Meet the Staff

I am mentally composing an episode to tell you about how things are going, focussing on two participants you haven’t heard much about yet. Before I did that I thought I should give you a run-down of the major people we’ve suckered into our adventure. As I get permission I’ll provide links to facebook pages and whatnot. (update: Facebooks links are apparently useless to people who are not already friends with that person — as far as I can tell — so I will not be including as many links here as I’d hoped.)

Me — I may not be the most important person on this project but it’s my blog so I’m going first. Plus, I’m the one who started the ball rolling by putting a small amount of money where my mouth was. I am the writer of the original story and a co-aurhor of the screenplay, along with my brother fuego. You already know more about me than probably you want to, so we’ll leave it at that.

fuego — the director. My younger brother and veteran of many major film productions. In fuego’s hands this project quickly escalated far beyond my original expectations. It only made sense that he upped the ante; he’s not in the business to produce crap, and to be worth his time the result of our endeavor has to be something he can show at film festivals with pride. His first message on the subject was titled “Taking over the world.” Not only has he been critical for adapting the story for the screen, he has been able to bring in plenty of film professionals who are between gigs right now. (The entire Prague film business is between gigs.)

Martin — Assistant SomethingOrOther, or maybe Assistant Everything. I met Martin a long time ago because we both spend too much time at Little Café Near Home. Martin knows a lot of film students and has done a good job connecting us with the best of them. He was especially important early on, asking questions I didn’t know to ask and generally thinking things through. When fuego and I asked him for someone to help us negotiate locations, he brought us Lenka.

Lenka — we really need to figure out the right titles for these people. It is because of Lenka that negotiations for locations are going so smoothly, and much more cheaply than we dared hope. When she is given a task she doesn’t schedule it, she does it. After reading the script, she felt strongly that one of our locations wasn’t right, got on the phone and set up another place in half an hour. While we were there for a planning session, she gave me a quick report on how her money-raising efforts were going. I tried not to get too excited, but it had quite simply never occurred to me to go out and ask people for money in exchange for a mention in the credits. “One can maybe do the catering,” she said, “and then pay a little more.” (Note to self: find out what a “media partner” is.)

Soup Boy — Director of Photography and storyboard artist. I’m actually the only one who calls him that, but there you go. Soup Boy is a good guy as well as a talented dude with a camera. He’s got a lot of things going on, so I feel fortunate that he has some time to work with us on this thing. His name will start to show up more and more as we get closer to shooting.

Jakub — Editor. When Soup Boy turned down the “opportunity” to edit our little show, Martin recommended Jakub, his brother, who is apparently tired of editing documentaries for television and would enjoy working on something that’s narrative fiction. He hasn’t been involved much yet, except to answer a few questions here and there, but he’s a good egg and works five minutes’ walk from me, so I’ll be able to pester him to my heart’s content.

We also have a sound guy, Aleš, and sound post-production (important with all the music). One challenge for me: Don’t get all neurotic about the sound after the problems with Pirates. Also we’ve had the invaluable support of Jessica, fuego’s mother-in-law, for casting facilities.

With the team coming together, I’m getting more and more excited about this thing. We have a chance to make something very cool, and not everyone gets an opportunity like that. I’m in over my head, but there are enough people around to lend me some buoyancy. Only a week and a half until we shoot!

1

A Quiet Day. Too Quiet.

We arranged with family members to borrow a casting studio for today, then sent out word onto the grapevine that we were looking for people. It turns out that perhaps we assumed too much about the grapevine; it seems word didn’t get out as far as we would have liked. We’ve had three people come in so far, and none of the people we were particularly hoping to see. Also, it seems that there’s a commercial casting today. Commercials pay well, especially compared to self-financed short films with artsy airs.

So here I sit in Cine-Jessy, pondering life in general, staring at my navel on occasion, and wishing there was wireless internet here. Still, the three actors we’ve seen were all good in their own ways, all experienced, and there are others who have sent apologies who might also be good. We’ll get there.

* * *

Addendum: just as casting was closing and we were discussing whether to do it again another day, one of the people we were most interested in showed up. So, if we can work things out with him, then at least one of the hig questions is answered.

2

The Last Bluesman

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Rene Trossman and band in an empty room.

