A stranger in a Prague café brings a message from a dead Bluesman.
I’m getting the hang of this podcast thing, I think. Despite the fact this is a longer story the recording and editing went quickly. Cowboy Bob’s voice softens over the course of the reading, reflecting that my voice was getting a little tired, but other than that I’m pretty pleased with the results.
Naturally there are a few lines I think I could have done better, but my reading was helped by the fact that a couple of years ago I coached someone else through the words, and realized that Bob speaks staccato, while the narrator likes to roll with long vowels. I cleaned up the language just a touch, as I’m not sure just where “the line” is at the iTunes store.
Recently I linked to a fellow blogger’s post about the life cycle of blogs; I can see the same tendencies for podcasts. This is my fourth episode, and, well, according to the numbers from PowerPress (the plugin that simplifies publishing to iTunes), the popularity of the series is trending, if at all, downwards. Taking a two-month break didn’t help anything, I’m sure, but I think my expectations may have been a touch on the unrealistic side. So, more work than expected to produce plus no instant celebrity probably kills a lot of podcasts early in their careers.
Then I remind myself that I have a blog which I spend too much time coding on and hasn’t earned me any recognition either, even after nearly a decade, and I’m still plugging away here. Um… wait, was that supposed to be encouraging?
Showing kindness to others is its own reward – especially when the ‘other’ is a three-headed kitten.
The long-overdue third in the series; I almost forgot how to do all this stuff. I did figure out why the audio quality was so different last time, but hell if I kept having problems with plosives this time around.
I also learned once more that writing for a performance and writing for readers is different. In some places I made edits to the story to help keep it clearer who was talking, and perhaps I should have done that a little more. Still, I’m pretty happy with the result. One of the downsides to using my favorite stories first is that I make my mistakes on them. Once I’m rich and famous I’ll go back and redo the first ones as well.
Episode two takes a more serious turn, with a story of friendship and life, and the end of one but not the other.
So, I set up to record the thing, and I thought this episode wouldn’t take as much time to put together since I already had my template set up. I recorded the story and it went smoothly. I assembled the takes and got it all paced correctly. Then I put it into the template from last time and discovered that, despite using the same room and the same microphone, it sounded totally different. I tweaked some settings and tried again. Still totally different. “Must be the proximity effect,” I thought, and recoded again, with the mic closer to my mouth. Nope. Still different.
I think the difference might be the way I connected the mic to the computer (through a USB adapter the first time, straight in the second). I tried replicating the effect using software, but I wasn’t terribly successful.
Still, once you get past the sudden change in acoustic quality, the story does all right.
This is the first in a series of podcasts in which I read some of my favorite stories from the past. I’m starting off on a lighter note with Hell-Cricket. Enjoy!
I learned quite a bit as I put together all the bits to make a polished and fun podcast, and I still have a lot to learn. Subsequent stories should be easier, as I get all the intro and outro stuff figured out, and the mechanics of publishing squared away.
I still have some tweaking to do; if you have any technical difficulties or suggestions in general, I’d love to hear about it in the comments!