now I’m all stoked about writing again. Sometimes after NaNoWriMo I hit a low spot, but I don’t think that’s going to happen this time. Note to self: Next year, make sure to put on a strong ending.

2

PLENTY Bad Enough!

I’ve been struggling with the excerpts from the bad novels that I am sprinkling though this year’s NaNoWriMo. The thing is, while all of the writing is rough, I haven’t managed to push the preposterometer to the ridiculous levels I was shooting for. I have fallen far short, for instance, of the ridiculous plot of Step on a Crack.

Until today.

As the month closes out, I have finally managed to write a scene that would rival some of the most ridiculous action stories out there. I haven’t quite reached the level of, say that Die Hard movie that takes place at an airport — I honestly don’t think I’m capable of that level of suspension of thought — or the afore-mentioned Crack, but at last I’ve written something that gets me into that general neighborhood.

In the scene our hero:

  • Runs from machine-gun fire, only getting hit in the shoulder.
  • Jumps off a bridge while clinging to a bungee-jumper. (Oh, yeah, our hero is afraid of heights.)
  • Has flashbacks the whole way down until he and the bungee jumper are plunged into the river. (I think I forgot to call the water ‘icy’ in the scene. You can’t be throwing a hero into water that’s not icy.)
  • While hanging there upside-down, sees a bomb on the underside of the bridge
  • Releases the bungee jumper so the bungee flings him back up to the underside of the bridge, right next to The Bomb To End All Bombstm (which gives time-until-detonation updates in a female voice)
  • Uses a piece of debris from an exploding police car to open the hatch on the bomb
  • Defuses the bomb
  • Gets knocked off the bridge to fall into the raging river below when his own car explodes

The “performing well even when you’ve been shot” thing is all the rage in movies these days, and has become one of my new genre peeves; it seems you can’t have a good guy go a full ninety minutes without absorbing some amount of metal. It’s not allowable that the hero’s performance be in any way diminished, however — he still has to kick ass and take names! Apropos of little, I recently read an assertion by an emergency-room doctor that gang kids who get shot are amazed at just how painful it is to have a bullet in your flesh.

I’m not sure whether I’ll post the scene here or not. Tomorrow I’ll try to decide if it reaches so-bad-it’s-funny level or just wallows in the so-bad-it’s-a-waste-of-time-to-read zone.

Not Bad Enough?

My story this November is about bad writers getting murdered. One of the things that makes this an excellent NaNoWriMo idea is that I can include excerpts of the fictitious bad writers’ fictitious bad novels. Which means not only can I just let fly with the prose, I don’t even have to cringe and tell myself that I will fix it later. I can revel in the mediocrity, even add things that normally I would never do.

Except for the complete absence of structure, however, even this draft of Step on a Hack is ahead of some of the crap out there.

Occasionally I will write a scene specifically intended to showcase common crime story clichés and blunders. Paragraphs of exposition and loose-end-tying while the protagonist and antagonist are in a burning building, for instance. It is a fun world to write in, where all the good guys are named ‘Buck’ or ‘Dirk’ and all shoot with far better accuracy than a bad guy ever could, where they live a solitary existence, all girlfriends and partners murdered, and are tormented by demons from the past. And out there somewhere, a criminal mastermind seems to have it in for that one detective.

Yesterday I thought, “I need a scene with cars and guns,” so I wrote one. Such freedom! As I wrote it I had several opportunities to include details that are personal peeves of mine (car doors stopping high-velicity bullets, for instance), but I didn’t. Instead I let the scene play out the way I would do it. It’s still mildly preposterous, but I think it scores in the acceptable range on the preposterometer for a story of this genre.

Were I to go back and tweak it, I can see several ways I could make it better, especially at the start, where I still had word-inflation and bad prose as goals. Overall, however, this scene scores a “not bad” from the not-as-dispassionate-as-it-should-be part of me that judges everything I do. Which, ironically, makes it unsuitable for Step on a Hack. Not enough for the cop reading the story to mock. Oh, well.

Here, for your amusement, is a scene with cars and guns. And swearing. If the occasional f-bomb is going to sour your stomach and cast a pall over the rest of your day, then you probably should stop now.

Ace Martingale shifted into fourth as the sleek black Dodge Charger roared up the ramp and onto the highway, a steel shark in the night. Ace lit one cigarette with another and threw the smoldering butt of the first out the window. The speedometer crept upwards, 70 then 80 then 90. He let it settle in at 100 miles per hour. A good speed. Fuck kilometers.

The mighty engine purred and the hot desert air blew Martingale’s hair and dried his sweat instantly. He punched in an eight-track tape to help him think. Lynyrd Skynyrd. Free as a bird now. Free as a fuckin’ bird. Maritngale smiled for the first time in five years.

He was out, he was in a fast machine, a twelve-pack of corona blondies in the passenger seat, bolt cutters, pick and shovel in the back seat. In the trunk, the last of his problems. Life didn’t get any better than this.

“Fuck yeah!” he shouted into the night. “Fuck yeah!” he threw his empty out onto the road and reached for another. By the time the glass bottle hit the pavement he was long gone. He was a spirit, a shaman, a god of the desert and he was going to live forever.

At Desert Center he left the interstate highway, turning north on state road 177, past a couple of industrial sites and into the breathing desert. Two lane blacktop. The way it was supposed to be. He slowed it down to a safe and sane 90 per and popped open another brew.