I have in the past complained that for all Prague’s charms, the live music scene isn’t that great. I still think this is the case, so much of the music here is from DJ’s, and not very good DJ’s at that. However, over the last few weeks I’ve seen more live music than I would have thought possible, and discovered some pretty cool venues in the process. (My ‘discovery’ of these places is much like Columbus discovering America. There were quite a few folks who already knew about those places before.)

The evening started with hockey (Sparta won in overtime), and after the game we paused at the French Creperie while the crowds dispersed, then headed over to Mala Strana for the show.

Apparently, it’s February. Apparently, February is an unpredictable month when it comes to putting on shows in Prague. Rene Trossman, whose sweet home is Chicago, normally pulls a good crowd but tonight the joint was d-e-a-d dead. There was one person in the place besides fuego and me, meaning the band outnumbered the audience. They put on a good show, but there just wasn’t the energy in the room that leads to a memorable performance.

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It’s the blues!

I really liked the band, though. Piano (required for our story), upright bass, and a drummer with a minimalist kit who played tight and clean, with occasional flashes of humor — on one song he provided the punctuation at the end by letting go of his sticks. The bass player has the closest look I have seen for one of the roles in Moonlight, but he’s Ukranian, and his voice won’t be convincing audiences he’s from Detroit.

After the first break a few more people showed up (including some of fuego’s long-lost in-laws), but even though the venue was very small, it felt deserted. A pity, but that’s February for you.

Tomorrow we must decide which musician to recruit, and rope that guy in.

2

The Yellow Line

I haven’t been doing much lately, blog-wise, so I thought I’d dig up something from the past and let folks chew on it. I knew even as I wrote this a while back that it was doomed to never be completed, but it does have a couple of good lines in there. It’s a nice setup, but to be honest I have only the faintest idea what I would do with it if I were to continue it. Also it has profanity. I thought about toning the language down for this audience, but in the end Mr. Michaels lacks some of the social graces, and that’s just part of who he is. In many ways he’s really not very nice.

The Yellow Line

They looked almost human, staring at me through the glass, eyes wide with innocent wonder. To be honest, it kind of pissed me off. I’ve never liked zoos, and this one least of all. I stepped forward, crossing the Yellow Line, and, even though I knew it was against the rules, I reached up and tapped the glass of the enclosure. They retreated, their eyes round, ready to flee but with nowhere to go. I snorted with contempt.

“Step behind the yellow line,” a security guard snapped. “Do not tap the glass. Harassment is a violation—”

“—of zoo regulations,” I finished for him. I’d heard the speech before. I stepped back, behind the line, proving I was no braver than the pathetic cowering things on the other side of the glass. There was one of them, though, that was looking at me funny. I couldn’t tell them apart, not really, but I thought maybe this one was a female. I stared right at her, then, “Raaablablabla!” I screamed, waving my arms wildly and shaking my head violently. Gets them every time. By the time I got my eyeballs straightened out she was long gone.

A security guard appeared at my elbow. “Sir, please come this way.” Behind me there was a faint buzz, indicating that the door into the bowels of the zoo was open to me. I had no choice, in the end. As I stepped through into the underzoo the security guy fell in next to me. His head came up to my shoulder, but he was armed and I wasn’t and that’s how it always was. He’s more afraid of you than you are of him, I reminded myself. According to the nature documentaries I watched as a kid, this is the case even with Grizzly Bears. I must be pretty damn scary.

The hall was narrow, the walls just gray enough to make the whole place depressing. We passed through a heavy steel door into a wider corridor, just as institutional, with more doors on either side. They could make this view of the zoo another exhibit, and people could watch the petty bureaucrats scurry about in their natural habitat. Everyone gave me plenty of space, however; most of them had seen me in those hallways before. One good thing about a bad reputation.

Another turn and I found myself standing in front of the zoo administrator’s door. We waited, the guard and I, and soon the door swung open. I stepped into the cramped office, the security guard waited outside.

It was a small office, cluttered with the accumulation of references, trinkets, and technology that fills the offices of academics everywhere. On the walls were charts showing the anatomies of exotic beasts alternating with images from the locations where those beasts used to live. His eyes strayed often to the vid screen on his desk, monitoring the stream of information and correspondence, all the things he would prefer to be dealing with at the moment.

