Episode 11: Trapped!

Note: To read the entire story from the beginning click here.

We dove through the door as I heard bullets crash into the wall over our heads. Lola was clinging to my arm now, making it difficult for me to get my piece out of the shoulder holster. Not that it was going to do me much good against a tommy gun.

We were in an alley, the night black between the warehouse we fled and its neighbor a few feet away. More bullets tore through the wall behind us. The whites of her eyes shone in the blackness. “What should we do?” she asked.

My plan was a simple one—get as far from that place as possible as quickly as possible. I turned toward the mouth of the alley as a dark shape stepped around the corner and stood in silhouette against the slightly less dark night beyond the alley. Even if I could take that guy down there would be others. I started the other way and was lucky when the man waiting there decided to light a cigarette. No way out either end, and no way back. “In here,” Lola Fanutti whispered, crossing the alley. I heard the jingle of keys, quickly silenced. “This is one of mine as well.”

The gunfire died down. The man at the top of the alley didn’t move; he just peered into the inky blackness. It wouldn’t be long before someone came through the door we had just used, and it wouldn’t take long for them to figure out where we went. I wanted to smash through the door, but if it was like the one we had just used that would be difficult. If I failed, the sky would be falling before I got another chance.

“Damn it, damn it, damn it,” she began to mutter and I heard the hysteria creeping into her voice.

“You can do it, Mrs. Fanutti. Just take a breath and relax. They’re going to be careful stroming the office, especially if they want you alive.” Whoever they were. Me, they wouldn’t be concerned about one way or the other, as long as they got what they wanted.

The door opened with a soft click. “Call me Meredith,” she said as I slipped in behind her. I closed the door behind me and threw the deadbold as quietly as I could. In the silence of the warehouse it sounded like a lead pipe had fallen from the rafters. “My husband is dead,” she said in a voice that somehow didn’t echo, “I’m not one of them anymore.”

I stepped into the blackness but she put a hand on my arm. “This way,” she said, leading me toward the back, where I imagined there were large doors for loading cargo off the wharves beyond. As we moved through the shadows I heard someone test the door behind us. After a pause there came a crash and the sound of cursing. It wouldn’t be long now. I followed her as she groped her way as quickly as she could toward the door and freedom. We were almost there when someone outside tested the door, rattling the latch and calling something back to others. Too late. She turned back to me, her pale face seeming to hover over the black collar of her dress. Then she dropped to all fours and started groping around. I crouched down as well.

“There’s a trapdoor here somewhere,” she said. “Sometimes we don’t want to draw attention to the things we ship.”

The door we had come in flew open in a hail of gunfire. “Spread out,” a gravelly voice behind us said. “Find the lights.” Footsteps echoed through the building.

As I groped I felt the floor move beneath my knees. “Damn,” she whispered. “Something’s holding it shut.”

“That’s me.” I shifted and she swung open the trap, revealing a darker rectangle in the floor. She sat on the edge, dangling her feet into the nothingness, then turned to find the ladder. I followed as closely as I could without stepping on her fingers and pulled the heavy door shut.

“There’s a latch,” she said from below me. In the complete darkness it took me a long time to find the hardware and slide it home. I heard voices above, and footsteps crossed directly above me. When the lights came on I could see a thread of light around the square of the trapdoor. Carefully I continued down until my foot found solid floor. When I released the ladder it was like it had never existed. There was just me in the darkness.

I felt her hand find my shoulder. “I think it’s safe to light a match,” she said, almost in my ear. I dug one out and brought it to life, nearly poking her in the eye in the process. I shielded my eyes from the blinding glare and surveyed our surroundings. The room was square, the walls were bare stone sweating in the flickering light. The floor was stone and there was no door that I could see. There were a few crates lying around the perimeter with no plan or pattern. Lola’s—Meredith’s—face was lined with worry, showing a fatigue I had not seen on her controlled features before. The flame reached my fingers and I dropped the match, plunging us into darkness more profound than before. I felt her move closer to me in the blackness.

“Is there another way out of here?” I asked.

“No.” I felt her shiver, transmitted through her hand to my shoulder.

“May as well make ourselves comfortable, then.” I thought of the dinner I had left on the table next to Alice’s. She would have had it packed up to take back to her apartment for her mother. It would be there now, in the icebox, while she sat and wondered where I was. “I’m going to light another match so we can find a place to sit.” It flared to life with phosphorescent vigor and we moved quickly to one of the larger crates. It was a little small for the both of us, but neither of us wanted to sit separately. We both needed the contact in that terrible night.

We sat in silence for a while, knowing nothing but the dank air and the warmth where our legs touched. We listened to the footsteps above and heard an occasional muffled voice. Once there was a gunshot followed by more excited voices and cursing. “You have any idea what’s in these boxes?” I asked quietly, still surprised by the loudness of my own voice in that small space.

