Let’s get this show (back) on the road!

The problem with paying your key people practically nothing is that when they get a better offer you really can’t begrudge them the time. On top of that, when one of the key people is turning around and putting that income into the production, it becomes an opportunity rather than a hindrance.

In this case, we will be trading three weeks of schedule slide for a Red. That’s a good thing in the long run, but it doesn’t come without a price. In the meantime, Soup Boy got himself a job. I’m happy for him, but now we have a fancy camera and no one to operate it.

Meanwhile, one of our locations is looking iffy. More scouting will be required. We already have an alternate in mind, but we have yet to actually contact anyone at the place.

More details will follow—fuego is joining me now and we’ll figure out all this stuff (as much as possible) and then the project should start ramping up again. Woo hoo!


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