I sat awkwardly on the stool facing his desk as Axel shook his head sadly. “I thought we had an understanding, Mr. Michaels.”

“We do have an understanding. You’re going to tell me not to cross the line, and I will anyway.”

“Please. This is a zoo. A place of study, a place of learning. It is our goal to provide the best possible conditions for our patrons to encounter other species, creatures they would not have a chance to understand otherwise. To promote understanding, it is important that both the exhibits and the guests have a comfortable and relaxed environment.”

“If I’m so damn disruptive, throw me out. I’ll find my own way home.”

“You know we can’t do that.”

“The fuck you can’t.”

“Mr. Michaels. You are very important to us here at the zoo, but I’m afraid that reasoning with you has been unsuccessful. I am putting you on notice. If you cross the Yellow Line again, you will be punished. If you touch the glass, the punishment will be more severe.”

“Fuck you,” I said. “Fuck you and all your fucking patrons. Now you’ve pissed me off.”

“Mr. Michaels, please. Think about it for a while in your private quarters. There is no reason to be belligerent.”

I forced myself to be calm. Nothing could come of this argument that would do me any good. “All right,” I said.

“I knew you would behave rationally in the end.”

I resisted the urge to kill him.

Back through the tunnels, following the well-worn path. Back to my private quarters. Solitary confinement. “Next time you’re out stealing shit from Earth, get a library,” I said to my unseen watchers. It was not the first time I had made the demand.

I paced and stewed in my little apartment, but finally managed to be calm. I needed to get out of there, but I had no idea what waited outside the zoo. I could speak a little of the local lingo, but there was no way I would be able to fool anyone.

I’d burn that bridge when I came to it, I decided. No way to plan for the complete unknown. The first challenge was to get the hell out of there.

Some time during the night a plan came to me. I smiled in the darkness. One way or another I would soon be free.

Two days later I was put back on public display. I sat, trying to control my breathing, trying not to let my watchers see my increasing agitation. Were there security measures I didn’t know about? Probably.

I watched the forms of the so-called civilized universe file past my living room window, pausing to gawk at me, a steady parade of wide eyes darting from me to the informative signs posted for visitors to learn about the intelligence indigenous to Sol III. Apparently we are considered bellicose and mildly irrational.

When I stood the milling crowd outside went still. I thought I recognized a couple of them, but it was difficult to tell. I chose one of the familiar-looking ones and ran straight at it. At the yellow line I leapt.

The window didn’t break, but my head did.

I regained consciousness in the infirmary, still inside the zoo, still alive. I had failed. I lay strapped to a bed adjusted to my size, in a small room with bare walls. My nose was assaulted by a thousand odors I could not place, the chemical byproducts of a hundred different metabolisms. No doubt my own odor was just as disturbing to the other residents, but I hadn’t asked to be there. My head was bandaged and hurt like hell.

Apparently someone was monitoring my condition because it wasn’t long before a parade of three of my captors came into the room, filling it up. I pulled at the straps but they held me tight. The one I recognized as the zoo vet was the first to speak. “You are fortunate, sir, that our medical technology is advanced so far beyond your own.”

“I suppose that depends on your definition of ‘fortunate’,” I said.

The zoo administrator, the one I called Axel, was the second in the parade. “Mr. Michaels, you are very valuable to us. Your self-destrictive behavior harms us all.”

“That’s the point, asshole,” I said.

“Several of our guests were quite traumatized. Three are still bein
g treated. One almost died.”

“Two almost died,” I said.

“Two? Oh, yes, you mean yourself.”

“One of the two was here voluntarily.”

There was a time when my head jailer would have pressed me, trying to find an explanation for my actions that fit with his definition of rational. Then he would have pointed out that my actions were not rational, with the expectation that I would instantly see reason and stop. Perhaps he had decided that repeating the same discussion was also not rational. “Well. I’d like you to meet Grr’nth Mt’dhe, a very important person.”

I didn’t bother to comment. The last of my guests spoke. “Good sir,” he said, “I’ve come to appeal to you. We need your help.”

“Screw you,” I said.

“Mr. Michaels, please. This is more important than either of us. It is a time to put aside old grudges and fight together for our very survival. Our civilization is under attack, pressed by great hoardes of… barbarians, you might call them. We need someone to lead us, someone who understands these primitive violent impulses.”