“Bourbon, most of them,” she said. “Some Canadian whiskey. The machine guns aren’t coming in until tomorrow night.” I couldn’t tell if she was joking or not. “We could try drinking our way out of here,” she said. That sounded like a good idea to me, but I didn’t say so. She shook again and I realized she must be cold; I took off my jacket and draped it awkwardly over her shoulders. “Thank you,” she said. “I’m sorry.”

“No problem,” I said. “Happens to me all the time.” Obviously a lie, since I was still alive. “Not much to do but wait.”

After what might have been an hour and might have been three, the footsteps died down above. Still we heard occasional footsteps, pacing around the warehouse floor above. Meredith tightened her grip on my arm every time they came close, but my heart leapt into my throat when the heavy tread passed over the trapdoor and paused, stamping to test the acoustics.

Tune in next time for: The Cat’s Claws!

3

The Roma Time Warp

Pizzeria Roma. It’s a nice place. Friendly service, good pizza, not too smoky most days, it’s a place to go and get things done. fuego and I met there Wednesday with a full agenda. Vacuum cleaners to sell, scripts to discuss. Writer stuff. I got there at about four in the afternoon to find fuego marking up some copy for the vacuum catalog.

I settled in across from him and tried to get my brain around another in a series of short stories that begins with Moonlight Sonata. This one, I have a character and I have the theme, but the story was stuck. So while I rambled on in the hope of stumbling across a story fuego was pounding his head against why this particular vacuum cleaner is superior to all others.

Time passed. Since neither of us was enjoying tremendous success, we were starting to interrupt each other, to talk about more interesting things. fuego punted on Zepter and hauled out his laptop, and produced an item that can only have negative long-term consequences—a splitter to allow us to plug in to the already-occupied outlet. There is now no limit to how long we can stay.

And when I say no limit, I mean just that. Roma never closes. So we sat and discussed a short screenplay adaptation of a thing I wrote you have never read, discussed the script competition it is targeted for (which may not even happen this year), and came to an understanding about the feel of the whole piece. We thought about shots but didn’t really get into the dialog so much. This story will be much more adaptable than other things I wrote. So we got some good stuff done on that.

Then, out came Zepter again. There’s a big pile of copy here for just one friggin vacuum cleaner. Naturally, being me, I had many opinions to express and now I’m a co-writer for this crap. We spent some time bashing our heads against that. (Copy writing is hard—not only do you need to be interesting, you have to be informative and not provably false.)

fuego and I wrapped up at last, having advanced the art on many fronts but without a breakthrough. The last phase of the evening was spent marking up paper, so I didn’t have my computer’s clock in front of me. fuego checked his phone, and his eyes bugged out, just a little bit. “Do you know what time it is?” he asked me.

I knew by the way he asked that it was way later than I thought. I thought it was probably about 2 a.m., so I added a couple of hours and guessed “Ummm… four?”

“Almost six-thirty,” he said. “Dang.”

As I walked the two miles home in the dawn’s early light, I reflected that Pizzeria Roma has done something that Einstein and his bunch had given up on. There in an innocuous semi-subterranean all-night restaurant, the laws of the space-time continuum as we know it have been suspended. Perhaps there is a black hole in there, somewhere near the oven, that they installed to hasten pizza service, and its effects are felt throughout the bar. Perhaps the pizza sauce is laced with a subtle psychotic drug that deadens the consumer’s sense of time passing. Whatever it is, I want the rest of my Wednesday back. Not that I was doing anything useful with it—it’s just the principle of the thing.

Perfect

I saw a very pretty blind girl today. She and her dog were waiting for a tram, but not the tram I was on. I looked at her and thought, “Man, that would be perfect.”

The bar in the park whose name escapes me at the moment

This is a nice place. It is the place fuego and MaK will have a party the day after they are married (no pants day). I expect, in deference to the bride, I will wear pants on that occasion, as indeed I am wearing pants right now.

I am in the corner of the large room, on a raised area where bands set up, looking out over the main area. Snow is falling outside, and czech punk rock (complete with accordion) is playing on the sound system. The beer is exceptionally good here. There is a cast-iron stove burning merrily and keeping this place a little warmer than warm enough. As I write this the bartender is adding more fuel. Strictly speaking, I could be quite comfortable without pants right now, except for the looks of shock and revulsion from the other patrons.

The whole pants thing leads me to reflect on how many days in a row I’ve worn long pants and even — gasp! — socks. It’s a different life here, that’s for sure. Takes some getting used to. On the plus side, you haven’t heard me lament forgetting my sunscreen lately. The suntan I got driving across the deserts of the American southwest with the top down is gone now. Now I’m in the climate my complexion evolved to deal with.

A question: Why do white americans, who enjoy tremendous advantages over blacks, work so hard to turn their skin as dark as they can, to the point of giving themselves cancer?