For the next hour he floated along the highway, in harmony with machine and road, alone and unencumbered. Past mile marker 239 he slowed. There it was. Martingale’s heart sped up a bit as he pulled into the primitive rest stop. Nothing more than a table and what had once been a sun shade. A rusting barrel overflowed with garbage.

He turned off the music and rolled gently to a stop, his tires popping over the gravel. Behind the table his headlights splashed on a gate adorned with a rusted, bullet-riddled “No Trespassing” sign swinging on a piece of wire. He left the motor running and reached back for the bolt cutters.

He opened the car door and stood, stretched his spine. The desert’s hot breath kissed his face. “I missed you, baby,” he whispered into the darkness. The gravel crunched under his boots as he walked to the gate. Before he even reached the gate, he froze.

The chain was already cut.

He dropped the cutters and ran back to the car, dove back in the waiting door.

A hole appeared in the windshield, nice and clean, matched by a larger, more ragged hole appeared in the rear window. The round passed his head with a supersonic crack and vanished into the night.

Martingale stayed low, cranked the wheel and mashed the gas. The car slewed and jumped forward, slamming the door shut. The passenger door made a booming sound like someone had kicked it, and a slug tore into the upholstery.

“What the fuck!” He screamed. Killing another man was one thing, but this car was a classic. It was art. You don’t shoot art. He lifted his head a little to guide the car out onto the blacktop, pointed north. The spinning tires screeched when they hit the pavement and thrust the car forward. The engine roared as Martingale went through the gears. The car started to float at one hundred twenty miles per hour, and Martingale held on for sweet life.

Two lights stared back at him on the road ahead. The eyes of an animal, reflecting his headlights. He hit it before he even had time to wonder what it was. Night insects flashed in his high beams, there and gone faster than a prayer.

More lights ahead. This time, a car. He hurtled toward it. Motherfucker had his brights on. Martingale pushed his speed up to 140. Holding the wheel with sweaty hands, twitching to keep it in his lane.

Just before the other car flashed past he hit the brakes. Flame burst from the other car, the muzzle flash of an assault rifle on full-auto, spraying the space he would have occupied had he kept a steady speed. The enemy flashed past as Martingale punched the gas again and heard bullets tearing into the rear of the car. Then he was away, and, for the moment at least, he was alive.

In the rear view he watched as the other car hit the brakes and began to turn around. Martingale was going to be a long was down the road before they even got turned around. They’d have to be driving one hell of a car to catch him.

He took a deep breath. Time to stop reacting and start acting. They had men and guns, he had a fast car and the desert.

This was his desert. Whoever those people were back there, they had missed their chance.

They knew about the rest stop, and that meant Olaf had spilled his guts. Which meant he was probably dead. Anybody with the means to make Olaf talk wouldn’t be the type to keep him around after they got what they wanted from him.

Martingale slowed to take one white-knuckle turn, then another. He checked the rearview. Nothing. Just before the next corner he switched off his headlights and slowed. He pulled off the road, over a cattle guard concealed by a boulder. He stopped the car and ran back to the road, brushing over his tire tracks with his boot. It didn’t have to be perfect, as long as they weren’t obvious.

In the still night he heard the hiss of the car as it approached, augmented by the roar of a large engine. He ducked behind the rock as the pursuit car screeched around the corner, then around the next curve and out of sight. He jogged back to his car. He’d be easy to spot by anyone coming back the other way.

He stopped short when he saw the bullet holes in the trunk, the metal shining silvery in the moonlight against the black paint. He put his hand on the trunk lid, afraid to open it. “Fuck!” he said, but there was nothing to do now except get well down this road before the others doubled back. He thumped the trunk twice with his fist and jogged to the door. He drove slowly, lights off, steering by moonlight but wishing it was darker.

1

November 1st, 2010

Well, another NaNoWriMo is under way, and this year my mystery/comedy (with action and adventure!) is off to a roaring start. It’s become a tradition for me to put my first day’s output here, and this year my novel’s prologue has guns, cars, hookers, explosions, and profanity! Not bad! Chapter 1 loses some of the momentum, but there’s no time to go back and fix it.

For those new to these parts, National Novel Writing Month is an event where participants are challenged to write an entire novel in a month. Quality is optional and often counterproductive.

There are a lot of ironies here, but I think I’ll discuss them in the comments thread.

Step on a Hack

Prologue

Benny Hamwich regained consciousness slowly, as if his brain knew something bad was out there and didn’t want anything to do with it. Someone was slapping his face, he realized.

“Benny.” The voice was low and gravelly and came from nearby. Another slap. Benny’s tongue was sandpaper against the roof of his mouth. The air tasted like hot metal.

“You really doped him up good.” That was a female’s voice, to his right, a little farther away.

“Benny!” Another slap, harder. “I know you can hear me.”

Benny blinked with sandpaper eyelids and tried to focus. He was sitting upright in the driver’s seat of a car. Convertible. Big. Beyond the long hood the city lights stretched before him. They were pretty high up.

“Benny.”

Benny wheeled his head to point it at the man crouching over him. He was a big guy, his lined, pale face divided by a thick dark mustache. Under the brim of the man’s hat one eye was squinted almost shut. The man’s smile revealed perfect, white teeth.