I raised my head as far as I could and looked at the alien. “You’re shitting me.”

The other made a wheezing noise and began to blink rapidly, an expression I’d only recently learned was some sort of laughter. “Of course I’m… shitting you.” The others began to laugh as well. “It was a joke,” Important Guy said, in case he misinterpreted my colloquialism.

I put my head back down on the mattress and looked at the gray cieling. “Not bad. I’ll try to spare your life when I break out of here. Wear a white carnation so I can tell it’s you.” It was my turn to laugh in the ensuing shocked silence. “I’m joking,” I said.

The others laughed as well, more from relief than from humor, I expect. Axel became thoughtful. “Wait, were you joking about the killing or the not-killing?”

“So why are you here?” I asked Important Guy.

Grr’nth looked a little uneasy. “The guests who were traumatized,” he said. “It would help them to see that you are all right.”

“I’m not all right.”

The vet spoke. “I can assure you that the damage to your brain has been fully repaired.”

Grr’nth said, “I’m sure you’ll agree that the incident reflects poorly on all of us. You are one of the most popular exhibits at our facility, and your actions are often discussed in public forums. Your latest demonstration has put all of us in a delicate position.”

“As delicate as being strapped to a table while your captors stand over you?”

“Some of those who were there that day wish to speak with you. It would be best for all of us if you could reassure them of your well-being. Things might get unpleasant otherwise. Especially for you.”

“Worse than what I’ve already tried to do to myself?”

“Yes. Quite a lot worse. It is quite possible that the survival of your species depends on repairing public opinion about your kind.”

I didn’t have to ask. He wasn’t shitting me.

Scouting for Bluesmen

There is an American-owned bar in town that serves good beer (for a bit more than I like to pay) and has a cozy underground chamber that has live music fairly often. U Malého Glena (roughly, “Little Glen’s Place”) is a very comfortable bar and it turns out Glen is a pretty good guy. Monday fuego and I made the pilgramage to the neighborhood of Malá Strana to scout listen to Stan the Bohemian Blues Man. It was a very good show, and he had that Stratocaster blues sound that I always imagined when working on the story.

While there we also judged whether U Malého Glena would be a good place to shoot the blues concert, but while it had a lot going for it, it is just too small to give us room for the film crew to work. Nice place to hear a concert, though. Our most likely location for that part of the movie remains Blues Sklep, but we would have to shoot during the day. That’s not a real problem as long as the extras can maintain energy. The alternative is to find a place that is available at night and sponsor an actual show. That would be more fun, except maybe for the editor.

I thought it was going to be my last late night out, and fuego had promised his family that the late-night sessions were coming to a close as well. However, talking to Glen before the show (and echoed by the owner of another blues joint in town), we really should listen to one more guy before making a decision. Luckily he is playing at Glen’s Place tonight. By an interesting coincidence, he is already scheduled to play at Blues Sklep the week we would like to shoot. Could we coopt his gig? An interesting thought…

1

Hokej Night in Prague

fuego has taken to heart my list of things to do before I leave this town; though he was surprised to learn that I had yet to go to a hokej (rhymes with hockey) match during my time here. He has a buddy with connections, and can score cheaper tickets to Sparta games — sometimes as cheap as free.

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Beer: check. Hockey: check. Let the fun begin!

fuego had been giving one of my other list items careful consideration as well, and we hopped off the tram when we were partway there to go shopping for hockey jerseys. There was a hockey supply shop that indeed carried jerseys for all the top teams, not just the Prague-based ones. I have been a fan of the Liberec Bíl

2

AiA: White Shadow – Episode 10

Our story so far: Allison is an American high-school student who has transferred to a private prep school in Japan. It is not what she expected. Not even close. From the moment she was introduced as a transfer student the rest of the class has treated her like some sort of freak. That’s because in this Japan all transfer students are freaks. All that remains for her classmates is to figure out just what her super powers are.

As least Allison has started making friends with some of her classmates. Ruchia seems to be one of the more normal girls in her school, with only subtle hints of a mysterious past. Tasuki is her sidekick, an outgoing tomboy with a big toothy smile. Seiji is a dark, brooding boy who is convinced that he will end up as the transfer student’s love interest, a role he would dearly love to avoid.