To my left is a reminder of a difference between American bars and Czech ones. In the US, when you see a girl drinking beer in a bar, you can assume with reasonable confidence that she is of a certain age. While that age is appearing younger and younger to me every year, there are two girls who have been here longer than I have, and they are young. I think only one of them is drinking beer, however.

I’m listening to tři sestry cover the old Sex Pistols classic EMI. It rocks, but you can’t really hear the accordion.

The dog at the next table is looking at me funny. Friggin’ poodles. Excuse me while I go pick a fight…

The Budvar Bar

I like this bar. It is a regulars bar. A drinking bar. It isn’t crowded on a Sunday night, but there are a few tables of folk in earnest conversation. To my left sit five older men, sipping their beers and talking in their grumbly voices. To my right four men are playing cards and gambling. Two people came in right after I did, spoke for a moment to the card players, and sat, their beers arriving at their table at the same time they did.

This bar has a non-smoking area, but it’s way in the back and I didn’t notice it until I had already settled in. There’s not too much smoke in here right now anyway.

Most people are drinking the desitku, as am I. I will try the stronger dvanactku next, to compare. What I have is pretty tasty, though. To think they call it Budweiser. The uneasy truce between the American giant and the ancient Czech pivovar will probably be broken now that the Czech Republic is part of the EU. Could be interesting.

It was a pretty good day. fuego came by and we spent the afternoon watching a hockey match between the Czech Republic and Russia. The NHL players are starting to show up now, and we were treated to lots of great passing and one pretty good scrap. Yes, American hockey fans, the labor dispute is just making things better over here. The good guys won, 4-3, but most of the game it wasn’t that close. The Russians scored their third goal with two seconds left. Yesterday’s game between Czech Republic and Finland was also good, with the Czechs scoring the tying goal with a minute left on a goalie-pulled power play, then going on to win in overtime.

One of the card players just can’t get a break. Ty vole! he just exclaimed, thumping the table and putting his head in his hands. I know what that means, but I’m not going to tell you. I think you can guess.

Between hockey periods (which were uninterrupted by commercials) fuego and I cooked breakfast and put together the new pictures and the video for the new egg episode. The last thing we did was put the video to music, and now I have that song stuck in my head. So be warned; it’s catchy.

It was a good day overall; the only thing it lacked was writing, so I better get to that now.

* * *

Time has passed, I’ve splattered my brains against The Test with no Earth-shattering result (lucky for the Earth, I guess), and I am the sole remaining customer here at the bar. The last of the card-players, an older guy, weathered, just left, riding his crutch past my table. He turned to me and smiled. “Na schlad” he said. “Na schladanou” I replied more formally. He smiled and said something else. I smiled sheepishly and shrugged, but he spoke on in a gentle cadence. I recognized one word. spizovatel. Writer. Purely by coincidence I read that word earlier today and had repeated it to myself. He smiled, nodded, touched the brim of his hat, and moved on.

Technically the bar doesn’t close for well over an hour, but now I have to wonder if I’m keeping the bartender here. She’s a nice enough lady, late fifties I’m guessing, outspoken if you know what she’s saying, and I don’t want her thinking “not this guy again” when I come back in. Still, when she asks if I want another I’ll probably say yes. If she wants me to go away she wouldn’t be making it easy for me to stay.

Blah blah blah writer blah blah.

Dang.

Eggs Over Easy: The Definitive Step-By-Step Guide – now with video!

NOTE: If you don’t want the lowdown on the full meal you can go straight to the section The Eggs.

Before we begin

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The Holy Grail

Let’s take a minute to look at where we are going. Picture it with me: a plate, two fine slices of bacon on one side, toast on the other, still warm, the butter melted into it. In between is a pair of fried eggs, steaming, the whites of the eggs firm. Your mouth watering in anticipation, you tear off a chunk from the top slice of toast and poke the corner into the yolk of one of the eggs. The lightly-cooked top of the yolk yields easily and out flows the deep yellow treasure within. Ohhhh, heaven.

Creating that perfect culinary moment is a dance with heat and time, a graceful ballet that is every bit as pleasurable as the final product. There are decisions along the way, opportunities to add the subtle nuances that make those eggs uniquely yours. This guide, then, is a framework in which your improvisation can succeed.

Theory

Just look at these babies!

Beautiful czech eggs

The theory is discussed more in-depth in the original article, but before we go rushing off to the kitchen, let us pause for the tiniest of moments to look at just what an over-easy egg is. It is an egg that has been fried so that the white is cooked but the yolk is still runny. It is the challenge of cooking one part of the egg without cooking the other that makes the over-easy egg the greatest egg-cooking accomplishment. It will take all our skill and timing to defy the laws of thermodynamics so.