“Hello, Benny. Are you ready for a little science project?” The man’s adam’s apple bobbed as he talked, drawing Benny’s attention to a scar there.

“A… wha?” asked Benny.

Behind him a woman cackled. He turned to see her sitting in the passenger seat, her short skirt revealing long, slender legs. Her outfit was business sexy, and it worked well on her. She laughed again. Her teeth were not as straight as the man’s. “You should see yourself,” she said, and made a stupid face.

“Now, Marybeth,” the big man said. Benny turned back to meet his cold gaze. “Benny here’s been drugged. It’s hardly fair to judge.” The man reached inside his overcoat and pulled out a slender paperback novel. “Do you recognize this, Benny?” The man’s voice was cold and hard.

Benny nodded, too afraid to speak.

“Look, it’s got your name on it.” The man held out the book so Benny could see his name on the cover, near the bottom. At the top was another name, Penn Jetterson. In between, there was a picture of a rugged-looking man and a sexy woman in a massive white convertible. They were airborne, and she was kneeling in the passenger seat (showing a lot of leg), firing a wicked-looking assault rifle at unseen assailants behind them. He was gripping the wheel like a man possessed, grinnig. “TWO TO TANGO” the title screamed.

“You wrote that?” Benny turned back to the woman in the passenger seat. He was going to hurt his neck wheeling back and forth like that. She looked a bit like the woman on the cover of the book. “Really?” she prompted.

Benny nodded. “Yeah.” His voice cracked. He swallowed and tried again. “I wrote that.”

The woman smiled. “That’s terriffic.”

“That remanis to be seen,” the man said. Benny turned back around to face him. It was much more pleasant to look at the woman. The man tossed the book into Benny’s lap. “Thus, our little experiment.”

Benny forced himself to look around. He was in a white Lincoln convertible with red leather seats. A mighty piece of Detroit iron from back when big really meant big. The same kind of car Dirk Freemont drove in Two to Tango. They were on the roof of a building half a mile from downtown. In front of the car, rails stretched to the edge of the roof. Behind him a machine hissed with escaping steam.

“We are going to do a little reenactment,” the frightgning man said. “Have you memorized your lines, Marybeth?”

“Sure,” she said.

“Since you haven’t had time to prepare, Benny, we’ll let you read from the book. Chapter one, as you have no doubt surmised.”

“Wait, what’s—”

“It’s like this, Benjamin. I have a difficult time accepting that chapter one is, well, possible. Which sort of undermines the rest of the story. So we’re going to reenact some parts of it and see. Perhaps I am mistaken, in which case you’ll have my most sincere apologies.”

“What about all this?” Benny indicated the rails.

“It’s like a flight simulator. We’re going to make it feel like you’re flying while you go through the dialog. We’ll plug that back into the computer to see just how far you actually would have flown.”

“This is bullshit.”

“Benny, I’m afraid I must insist.”

“Come on, Benny,” the woman said. “Just say your fuckin’ lines so we can get out of here. If you’re fast enough I’ll throw in a blowjob.”

The scary man smiled. “Most of Marybeth’s acting career involves less clothing,” he said. “You two have a lot in common.”

Benny opened the book with fuddled fingers and found chapter one.

“I highlighted where we will start,” the man said.

Benny scanned ahead until he saw the mark.

 

“We’re cornered!” Marybeth cried out.

“Hardly,” Dirk grumbled. He mashed the gas pedal down to the floor. With a throaty growl the 455-cubic-inch engine thrust the Lincoln toward the edge of the parking structure. With a roar the mighty beast crashed through the rail and out into space. Directly ahead an office building loomed.

Marybeth flipped down the visor and inspected herself in the little mirror there. With her little finger she fixed a flaw in her lipstick. “I think you should know that I’m sleeping with Steve,” she informed him.

“What?” Dirk growled. “Steve’s my partner!”

Red-tipped tracer bullets streaked past, leaving burning trails of magnesium and strontium nitrate…

 

“Ready, Benny?”

Benny glanced up from his writing. “Fine. Let’s get this over with.”

“All right, then. Marybeth, you start when I say ‘action’. Really go for it, all right? Show me what you can do.”

“You said this was an audition.”

The man indicated a video camera on a tripod nearby. “It is. If this works out, I’ll be optioning the screenplay rights. This is your chance to be a real actress.”

“You’re going to make a movie out of Two to Tango?” Benny asked. It was the opportunity he’d always dreamed about — only, in his dreams things were… different. Less scary.

The man patted his shoulder with a gloved hand. “Whether the movie gets made is up to you, now. Let’s see if we can’t resolve some of these pressing questions.” The man stepped away from the car. The night hung dead still around them, the city below lay quiet. The man glanced around, assured himself that all was ready, and pulled a stopwatch from the outer pocket of his coat. He practiced with the buttons a couple of times. Satisfied, he looked up and said, “Action!”

“We’re cornered!” the woman shouted, her voice an icepick in Benny’s ear.

“Hardly!” Benny said, and grabbed the steering wheel for effect. He mashed the gas pedal even though the engine wasn’t running.

His head snapped back againt the seat’s headrest and he was pressed into the leather upholstery with such force the air was driven from his lungs and spots appeared in his vision. He stomped on the brake but that had no effect as the car was launched into the air and sailed over the edge of the building.