Meanwhile, there’s the computer virus called White Shadow, which seems to have special plans for Allison. The Institute is struggling to control White Shadow, and they have dertemined that things might be simpler if Allison were dead.

If you would like to read from the beginning, the entire story is here.

Colors. The world was a swirl of colors, flickering, flashing, moving. Allison had seen those colors before somewhere. There was no floor beneath her feet, but she did not fall. Somewhere in the distance a voice called her name. Her father’s voice. She turned, searching for him, but she was alone.

“Allison!” Closer now.

“Daddy?” Her voice vanished into the swirling colors, without an echo.

There was a pattern to the colors, the way they swirled and flashed, occasionally revealing images from television or the movies, explosions and tender kisses and animals devouring each other; a pattern infinitely complex but knowable. Enticing. She moved through them, and the speed of the flashing increased, leading her down, deeper, deeper, toward the secret that lay beneath the fabric of reality. There was sound now, snippets of music, snatches of conversation, the laughter of a studio audience, mechanical sounds, static. Always it felt as if she was about to hear her father’s voice again, but she never did. “Daddy!” she cried out again in her little-girl voice and she saw that as she got closer to the secret she was getting younger.

In the center of the colors there was a presence, at the root of the sounds something lurked, watching her. She felt a tingling on her skin, a ghost-touch of something she did not trust. It caressed her arms, her legs, her thighs…

“Daddy!” she called out in panic and sat bolt upright.

She sat at the table in her room, the glow from her laptop making the her spartan bedroom cold and eerie. A dream. White Shadow. The colors she had seen were the same as the pattern White Shadow had shown her once, but now there was more. Sound and touch. Those must have come from her. She looked back at the code she was working on, and knew what she had to do. White Shadow was incomplete; she could exploit that weakness. She stretched and reached for her teacup. Empty. She’d get a refill in a moment, first she needed to finish the routine she was working on…

Seiji awoke before dawn as usual and went upstairs to his room to find the T-shirt he would wear that day. Before school he delivered papers, and after school he did odd jobs to help make ends meet. He suspected his dad had plenty of money, but the family never saw any of it. If his sisters were going to have money to buy clothes so they could go out with their friends, it was up to Seiji to provide it.

He glanced out his window. Allison’s blinds were drawn, he noticed with relief. He should have thought to close his own when there was less chance of accidentally seeing too much. He crossed the room and as he pulled the string he noticed the bluish glow of a computer monitor leaking around the transfer student’s blinds. “Burning the midnight oil again,” he muttered. Ruchia said that Allison studied a lot, and she was on her computer even more.

All that studying confused Seiji. It only stood to reason the transfer student would get good grades; no matter what her origin she was bound to be highly intelligent. Her need to study rather than run around causing trouble could only mean that she came from a place so different, so bizarre, that none of her previous knowledge was relevant here.

The time she spent on the computer was less surprising to Seiji, but even more vexing. There could be no doubt that White Shadow was behind it. Was she the creator of the virus that had claimed some of his friends, or was she fighting it? Did she need help? Even if he could help, did he dare? He thought of the look they had exchanged the first time he had seen her through his window. She had seemed so alone, so vulnerable, and he knew she had seen the same in him.

He pulled his blinds shut and turned on his light to dress for the day.

Allison was grateful to see the angular form of Kaneda waiting for her when she left the house in the morning. “Hello!” she said cheerfully.

“Hello! You’re in a good mood today.”

“I made some real progress last night, with… you know.”

“That’s good,” Kaneda said. They walked past an unmarked van — the first vehicle Allison had seen parked in the neighborhood — and headed for school. After a while Kaneda said. “I’ve been having strange dreams.”

“Strange how?”

“Colors and sounds and… stuff.” He reddened. “They drive me crazy. Like there’s a message there but I can’t read it. And sometimes… this is going to sound crazy.”

To Allison everything about this place was crazy. “What?”

“Sometimes, I get this feeling like deja vu, only it’s more like… It’s like I’m remembering what I’m seeing at that moment, only it’s different. Like when I met you at the door this morning. It was like I’d done it before, but…”

“But what?”

“I’m not sure. But it seems like I remember there being other people there. Bad people.”

The three men in the van looked at each other. “Damn! How the heck did she get past us?” the leader asked.