Sunny-side up eggs also have the runny yolk, but the top layer of the white is not firm, either. Our goal is to flip the egg just long enough to firm up that top layer of white and then get it off the heat before the yolk cooks. It’s not really that difficult, it’s just that no one does it right, especially in restaurants. (Please feel free to refer the cook at your favorite diner to this page. While the equipment and procedures are different, this is really all about the flip. He’ll thank you later as the humble restaurant becomes internationally famous for the excellence of their over-easy eggs.)

Preparation

Sun Tsu, in The Art of War, says (something like) “A good general wins the battle before it begins.” This applies to cooking as well. Your success depends on what you do before you light the stove.

This morning we will be cooking three items, the three instruments in our little culinary composition. Once the music starts there will be no time scrounge up important tools or ingredients without casting a sour note; anything you can do now, before heat is applied to food and the march of thermodynamics cannot be turned back, will make things easier later. You will need: eggs, bacon, bread, butter, a toaster, a frying pan, a spatula (preferably metal – the thinner the better), paper towels, a plate, a fork, and a table knife. Get them out ahead of time and place them all within easy reach. Make sure you have room to work next to the stove as well.

Lay out your work space. Put the pan on the stove, the spatula and the fork nearby, and put a paper towel on the plate. Put the bread by the toaster. Check the butter to make sure it’s not too firm to spread on the toast easily. Touch each thing once with your hand so your body will remember its place. You will find yourself automatically putting things back in their places later, so you don’t have to expend unnecessary mental energy with the details. You’re an artist, baby! No time to be groping for brushes when the passion strikes!

Note: Years later I’ve learned from watching Worst Cooks in America that the above ritual is called mise en place – everything in its place. Taking sixty thin seconds now to lay everything out makes things so much easier later that you will suddenly feel like a good cook. Because you will be.

Take a deep breath. Relax. This is going to be great!

Ready? The conductor is stepping to the podium. A hush descends over the concert hall. It’s time to fire up the stove.

Bacon

Fine czech bacon

Some fine czech bacon

There are many reasons not to eat bacon: Political, religious, economic, environmental, and health issues abound. On the other hand, there’s only one reason to eat it: It’s yummy. Bacon has the side effect of providing grease to lubricate the pan while you cook your eggs as well. When cooking for myself (as is usually the case), two slices of bacon is plenty. Cooking bacon is simple, really; plop a couple strips into the pan and as it heats you will hear the sizzling begin. Keep a close ear on that sound; that’s your thermometer. If things start to sizzle and pop with too much abandon, turn the heat down a bit.

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Mmmm…. Bacon

I’m a “busy” cook, so I harass the bacon with my fork as it cooks, pushing it around to make sure it doesn’t get stuck, flipping it more than is strictly necessary, and generally robbing the bacon of any chance to relax as the meat cooks and some of the fat is turned to liquid. How long you cook the bacon is entirely up to you. While I want my bacon to be cooked through I don’t like it to snap when I bend it. If you’re cooking for strangers, always make it crispy. When your bacon is done turn the heat way down on the stove and hoist those puppies out. Put them on the paper towel to absorb some of the grease still bubbling in the strips.

There’s your pan, waiting for the main event…

Toast

But hold on, there, Sparky! That intriguing, inviting frying pan calling your name is trying to lead you astray! What started as a gentle waltz is speeding up now — it is a fugue, and the goal is to have all the lines of the music end at the same time. Once you’ve been around the block a couple of times you’ll know: the toast takes longer to cook than the eggs. There’s nothing worse than scooping the eggs out of the pan and onto the plate, steaming, gleaming, calling to you, and having to wait for the toast. Oh, I’ve been there many times, my friends, and it hurts. Send two slices down into the fiery maw of the toaster and turn your attention back to the frying pan.

The Eggs

You’re moving gracefully now from plate to toaster to pan, and utensils are jumping into your hand before you even think of them. The eggs are there, waiting, but first let’s take a look at that pan. You’ve got some big decisions to make. The bacon has left behind two things; grease and crispy critters. The first decision is an easy one based entirely on taste: Do you scrape out the crispy critters? Personally, I leave them in. They can become a sticking point during the flip, but I like what they add to the egg. The second question is tougher: Do you have too much grease in the pan? If you only cooked a couple of slices of bacon you’re probably OK. If you cooked more it’s time to take some of the grease out of the pan. I generally just soak some of it up with a paper towel. Pouring it down the sink is a bad idea, unless you’re looking for an excuse to have that cute plumber come over.

Remember, that’s hot hot grease there! Be careful!

Naturally, if you are not a bacon-eater, you will have to add butter or oil to the pan and you’re completely out of luck on the crispy critters. Also, without lovely bacon goodness, you’ll probably want to add a sprinkle of salt and maybe a touch of black pepper.

The pan is ready. It’s time to turn the heat back up for a few moments and put in the eggs. Eggs – check. Spatula – check. All right. Crack open that first egg and drop her in!