On the rooftop, the man stood in the steam washing out from the catapult and watched the car float through the air, slowly rolling over and going nose-down. He could hear the prositiute screaming. Damn her voice was annoying. After a few seconds the white streaks of tracer rounds flashed up from another rooftop, slowly converging with the the sailing car. Would Benny appreciate the bullets’ red tips? It seemed unlikely. If Benny survived, as his protagonist had, the scary man would be sure to ask.

The Lincoln was no longer right-side-up but still a bullet found the gas tank. The car didn’t explode but a nice gout of flame erupted from the back just before the land yaht slammed people-first into the side of a building downtown. The man stopped his timer.

There was a delay before the low whump reached the man’s ears, followed by the crunch of metal against concrete, and the crash of shattered glass. The flaming wreckage bounced to the side and fell out of sight to the street below. The surrounding buildings were lit by the yellow glow of the fire.

The man looked at his stopwatch. Thirty-five seconds. Not quite enough time for the dialog as it had been written, but he thought he had made his point.

Chapter 1

Penn Jetterson stared at the book lying on his polished oak desk. Kissed a Snake, the title read in bright red lettering, underneath that, A Jake Marten story. The type arched over a glossy drawing of a man in the crosshairs of a rifle scope. Behind him a hot nun stood in the entrance to a cathedral. She held a gun, and was poinging it at the man’s back. Or was she aiming at the man holding the rifle?

As covers went, he’d seen worse. This particular book cover had two real problems, though: His name across the top and the name of Andrew Zen across the bottom. The name at the bottom meant the book would be awful. The name at the top meant he would be blamed for it.

#1 BESTSELLER! A banner in the corner said, although the book had yet to sell a single copy. That didn’t matter; his name was on it. Reviewers would rave in exchange for advertising dollars. Jetterson would make a lot of money. Preorders were strong, but not as strong as they had been for the previous book. Still, lots of people would read it. A few of those would never pick up a Penn Jetterson book again. People were starting to realize the Emperor had no clothes.

He lifted his whiskey glass and found it empty. Seemed like he’d just filled it. He knew he shouldn’t, but some days there was no helping it. He pulled open the large, lower desk drawer on his right and pulled out his bottle of Ardbeg, his beloved Islay single-malt. He poured himself a couple fingers of the amber liquid and paused to let the earthy smell fill his sinuses. He put the bottle back, noting that there were only two left in reserve. He closed the drawer.

The book sat in front of him, waiting.

Before he could stop himself he reached for his phone and dialed a number he knew by heart.

“Penn! Darling!” Emma Coe’s voice gushed down the line. “How’s my favorite writer?”

“I haven’t been a writer for a long time.”

“Poppycock!” Somehow it didn’t sound ridiculous when Emma said words like that. “You’re at the top of the best-seller list. Did you get the book?”

“Yeah. I’ve got it right here.” He picked up the object in question, gazed at the brightly-colored cover. “Looks nice.”

“Wonderful! I’ll tell them we’re ready to go.”

“Uh… hold on a sec, Emma. I’m not sure I’m going to approve this one.”

“Don’t joke with me like that, Penn. You’ll give me a heart attack.”

“It’s not very good, Emma.”

“Have you even read it, Penn? You can’t have had it for more than half an hour.”

Not that it would take much longer to read this fluff. “No, Emma, I haven’t.”

“Well then, there you go. What makes you think it’s so bad?”

“It’s a Jake Marten story, written by Andrew Zen. They’re all bad, and each is worse than the last. I think Zen is unlearning his profession. And seriously, what the hell kind of nom de plume is Andrew Zen?”

“Oh, Penn, let me be the judge of what’s good and what’s bad. Didn’t I help you when you were a struggling writer?”

“Yes, Emma.”

“Really, Penn, Andy may not be as good as you, but he’s plenty good enough.”

Penn flipped the book and looked at the back cover. His heard skipped a beat as he read the description. An asp in a copy machine? Had that really been his idea? He vaguely remembered an outline he had tossed off one night, maybe three years ago. Paper Jam, he’d called it back then, but the publisher never kept the titles Penn gave the stories. “Emma, I don’t think that was one of my best ideas. And after seeing what Zen does with my good ideas, I’m afraid to even open this one. The stink will kill me.” Jetterson took another healthy swig of whiskey to fortify himself against such an occurrence.

“Penn. Honey. Relax. The reviews are in, they love it.”

“They’re paid to love it.”

“We’ve got a big signing scheduled, we’re bringing in busloads of people from nursing homes to pack the place. Blockbuster! Lines out the door. New York TV coverage. Great buzz on the blogs.”

“For this?

“For Jack Marten. He’s huge. They’re talking about Schwarzenegger for the movie. People want this, Penn. Look, you and I both know that the books aren’t perfect, but they sell. And that’s what matters.”

“But…”

“Now, Penn. It’s your name on the book. Jack Marten is your creation. If you tell me to kill this book, I’ll kill it. I’ll kill myself, but I’ll kill the book, too. So. Do you want me to throw away millions of dollars and kill this book, or do you want me to push the hell out of it and get us a sweet movie franchise?”