“I don’t know,” the burly one in sunglasses said. He folded his arms, making the tattoos on his massive biceps shift as if they were alive.

The skinnier one with round wire glasses set down the weapon he was cleaning. “Damn! One moment she was in the house, the next she was halfway down the street, surrounded by people.”

“Damn! There’s something weird going on,” the leader said. “No wonder they want us to bring her in. Let’s make sure we don’t miss her a second time.”

“Hey!” the tattooed one said, gesturing to a monitor. “Isn’t that Doctor Yamamoto’s kid?”

“What the hell is he doing here?” asked the leader. “Damn!” he added.

“Beats me,” the big man said.

“Do a search on that address,” the leader said.

The thinner one with glasses jumped to his computer terminal. “Damn!” he said after a moment. “That’s his place all right.”

“Damn!” the leader said. “Shirai, run a cross-check on all the addresses in this neighborhood. I don’t want any more surprises.” The thin one did not answer. “ Shirai?” The leader turned to see Shirai staring blankly at his screen, which showed a random-looking series of colors. “Shit!” the leader said. “Our computers are supposed to be immune! Don’t look at the screen, but get him away from there!”

The burly man jumped to comply, tackling his comrade. The thin one curled on the floor of the van as convulsions overtook him. “Reset! Reset!” he sobbed.

The leader shook his head. “Damn. Someone owes me some answers.” He had the feeling in his gut, the one he’d learned to trust in a long career of combat in the worst places on Earth. It was the feeling that things were completely out of control and nothing he could do would make any difference.

Seiji was careful not to look at the nondescript van as it sped past. It had to be the Institute, and that meant they were interested in Allison now. At least they seemed content to watch for the time being, or she never would have got past them. Should he warn her? How could she possibly not know already? He shook his head and laughed bitterly. Of course she was unaware. In so many ways she was like an innocent child.

Maybe he was being paranoid. Just because the only vehicle visible for miles was an unmarked van parked outside Allison’s house didn’t mean they were watching her. Most of his friends would laugh at him if he suggested it. Even the Emergency Committee would be difficult to convince.

“Penny for your thoughts.”

Seiji wheeled to find Tomoko walking next to him, blushing slightly, her uniform straining against the pressure of her breasts. Seiji’s heart skipped a beat. She was so pretty, she could have anyone. But she had professed her love to him. She smiled shyly and looked away.

“H’lo, Tomoko,” he said.

“Hi. Are you OK?”

“Yeah. Just thinking about… uh… math class.”

“I can help you. With the math, I mean. I’m good at math.”

“Thanks.” He smiled at her in a way he hoped looked friendly.

“It’s the transfer student, isn’t it?” she asked.

“What?”

“You said there was someone else. It’s the transfer student. Miss Allison.”

“She’s with Kaneda.”

“I don’t blame you. She’s so smart and strong and interesting…”

“It’s not like that!”

“I think I’d be in love with her too.” She colored. “If I was a boy, I mean!” They walked for a distance while Tomoko recovered from her embarrassment. “I made you a box lunch,” she said. “I made one for Miss Allison, too. I thought maybe we could all eat together. Then I can be with you, even if you’re with her.”

Sergeant Tenma tried not to be sick. He watched as rubber-clad Institute men waded among the bodies strewn about the dance club, searching for survivors. Dead teenagers slumped at the tables, sprawled on the dance floor, huddled in the corners. The ones that weren’t dead were even worse, quivering slobbering husks dressed in the latest fashions, unable any longer to even control their own bodily functions.

“It was the video monitors,” he heard someone say. “They started blinking weird patterns and then everyone just…”

White Shadow, Sergeant Tenma knew. It wasn’t just a computer virus anymore; it was loose in all the wires, and in every broadcast. An electric plague, and there was no way to stop it short of returning to the stone age. Apocalypse. He called his wife. “Unplug the television,” he said. “Anything with a screen. Unplug it all. Then start praying for a miracle.”

An Eclectic Playlist

The radio is playing in the bar where I find myself right now; it’s tuned to a station I’m not familiar with. It was turned way down, but the bartender bumped the volume up when ther was a Czech cover of the punk Classic “California Uber Alles” on. I appreciated that. The next song: “Bridge Over Troubled Water” by Simon and Garfunkel. Wow.