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Adjusting the sprawl

Not so fast there, buckaroo! I saw you reaching for that next egg! This is the first half of the secret to perfect over-easy eggs. Don’t put in the second egg yet! The reason will be obvious when we get to the flip. Instead, it’s time to use your spatula to adjust the sprawl of the first egg. As you look at the egg sitting in the pan, you will see three distinct parts. There is the yolk, the inner white part, and the outer white part. While the first two parts are relatively self-contained, the outer white will run all over the place. The farther it runs, the thinner it gets and the faster it cooks. If you like little crispy-crinkly bits around the edges, then some sprawl is desirable. If your stove is not level (mine isn’t) some of the outer white will make a break for it. Just push it back where it belongs and everything will be all right.

That other egg is calling to you. Your hand is starting to twitch. You can no longer resist the need to start the next egg cooking. Crack it open and drop it in, adjusting sprawl as above.

Pop! goes the toaster. Never taking your eyes off the eggs, pull the toast out and butter it. Dump the bacon off the towel onto the plate, and put the toast next to it.

The Flip

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4MB Video: The Eggs

The moment has come to flip the eggs. How do you know when that moment has arrived? It is when the inner white portion is almost completely cooked. Only practice, practice, and more practice will allow you to recognize this moment every time, but here’s the second part of the arcane secret for cooking eggs over easy: Don’t flip the eggs too soon! While the egg is sunny-side up, the yolk is floating on top and the white acts as an insulating layer, protecting the yolk from the heat of the pan. Alas, some of the white is also insulated, and to get that part firmed up we must risk everything and flip the egg over for a few agonizing seconds.

Before we go doing something crazy that could injure our precious yolk, make sure the egg is free and loose. Everything cool? Well then, flip the first egg, and only the first egg. This is why you waited before putting the second egg in. The egg will be flipped for such a short time that you don’t want to get caught fooling around with egg number two while egg number one overcooks. After just a few seconds scoop the first egg out and flip it yolk-side-up onto your plate. Now repeat the process with egg number two.

Turn off the stove, step back, and take a look at the beauty you have wrought.

Some final comments

emptyplate005.jpg While I have tried to be specific, there are many aspects of timing and temperature that I just cannot be exact about. Everything from how you like your toast to the weight of your frying pan will affect your outcome. Only experimentation will lead to your oval nirvana. If they don’t come out just right the first time, relax. I bet it’s still way better than what you would get at Denny’s. The process is, as I mentioned above, a complex and delicate composition, and like all great works of art, each performance carries with it some risk.

Finally, I did not include the preparation of any beverages in this framework. I know there are those who are as passionate about their coffee as I am about my eggs, and I invite your input.

I hope this little how-to helps you. If we all band together, perhaps one day we can rid the world once and for all of the scourge of too-soon-flipped eggs. And remember as Valentines day hurtles toward us that the best way to start the day is to bring your sweetie breakfast in bed. A beautifully orchestrated, lovingly presented plate full of grub says “I love you” like nothing else. (Don’t forget to clean the kitchen.)

24

The Test – progress report

I’ve spent the last few days neglecting my czech studies to work on editing The Test, to at least get it into some semblance of a first draft. That’s left me short on words for other purposes, another reason the ‘ol blog here hasn’t grown much lately. Yesterday, finally, I went down to the Cheap Beer Place and tossed off the Feeding the Eels episode below. Still no Internet here at home, which is how I’ve managed to be so productive with the writing.

There are parts of this story I really like, and some that are, well, not as good. Most of them I am just deleting, as the book is already very big. I have accepted that it is the first part of a (most likely) trilogy, but I insist that each volume has a beginning, middle, and end so they can be read individually. Nothing cheeses me more than picking up a book to read that, unbeknownst to me, has no end.

This book is definitely for grown-ups. The industrial revolution is not pretty when you’re at the bottom.

While I’m thinking about it, any feedback on The Monster Within?

Episode 10: Blood of the Saint

Note: To read the entire story from the beginning click here.

“You Mr. Jones?” the driver asked.

“That’s what they tell me,” I said. I looked back through the plate-glass at Alice, her mein a combination of hope and fear. One way or another, her employment prospects would be resolved by tomorrow. I got in the car. The upholstery was worn and stained, with what I didn’t want to know. It smelled of old cigarettes and stale desperation. “Where we heading?”

He didn’t answer; he just put the cab in gear and headed out into the twilight.

Traffic was light but it still took us a while to get there; we went by way of Central Park and the garment district. Not a particularly direct route. Eventually the driver satisfied himself we weren’t being followed and we headed down to the wharves, not far from where Vittorio Fanutti’s last ride had ended at the bottom of the East River. The cab pulled up next to a small warehouse. There were no markings; just a door lit by a solitary bulb. “End of the line, pal,” the driver said.

I nodded and got out. The car sped away as I regarded the door. Not much to do but knock.