Jetterson felt one of the last remaining bastions of integrity crumble in his soul. He’s sold out long ago. He lived on a farm in the country, drove a nice car, traveled the world, entertained mistresses. All he had to do was produce two outlines per year for each of six series that bore his name, along with the name of some talentless English major that Emma met at a party somewhere. He had no doubt that the hacks actually believed they were good.

“All right. Publish it.” He put down the book and emptied his glass.

“Fantastic. I’m sure you’ll feel better when the checks start arriving.”

“Yeah.” He reached for the drawer and stopped himself. At least wait until the end of the phone call.

Emma’s voice dropped and became breathier as she moved her mouth closer to her phone. “They found out who was with Benny.”

“Who’s Benny?”

“Benny Hamwich, of course. It was a prostitute.”

“I see,” he said, even though he didn’t. It didn’t surprise him at all that his co-author couldn’t get laid on his own. The only mystery was why anyone else would care. “I don’t pay attention to gossip.”

There was a pause. “You didn’t hear?” Emma asked.

“About Hamwich and a prostitute? No. I couldn’t care less about his personal life.”

“Benny’s dead, Penn.”

“Oh? Really?” Jetterson made a half-hearted attempt at sadness and failed. The man had actually used the phrase “As you know, Bob,” in a story. There were times his stores grew so preposterous that Bennie Hamwich made Andrew Zen look like Shakespeare. “What happened?” Jetterson asked to fill the silence on the line.

“Oh my God, Penn. You will not believe this. He ran into a building in a car.”

“What an idiot.”

“Three stories up, Penn. Three stories up. Just like in Two to Tango. No one has the slightest idea how he did it.”

“When did it happen?”

“Three a.m. this morning. They say the car just came out of nowhere.”

4

NaNoWriMo 2010 is Upon Us!

I haven’t done much (well, any, really) planning for my novel-in-a-month adventure this year, but I’m really hoping to restore my writing momentum with a good, hard deadline. I’m pulling out an idea for a story that my sweetie and I hashed out. After I make this awful draft, we’ll work together to make a not-awful version. The idea has a lot of potential. Here is the synopsis I tossed together this afternoon:

Step on a Hack

Penn Jetterson is a best-selling author. The thing is, he doesn’t do much of the writing anymore — the publisher assigns writers to churn out novels based on outlines Jetterson jots down between highballs. Lately, the quality of the work has suffered dramatically. For a while he’s been content to simply sit back and rake in the cash, but lately the writers assigned by the publisher to fill out the plots he dreams up have been, well, awful.

The latest stinker, pooped out by one Bennie Hamwich, opens with a couple having a marital spat while in a car, flying through the air after driving off the top of a parking structure during a high-speed shootout. She is doing her makeup. He is lighting a cigarette. The car continues its improbable arc. She tells him she’s having an affair with his partner on the force just as tracer bullets (tracer bullets!? really?) hit the gas tank, exploding the car.

That’s chapter one. Through an improbable (and unfortunate for the reader) series of events, the bickering couple is still alive in chapter two.

The excerpts from those novels would be downright funny — unless it’s your name on the cover of the book. Penn Jetterson needs a way to salvage his name.

Conveniently, the horrible co-authors are being murdered in horrible, improbable ways that only they could have dreamed up. When poor Bennie Hamwich’s body is recovered from the fiery wreckage of a car that slammed into the side of a building (three stories up), with the charred remains of an unknown woman in the passenger seat, it doesn’t take a rocket scientist to make a connection between the novel and the method of his demise. (Although it might take a rocket scientist to actually make it happen.)

Sales of Bennie Hamwich’s last piece-of-crap novel skyrocket on the news. Another untalented co-writer is eaten by piranha in the sewers of New York. A third meets his demise in an unlikely incident with a photocopier and a bottle of snake venom.

Who is killing the hacks? Is it Jetterson, trying to clear his name? Or is it the publisher, in a despicable attempt to boost sales? Or is it someone else, revealed at the last moment in a true crime against the mystery genre?

Only time will tell, my friends, only time will tell.

Any connection you might make to this horrible book is strictly coincidence.

NaNoWriMo Wrapup

Well, November’s in the books and another noveling adventure is over. On the strength of a 7000-word Saturday and an 8000-word Sunday, I flashed across the finish line in a blaze of mediocrity, with 22 hours to spare.

woo hoo!

woo hoo!

The first draft of almost every novel ever written is terrible, which is one of the reasons I like NaNoWriMo. I can spend a month and spew out a draft that is 81% crap, or I can spend months of hard work and craft a first draft that is 73% crap. (Of course that assumes that at the end of the month I have a complete draft, which I haven’t managed to pull off lately.)

So after that exercise in long-winded blathery, I’d like to give you a long-winded summary of the results. You don’t have to thank me, it’s what I do.

Before I get to that, though, I would like to share a lesson I learned this year. It’s not the first time I’ve learned it, but it really hit home this time around. There I was, off on a tangent with a secondary character who didn’t like his job and wasn’t doing it well. Meanwhile I was recognizing that there was no way I was going to finish the story by the end of the month. I stopped right in the middle of the scene and told myself out loud, “Get to the action!” I had a lot of events mapped out in my mind, conflict and death and love and all-out vampire smackdown. Why was I writing about Troy being a whiny little jerk?

Get to the action. I really need to do that more, in everything I write. I think I will write a little program that will flash “GET TO THE ACTION” on my screen every hour whenever Jer’s Novel Writer is the front application.