2

Something fuego Said

I got a text messge from fuego yesterday with all sorts of questions in it. One was, tribute to Get Crazy? For those who don’t know, Get Crazy is one of the finest movies ever made, and includes a lot of good live music scenes. There really should be a a little something in our show that the ten people in the world who know Get Crazy will recognize instantly.

Any suggestions?

1

Talent and Location Scouting, and a Long Friday Night

Another local blues singer/guitarist was playing in town Friday night, and fuego and I were on the job once more! Jonathan Gaudet is a French Canadian who loves the Mississippi Blues. He and his harmonica player Jaromír Hůla had a gig at a place called Zlat

1

Fortune Cigarettes

There’s a Santa Fe tradition called Zozobra, in which old man gloom is incinerated, along with all his negative baggage. There are many other similar traditions aound the world. But here’s a way to bring that idea into your everyday life. Wouldn’t it be cool if when you smoked a cigarette you were burning negaive thoughts at the same time? I don’t smoke, but it would almost be worth it to ritually burn the things that bother me.

Enter cigarettes with extra printing on them, negative things that you conquer by burning them. You can buy the regular pack with random messages or you can custom-order with your own personal nemeses. Sure the custom ones would cost a lot more, but that alone might provide incentive to cut back, while making the occasional smoke a poetic act. There must be a brand of cigarette that markets to the black-beret crowd that would make a killing off this.

Plus, it would be a kick to write the ill-fortunes.

Things I Need to do Before I Leave Prague

With my departure date approaching quickly, I’ve started to think about all the stuff I need to do before I go, the things I can’t do elsewhere or things that are especially Prague-oriented. The list in my head is getting longer so I thought I’d best write it down. Then I thought that even better, I could share it with you all and you can watch as items are checked off, and even make suggestions about things that should be on the list. Here goes!

  • take a 1.5 liter bottle and get it filled up at a wine store
  • take a 3-liter bottle down to a vinyard in Moravia and get it filled up
  • DONE! – go up in the telecom tower
  • go to black light theater
  • DONE! – go to a hokej game
  • DONE! – get Bili Tigri hockey jersey (and maybe vomiting slug jersey)
  • Have a beer at the BBC health club bar
  • DONE! – Drink Kofola
  • Go to a Svejk bar

Good thing I started writing this stuff down, because already I can’t remember most of them. I will add to this list as I think of things.

Burning Words

Burning Words

There are words in my head
“fifty-six” I said just now
out loud, for no apparent reason
“Marconi”
“samurai”
“bivalve”
They are sounds, nothing more
disconnected
They bang about up there
ugly tourists

If I smoked
I’d write each word on a cigarette
and burn it
hear it crackle as I inhaled
watch the paper glow and draw back
“transcendent”
“ninteen”
“maybe”
the numbers most of all must go

2

An Easy Day

Slept late this morning, if you can believe that. Something about going to sleep after five in the morning makes me do that. Luckily, there was no location scouting today. The focus was on getting the key production people together. Toward that end, we met with a couple of key people.

First came Martin, bartender at LCNH and friends with lots of film students. His brother is also an editor, though Soup Boy had first dibs on the editing job. One key team member: a student, Czech, who is unafraid to ask bar and café owners for favors. Bonus if she’s a pretty girl. In our meeting Martin proved to be a more able producer than I am, and that may mean more than anything else. He has a candidate lined up, his brother is ready if we need him (the next meeting proved we did), and he can line up more production assistants than we need. I have some homework now; I need a syposis that can be translated into Czech, and… um… something else. I’m sure I’ll think of it.

We were a little early for dinner with fuego’s family and Tomaš (rhymes with “go mosh”), a cameraman of growing repute (proven by the fact that he’s working right now). We stopped off at Casino Royale, the place formerly known as the place formerly known as cheap beer place. fuego got a call from Soup Boy, the missing element in all our plans, and minutes later he was there with us. The place has changed a lot since he drew the storyboards for Pirates there in exchange for food and alcohol. The reunion was brief, pleasant, and we got a swift “camera, yes, edit no” from him. Alas, he could not join us for dinner.