I approached slowly, regarding the faces of the buildings staring back at me impassively. A dog barked somewhere, and others answered. Silence reasserted itself; my footsteps sounded like gunshots as I stepped into the pool of light. My knock on the metal door echoed like a 21-gun salute at a funeral. There was a pause, then the slit opened and a pair of dark eyes looked out at me. They regarded me unblinking for three seconds and the slit closed with a snap. I heard a bolt being pulled back and the door swung open silently. It was dark inside.

“You comin’ in or not?” a gruff voice asked.

I was on rails; there were only two directions to go: Forward and back. Back, the outcome was certain, and not good. Forward, though not certain, could be much worse. I stepped into the shadow.

“Got a gat?” the voice asked again. When the door shut behind me I could make out the outline of a man about my height but much wider.

“Yeah,” I said. I prepared to surrender it.

“Ever shot anyone?”

I stopped. “No.”

The gorilla snorted. “Her highness is over here,” he said. As my eyes adapted to the dimness I was able to follow the man across the warehouse floor between nondescript crates on one side and rolls of fabric on the other. We ended at an office door. “Don’t be stupid,” he said to me as he opened the door. Too late for that, I thought.

The office was lit by a lamp on the desk and was almost as dark as the warehouse outside. She sad behing the desk, a trail of smoke streaming up from the neglected cigarette dangling from her languid right hand, forming a gray halo around her. She was dressed in a black and white number that enhanced her already considerable assets. She didn’t seem to notice my arrival at first, though she was looking directly at me. Gorilla closed the door and I made myself comfortable in the the other chair.

“I’ve had some bad news,” she said.

“First you should know Cello paid me a visit,” I said.

“Of course he did.”

“He wants me to double-cross you.”

“Of course he does.”

“I’d be stupid not to.”

“Or noble.”

“I’m not known for that. You should probably find another guy.”

“Why are you here, Mr. Lowell?”

“I need the money.”

“If you need the money, why are you telling me to hire someone else?”

“You’re paying me to come here tonight. That’ll let me square a couple of debts, and it gives me a chance to step out of this gracefully.”

“Mr. Lowell, I don’t want ‘another guy’, as you put it. That you are straightforward with me simply convinces me that you are the one I need. May I tell you a story?”

I leaned back in my chair. “It’s your dime, sweetheart.”

“Your transparent attempts to repel me won’t work, Mr. Lowell.” I wasn’t sure what she was talking about. She continued, “Do you enjoy wine?”

“I’m not what you’d call a connoisseur.”

She produced a bottle and a cork-puller. “If you could do the honors?” While I struggled with the gizmo she hauled out two glasses, elegant and graceful, and set them on the desk in front of me. I got the cork out with a minimum of bloodshed and began to pour. The wine was deep red and moved slowly. I stopped myself from filling the first glass to the brim.

“You’re supposed to smell it or something?” I asked.

“I’m sure it’s fine,” she said. I topped off the glass and filled the other one. She picked hers up and swirled it around carefully, but didn’t drink. I held off tossing mine back. “Wine and blood,” she said, holding her glass to the light. It felt like we were finally getting to the point. “The wine you’re drinking, Mr. Lowell,” — I hadn’t had any yet — “comes from Spain. It is a tiny village, known only for two things: This wine and an odd painting. Both are called ‘The Blood of the Saint’.

I dared to take a sip. It wasn’t bad, but I didn’t feel like I was in church.

“The painting was stolen some time ago. My husband was the thief.”

“Seems like that would be tough to fence.”

“He did not have it stolen to sell it again. He was interested in the work itself. There were stories that the painting held clues to the location of a tremendous treasure. Staggering amounts of gold and ancient artifacts, hoarded by a Moorish king. My husband paid experts to study the painting, but, as many before them, they could not find a pattern. Vic thought perhaps there were clues not visible as the painting hung on the wall. So he had it stolen so his experts could examine the portions hidden by the frame. He was right. A team of historians under his pay removed the frame and found more around the edges that helped them. All those men are now dead.”

“They found the treasure?”

“They drew a map. Vic died before he could do anything about it. I assume they told you I killed him?”

“That’s right.”

“That is ridiculous. Had I killed him, I would have done it in a way that put the secret into my hands directly. Instead I’m left to scavenge for it, as my only hope for survival. I wanted to run, Mr. Lowell; you convinced me of the futility of that. They think I have the map. They will not rest until they have it.”

“Where is it?”

“That is where I need your help. Mr. Lowell. Charles.” She reached across and touched my arm. “I just want to live. If I can offer Cello the treasure in exchange for my life, he would take it. You can help both of us, without betraying either, and we would both reward you handsomely. Please.” Her voice was a little more desperate, and a lot more Kentucky. “I’m frightened.”

“You said you had bad news.” That seemed to be the only kind of news lately.