I got to the action. Here then are some notes about the fruits of my labor.

**** Minor spoilers ahead! That probably doesn’t matter, unless you want to read a sloppy partial realization of the following. Much of the vampire world backstory is never explicitly stated. ****

The Vampire World

I borrowed from extant vampire literature, of course, and I took many of the ideas you guys supplied and ran with them. Should this book ever see the light of day, some of you will be able to point to bits and say, “that was my idea!”

Modern vampire culture is tightly regulated. Vampires must get a permit to hunt, and creation of new vampires is carefully regulated. There is a council of nine vampires that rules on the authority of the charter, a document that spells out the political structure of vampire society. Theoretically, the members of the council are also bound by the laws of the charter.

Since the council members are immortal, there’s not much room for advancement for younger, ambitious members of society. The council is isolated from humanity (many of them feel walking in a city the way we would in a stockyard), and some members are quick to abuse their power. This has led to a volatile situation.

There is a handful of old, powerful vampires who existed before the charter, who enjoy a degree of autonomy within their own territories. These vampires can hunt and convert new vampires without the blessing of the council, but they know that they cannot push things too far. Some members of the council wish to end their special status.

Vampires are truly immortal. Sunlight causes them enormous pain and harm, but given enough time even a vampire with a full ‘sunburn’ will recover completely.

Hunting permits specify a grade of human, from grade zero – drug addicts and bums, the equivalent of a human eating out of a dumpster – to grade five. Grade five humans are rare and tend to be missed when they are killed, so most vampires go their entire lives without tasting a grade-five human. Such delicacies are one of the perks of wealth and power in vampire society.

Throughout most of history, vampires were very selective concerning which humans they would bring into their ranks. This had benefits for both races, but vampires have always been more technologically advanced than humanity. There was a period, however, when many of the more powerful vampires assembled harems. Over the period of two centuries the population of vampires spiked, while the new vampires were selected for physical beauty and special skills (ahem) rather than intelligence of personality traits. Eventually the council cracked down on this practice (once they all had their own harems), and since that time it has been almost impossible for the council to agree on a new conversion.

As in the Ann Rice (with Buffy Extensions) World, there is a special bond between a vampire and their ‘parent’, the vampire that created them. However far apart they are physically, they can always feel the presence of the other. Also from the AR(wBE)W and earlier stories, vampires have the ability to mentally compel others, including other vampires. Most of the harem vampires are under compulsion of their masters.

That’s the world in a nutshell; of course there are far more details in my head that may or may not make it onto the page. Still, it’s a good setting for lots of conflict, especially with the sudden wild card that our friend Deek stumbles across…

The Charcters

Deek is a classic slacker, a nobody, a burden to society. He is also a grade-one meal, but he gets lucky and finds himself with a dismembered vampire under his bed. He knows he has to get rid of it somehow, but whatever he does the vampire will eventually reassemble and come for him. In desperation he eats a small portion of the vampire. It almost kills him, but as a result he absorbs a tiny portion of the vampire’s power. Deek has stumbled on a way to truly kill vampires. He also becomes addicted to vampire flesh. When he finishes the one, he must go find another.

What little Deek knows of the opposite sex he learned in Maxim magazine, and he’s frustrated that his new powers haven’t helped him get laid.

One side effect of his new-found mojo: The aura he radiates makes him appear to vampires as the most delicious-looking human they’ve ever met. He’s like super-concentrated life.

Agatha is one of the youngest vampires. As a human she was a genius without peer, and the vampires converted her. She’s a little odd, however, and no vampire can understand why. The identity of her parent is a secret closely guarded by the council; she has never met her parent and doesn’t feel the same connection that other vampires do. In fact, she is an orphan, a concept completely foreign to vampire thought. She never even considers the possibility, and no one else does either, except…

Igon is the senior member of the council, a wily and corrupt vampire whose power has been growing steadily over time. Igon also knows how to bring true death to a vampire, and has more than once resorted to cannibalism. He is a champion of Agatha, and he killed her ‘parent’ moments after she was converted so he would not be a rival for her attention.

Lumír would be Julius Caesar if this was ancient Rome. He is an ambitious young vampire with a mean streak, and he thinks it’s time for the council to be swept aside. Modern technology should allow vampires to control humanity like never before, turning the world into a giant food factory filled with ignorant, sated, masses following the vampires’ lead blindly. At the 48,000 word mark Lumír crosses his Rubicon, and he engineers a crisis in the council that leads to violence, while Lumír waits in the wings with his outsider friends. When I was telling myself ‘get to the action!’ I was telling myself that Lumír was ready to stir the pot.

Yvette was originally converted to be part of a harem, but her intelligence and personality were strong enough for her to carve her own life. She loves to play with her food. Filled with a lust for life, she is one of Agatha’s only friends. Yvette’s parent was Agatha’s lover for a while, but that didn’t end well at all. Yvette has angered a council member and as a result has not been granted a hunting license in a long time. She is starving.

Jody is a waitress at a local pizza joint, who is increasingly impressed by Deek’s maturation as he is forced to get a job, move out from his mom’s basement, and get his act together. He has risen in her estimation to the “good enough for my friend” status. Deek has a serious crush on her, and has come up with an idea for separating her from her boyfriend. His plan may have complications. I’m just saying is all.

So there you have it! A partially-realized partial idea for a novel. Not all the characters make it to the end, and others come in now and then to mix things up.

When you’re the leader of the vampire council and you’re on the wrong continent when conflict breaks out, time zones can be a real bitch.

Hit it!

It’s six days to December. I have 29,000 words to go, few work responsibilities, it’s dark, and I’m drinking decaf.

First Names

What would a really, really old (at least 2000 years) female vampire be named? Would she modernize her name over time, or stick with the original? She has been isolated from mainstream society (but not vampire society) for the last few hundred years.

A Quick Perfume Question

What would be a fairly unusual but not ridiculous scent for a waitress in a bar to wear? Something subtle, perhaps a bit sexier than one would normally wear to work.

Where There’s Vampires…

I haven’t considered putting werewolves into my November Epic, but at the World Fantasy Convention I joked that after I finish The Quest for the Important Thing to Defeat the Evil Guy I should follow with Vampires and Werewolves Get It On (and Oh, Yeah, There’s Zombies Too). Although this book has already been written many times (as has Quest), it’s never been written as honestly.

Secret insider information I’ve received indicates that there is another movie in the reputedly-wreched Twilight series (excuse me, saga) coming out. In it, vampires and werewolves get it on. No word on Zombies. (“Get it on” can mean different things in different contexts; while usually it has sexual connotations, it can also mean to come into conflict. That’s what makes the title so perfect. When they’re not getting it on, they’re getting it on.)

Quest was a title I’d been hoping to drop casually in a conversation with a publisher, get them all excited, and have them give me lots of money. While I did talk to a couple of publishers, I never got to that level of conversation. In one case that was my fault; they were celebrating the launch of a book with a reading, and the four authors weren’t very good. I didn’t stick around. Someone was eventually going to ask my opinion.

So, I still have my day job. I have completely failed to balance work and life; failing so badly that I’m also not getting enough work done.

For NaNoWriMo I’m way, way behind on word count, but thanks to you guys my vampire society is a complex one filled with internal conflict. It creates the perfect setting for someone to do to the vampires what they do to humanity — hunt them for food.

Maybe in one of the blockbuster sequels I can toss in Lycanthropes. And, oh, yeah, Zombies, too. And ninjas.

No pirates, though. That would be crass commercialism.

Undead Employment Agency

Let’s say for a moment that you are a vampire. As a vampire you probably have developed some expensive tastes, you need a secure place in the daytime, and you’ll want some sort of cover to allow you to meet potential victims. In short, even as a vampire you would probably need to find a job.

Obviously it has to be a night job, and paperwork might be a problem depending on whether you’ve managed to establish a false identity or not. (“Says here you were born in 1895…”)

With those considerations in mind (and any others you come up with as well), what job would you have? Or is there another way to pay your rent without working, a particularly vampiric one?

November 1, 2009

Yesterday wasn’t as prolific as day ones have been in the past, not nearly so, but overall I’m pleased with the quality. Here’s the first chapter, which represent a large fraction of my day one output. Now I need to forget about quality for a while and get the dang story out.

Be warned that this episode contains profanity. Deek is not a terribly genteel guy.

Immortal Flesh

Deek lay in his bed, his thin limbs tangled in the sweaty sheets, his skin pale in the light of the moon splashing through the small window high on the wall of his room. His breathing was shallow, his eyes open wide, dark rings beneath them a testament to many sleepless nights. His shortish dark hair poked out at all angles, stiffened with dried sweat and grime. On the apple crate that served as a night stand sat a clock radio, empty beer cans, and a hatchet, its blade rusted and dull in the moonlight, its cracked wooden hand grip poking out toward him, so he could grab it in an instant.

There was a monster under his bed.

He closed his eyes, held them shut, tried not to hear the faint scratching from the Band-Aid box (sealed with Band-Aids), where a severed finger twitched, whether reflexively or guided by a desire to escape its confinement Deek did not know. A sighing sound as a Hefty bag with a slab of thigh in it settled in a new position. A rattling as teeth tried to escape the Altoid box that held them. Furtive sounds, patient, like they had all the time in the world.

There must be fifty fucking containers under there, Deek thought. Fifty pieces of vampire. Probably more. He had tried cutting the pieces into smaller and smaller slices, but no matter how small the pieces, they still remained animated.

How? The energy must be coming from somewhere, some power source unknown to science. There was a fucking Nobel prize under his bed, for someone who could crack that mystery. Probably a lot of Nobel Prizes. Scientists would shit over shit like this.

There would be no Nobel prizes for Deek, however. For him the boxes under the bed meant nothing except a slow and painful death. If there was one vampire, there would be others. And they would be pissed. No doubt they were already wondering about their missing buddy, checking the places he had last been seen, asking about who he had gone home with. Deek needed to get rid of the thing, soon, and he had to make sure it never came back.

Schwik-schwish. Deek jumped. He hated that sound most of all, when the heart in the zip-lock bag decided to beat, even though there was no blood for it to pump.

There was plenty of blood down there under the bed, though, pooling, clinging to the surfaces of the containers that held the rest of the parts. It had a musty smell, a little sweet, that made Deek’s throat tighten.

Deek’s own blood stayed where it had fallen, staining the oval rag throw rug. Mom was going to be pissed when she saw that.