“Yes. I had the painting in what I thought was a safe place. It is gone. In its place was letter saying if I continued to look for the treasure I would be killed. Someone doesn’t want it to be found.”

“Or else they don’t want the competition. So if you don’t find the treasure Cello will eventually kill you, but if you look for the treasure someone else will kill you.”

“That’s right.”

“And me.”

She caught me with her eyes, deep and black and mysterious. I saw the reflection of the lamp in each one, sparks of fire in an infinite sea. There was fear there as well. She set her glass down and leaning forward took one of my hands in both of hers. Her dark hair flowed over her shoulder in shimmering waves. “Will you help me?”

I was doing my best to say “no” when gunfire rang out in the warehouse. The sharp reports of a pistol were answered by the rattle of a tommy gun. Gorilla appeared in the doorway. “You’ve got to—” he was interrupted by another burst from the tommy gun and went down, spraying blood. More pistol shots rang out behind him. I dove behind the desk. Staying low I took Mrs. Fanutti’s arm and hauled her out the door opposite, wondering who I might meet on the other side.

Tune in next time for: Trapped!

2

A Good Show

It’s been a couple of days since the show, but I have been thinking about it ever since. We got there a little bit early, but the good tables were taken. No biggie, there were three barstools along the wall next to the dance floor that wee pulled into a circle and so wound up with the best seats in the house.

The setup on stage was promising. On the left, right in front of us, was an upright piano, its face open to expose its insides to a pair of microphones. There was a small drum kit and an array of other Mysterious Devices, and a hollow-body bass guitar. Add microphones and speakers, and you’ve got yourself a concert.

The first act was Filip Topol (pronounced Philip Toepole – see how much simpler czech spelling is?), a piano player and singer. He was a skinny guy, tallish, and he carried with him a folder which he placed on a stool next to his as he sat. He opened the folder to reveal a pile of tattered sheets. He took the top three and placed them on the piano. I saw that around the edges of each sheet were dozens of little stickers. He pulled the mike closer and began to play.

At first he played only with his right hand and I thought to myself, “Holy Crap! He’s the guy I wrote about in Moonlight Sonata!” It’s wasn’t hard to imagine him talking to Cowboy Bob in some dark shadow-place. Eventually the left hand joined in and things really got going.

Filip Topol was just plain good. He had that Czech way of singing, attacking the words even as they ate him alive. I couldn’t understand the words, of course, but I was OK with that; the sound of them was mesmerizing. Usually when I go to a show I drift off in my own bubble, letting the music carry me to some of my most abstract and disconnected places. With both these acts I was rooted right there with the musicians, an active participant in the performance.

I had no idea what to expect from the headliners. We had gone to the club to hear Filip Topol; none of us had even heard of 4 Walls. They played jazz. real jazz, not the watered-down Kenny G. elevator music crap people call jazz these days. I don’t go looking for jazz often, and when I do I rarely find it. This was a 4-piece band: piano, percussion, bass, and vocals. In this case “vocal” is not limited to singing. These guys were all over the map and left me reeling. Everything they did felt slightly dangerous; Rather than marching in step they were held together with bungee cords, flying apart and snapping back, bouncing off each other, but somehow in that chaos they stayed together and the result was music.

Alas, Filip Topol had no CDs for sale. The 4 Walls CD just doesn’t convey the experience of the live performance. So it goes. I had included a cut from the CD in this episode, but end the end I took it out. As much as I enjoyed the performance, I’m not likely to be listening to the recording very often. It all goes to show that sometimes you have to be there with the musicians to really understand. Or at least I do. I’ve gotta get out more.

The trams had stopped by the time we got out of there, which meant a long walk home. That was fine, the night was cold but quiet. I considered popping into an all-night bar, but only for a moment. I like walking in this city.

As a post script, I’d be remiss if I didn’t mention Picture Boy. There were two guys up front with their digital cameras, and one of them in particular was really annoying. He would climb his fat ass right up on the stage, take for frickin ever to take one damn shot, then get back down the look at the result, then back up he would pop for another attempt. Dork. Still, he’s good for mocking.

Happy oughto oughto day!

I didn’t think I was going to finish my synopsis in time, but things fell together and while I will inevitably be tweaking it I now feel I could send it to agents and publishers. Goal two, the poll, isn’t looking so good. So far there is only one suggestion, from the Current Millennial D(ictator?) to make the day March 2 it! day. Oh, well, 28 days to go still.

For goal three, not only have I finished a couple of short pieces that don’t suck, I wrote a couple more that do suck, and suck hard at that! Talk about overachieving!

I’m working on an episode about a concert I went to a couple of days ago, I want to get some tunes from fuego to go with it, and I have a Piker deadline to hit, so I’m not sure when that one will hit. I really do need to figure out who to call and what to say to get Internet in my new place. Perhaps I ought to have done it today, but hey, let’s be realistic here. I did find a pair of house shoes, though.