Something in a shoe box—a foot, in all likelihood—started to bump against a milk crate filled with tupperware containers. Bump, bump, bump. Deek could move the boxes and gain peace for a while, but eventually the bumping would begin anew.

Once more Deek put in his earphones and turned up his music. For a moment it helped, but the only thing worse than hearing the shuffling and scratching beneath his bed was not hearing them. What if something got free? Every sound that came from outside his earphones made his stomach go sour with fear.

Deek sat up grabbed the hatchet. He swung his feet over the edge of the bed. Nothing reached out to grab him. He stood and felt safer after he took two steps, over to the microwave and hot-plate his parents had given him when they agreed to let him rent the basement. Not that he ever paid rent.

He opened the fridge, pulled out a can of beer, and popped the top. He took a long drink and started to feel a little better. He drained the can. In the corner was a plastic bag filled with empties; he balanced this one delicately on the pile before getting a new one from the fridge. Almost out. No way I’m going to the store with this thing here, though. No telling what I’ll find when I get back.

Something thumped under the bed, one of the larger pieces. Deek spun and held the hatchet out in front of him, but nothing more happened.

On top of the microwave was a cereal bowl. Inside a thumb twisted and writhed like an earthworm on a sidewalk. Before Deek had gone to bed he had chopped the thumb into a puree. Now it was whole again. Eventually all the pieces stashed under his bed would find a way to come back together, no matter what Deek did, no matter how far apart he could separate them. Then the vampire would find him. It would not be so careless next time.

There had to be a way to kill it. There had to be some way to disconnect the atoms of the undead flesh from whatever force it was that preserved it and gave it the energy to move. Was there intelligence guiding that force? The vampire’s brain was in several pieces, some clinging to the fragments of the shattered skull, others in their own containers. A quarter of the head was in a mayonnaise jar at the foot of the bed, the eyeball popped free from its socket, dangling by the optic nerve. It seemed to be watching him. For a moment Deek thought he was going to puke again. He took another gulp of beer.

How do you kill something that’s not alive? Not alive like he was anyway.

Deek pulled out the big kitchen knife he’d borrowed from upstairs and put the thumb on the stained wooden cutting board. He chopped off a section, the knife severing the bone with a crunch. A drop of blood, almost black, escaped and then oozed back into the larger piece of the thumb. Nothing he had done so far had robbed the flesh of the power that quickened it.

He picked up the smaller piece, a disk of grey flesh with a circle of bone in the middle, and nearly dropped it when he felt the flesh move between his fingers. Mincingly he set it back down, farther from the rest of the thumb.

Tears welled in Deek’s eyes. He was fucked. Well and truly fucked. They would come for him, the vampire’s friends, they would take him and they would exact their revenge and when they were done with him his mutilated body would be discarded some place no one would ever find. No one would even look for him; his mom and step-dad would just breathe a sigh of relief and wonder where he’d got to. His friends might miss him for a while, but then they’d just get stoned and soon he would be forgotten. As if he had never existed.

“Fuck!” he shouted. He stabbed the larger part of the thumb with the knife, pinning it, preventing it from wriggling over to connect with the section he had sliced off. Tears ran down his nose and made dark circles on the cutting board. With an incoherent scream he threw his empty beer can against the wall as hard as he could. It clattered impotently against the unpainted cinder block and rattled down behind the fridge, coming to rest on the condenser coils. A thin stream of foamy backwash drained down onto the floor.

His anger gave out. His knees couldn’t take his full weight anymore; he clung to the microwave with shaking hands, his nose filling with snot, his vision blurred. “Fuck,” he sobbed. “I didn’t ask for this.”

Mojo. Juju. Magic. Deek thought about something he had read once, something about warriors absorbing the strength of their enemies. He looked at the cross-section of thumb, mushroom-colored, quivering slightly, smelling of damp earth. The earth of the grave. An idea took root somewhere in his cerebellum, spreading tendrils through his mind before finally blooming in his consciousness. A laugh escaped his lips, edged with hysteria. “Hell,” he said to the specimen. “What do I have to lose?” He laughed again, a deranged giggle that sounded like a horse whinny.

He opened the fridge once more, pulling out the next-to-last beer, and a bottle of ketchup.

An Onomatopoeia Question

Hey guys! It’s November, and that means the annual tradition of pooping out a novella in a single month is under way. My time will be more limited this year, so I plan to use the bloggcomm as a resource. I’m going to toss out questions here and let you guys mull over things, rather than getting hung up on the details myself. We’ll see how it goes (it may take longer to ask the question here than to think of a good answer myself, but I like the group-participation angle.)

First Question:

If you have a human heart in a zip-lock bag, and the heart is still beating, how would you describe the sound?

Maybe not so Unprepared After All

It appears many of the materials I wanted to have prepared for this weekend aren’t necessary after all. These publisher and agent types don’t want to be encumbered with paper, so I just need to leave a strong impression and a name. Then it’s up to me to follow up later.

Man I can’t tell you what a huge relief that is. Now all I have to do is hook some movers and shakers, then come home and get the stuff ready for them – simultaneously with NaNoWriMo and my job. What could be simpler?

On the subject of NaNoWroMo, my story this year will have one of the best opening chapters of any book ever written by anyone. If I can get it right. I am fired up and ready to go!