Finally, because of my irregular Internet access, I may not be on hand when the Next Big Number is struck. I trust you will behave with your usual decorum and restraint during the inevitable period of uncertainty that follows.

too true to be good

Stolen from a source I can no longer recall:

Due to an oversight in reprogramming the Diebolt voting machines flown in from Florida, George Bush gets 51% of the vote in Iraq.

Welcome to my abode

Well, here I am, hanging in my new pad (map) while the TV guy is trying to make the satellite work. Satellite! Ooo! Now I can ignore even more channels. Tonight I will perform some sort of ritual to consecrate this soon-to-be-hallowed ground. There’s only one beer left, though, and it’s a long way to get more. Having the grocery store so far away is enough to drive a man to liquor.

I’m not sure the satellite guy really knows what he’s doing. He’s just fiddling with the buttons and the remote control, when the connector on the cable is broken. He’s just spinning through the channels that get no signal. He’s on 189 now. Every once in a while he finds a channel that works, though.

OK, he’s gone now, but the non-satellite channels still work, and now I’m sitting in the comfy chair, sipping a frosty Budvar, watching professional hockey. Yep, that’s right. Sparta’s up 1-0 in the first period. It took me a while to figure out which team was which; there are so many corporate logos on the uniforms there’s not much room for the team identity. It looks like a contest between Siemens Mobile VW Hi-Tec (all the players are named Ferrari) and TCHAS Buska Vjačka (all the players are names Dalkia). The refs are all named ARC impex, all are members of team Skoda, and they have Aquasoft written across their butts. The ice itself looks like it belongs in NASCAR.

But it’s hockey. Right now they’re skating 4 on 3. It’s been a very physical game.

Castles, churches, and stuff from the charles bridge, prague

OK, now for the promised pics. The first one here I took a couple of nights ago, on the way home from a very smoky restaurant. We walked back over the Charles Bridge. Nice. No cars are allowed on the bridge, but it was still filled with people on a cold, cold night. This one looks a lot better big, so be sure to pop over to the gallery and check it out.

Prague lights on the vlatava

This is from about the same location, looking the other way out over the Vltava to the city on the far side.

Prague from window

At last we reach the new pad. I took this from one of the windows in the bedroom. Unfortunately the window it pretty high up, so I can’t gaze out into the city while I’m lying in bed. I pretty much have to tip-toe to see out.

As far as things around the house go, the appliances are definitely used, but the cabinets and countertop are new. The kitchen faucet is a trip. When you turn it on you can hear water running somewhere. A trickle starts, and eventually there is decent flow. That’s when you turn it off. Water will continue to flow for quite a while as the water that had been filling the pipe drains out. Nutty. Shower works as advertised (note to self: towels).

I figured out how to have the temp go down at night to save on heating bills. This morning I am appreciating how long it takes for the temps to recover. (Note to self: house shoes). It’s going to take extra tea (note to self: kettle) in the morning to get me going. I still plan to let it get pretty chilly in here at night (note to self: extra blankets), at least until guests arrive (note to self: extra extra blankets). The fridge (note to self: food) keeps the beer (note to self: more beer) cold but the freezer (note to self: cleaning supplies) is untested.

Since 05-05-05 is right around the corner, I’ve been assessing how many guests I can host at once. The answer: a lot, as long as they’re short. So please, when you send me your reservations, tell me how tall you are. Remember: in this case, short is good!

Moving!

Mainly this is to tell all y’all that I will be moving today. The new digs are nice, but I won’t have Internet access there until I can get the cable run up to the flat. That requires talking to several people who don’t speak English. In the meantime I’ll pop by fuego’s pad periodically to check in.

On a related note, I will be starting czech lessons next week with a very pretty tutor whose boyfriend is a buddy of fuego’s. Here’s hoping Ivanka introduces me to her cute friends for “conversation practice”.

What ought you to do?

Here in the Muddled world, February 2th, or 02/02, is oughto oughto day. It’s kind of like a reverse New Years day; its a time to finish something. It’s that deadline you need to get that open-ended project done. Here are my oughto oughto goals:

  1. Finish synopsis of The Monster Within
  2. Come up with poll to name March 2th
  3. Get one short piece finished that doesn’t suck

In order to get number 2 done above, I need suggestions. The others are up to me. What ought you to do?

People Who In Sorrow Roam

“You ever been to the British Museum?” he asked me.

“Couple of times.” I like museums.

“There’s a tablet there. Babylonian; before the Bible. Bunch of cats exiled or something. The were called Amankandu. ‘People who in sorrow roam’. Their leader was named Ka’in.”

It made sense. Kicked out of the garden, wandering. “Banned be thou from the soil which has received thy brother’s blood,” I said.

“They’re still out there, the Amankandu. Still wandering. And when they meet, they know one another.” He raised his glass to me.