The dinner meeting was good too. I ate a steak! Man, it’s been a long time. fuego paid for the steak! Right there you have the cornerstone of a good night. MaK and Z-Dawg were there and after I was finisehd eating I was given the kid so the parents could enjoy their meals, too. I have to say that I’m gragually getting a little more comfortable with the little guy. Helps that Z-Dawg likes to jump. I can understand that one, and since I don’t have to last for hours my rocket assist is much more powerful. He doesn’t just jump, he flies!

Tomaš and I once spent a night drinking, starting with his father’s homemade Slivovice, and I think he’s really looking forward to doing it again. On the film side, as noted above he’s working, but he has a few connections that might help us. Apparently there are some Panavision lenses areound here somewhere pining for light. I’m a little fuzzy on the details.

Then home for (relatively) early bedtime. Big day tomorrow!

1

Lookin’ for a Bluesman

zlato proved useful once more, sending me the info about and American guitarist and singer who works regular gigs here and there around town. It turns out I’d heard Brad Huff play once before on a night spent hanging with zlato, but I had forgotten the guy’s name, along with everything else about him. Last night he had a gig at an American-owned bagel place. “Looks like we’re having bagels for dinner tonight!” fuego replied when I sent him the info.

As the day wore on, I was overcome by deep and profound sleepies. Brad plays often enough, we could miss one night and the world would not come to an end. Through the innefficiency of text messaging fuego and I were not quite on the same page; I was getting writing done and was not inclined to go out, but by the time I stated that explicitly fuego was already on his way.

As well he should have been. Really it should have been me dragging him. This is my sandbox, my budget, and if I don’t drag this bastard project forward through sheer force of will, then who is going to? I resolved to rally. While I was getting my act together I got another message from fuego. He was quite a bit early for the concert, so he’d gone to another place nearby, a potential location for the film. He told me how to find the place and I started on my way.

Brad huff at bohemia bagel

A lonely bluesman at Bohemia Bagel

It took a while to get there by tram. fuego’s directions were excellent, and the place was easy to spot. I got inside and realized that finding the place and finding someone inside that place are entirely separate challenges. It is a crazy labyrinth of stone and metal, filled with mood lighting and kinetic sculptures made from old engines. It’s contrived, but damn if they didn’t get it right. The levels have levels, there are nooks and crannies everywhere. They had Sailor Jerry Rum, which I did not try. I didn’t take any pictures. We had a coupld of beers, discussed it in the context of “Moonlight.” It’s much busier and more modern than I imagined the location in the story, but it’s also way cool, which counts for a lot. It’s a place that is without a doubt Prague.

After a while we headed the few blocks to Bohemia Bagel for the show. We had no idea how crowded things would be, so showing up a bit early seemed like a good idea. In this case, there was no need to worry. Bohemia Bagel is simply not a place people think of when they’re going out for an evening. I assume booking a blues player once a week is part of a campaign to change that. We arrived, sat, ordered munchies and beer, and waited. Before long Brad sat down in the corner and started to play. He was good, and when we talked to him on his break he turned out to be a personable guy who understood what we were up to and was interested in working with us. Not only that, but his wife is a pianist and has worked as a hand double as well.

We talked about all sorts of things; the story he told about being abandoned in Tuba City, NM was especially good. No two ways about it, that man has some tales to tell.

The vltava at night

The Vltava, looking toward the castle and old church

After the show he joined us again for a while and we had a round of Becherovka for good will. Then we went our separate ways. In what has become a pattern fuego decided to do a bit more “location scouting” while we were out. We walked across the river down into the center of town, where the basements are the coolest, and trod the cobblestones looking for likely venues. Nothing presented itself right away, but we stopped off as a place called (something like) Fat Boy Bar, a place neither fuego nor I had even been before. It was fairly quiet in there by then. We got beers and made ourselves comfortable.

A while later I looked up and there was Brad, still dragging his little wheel bag with his amplifier, his guitar slung over his back. I waved, he laughed, and came over to join us. “I got on the wrong tram,” he said. “I used to come in here all the time, but I haven’t been in ages.” Yet there we were, as if guided by some divine practical joker, and more stories ensued. And more beer. Maybe some more Becherovka. Maybe not.

Time continued to stumble ahead toward dawn, clumsily but inexorably, dragging us with it. Eventually it was time to go home. We walked out into the quiet Prague streets. I really like the city at that time of night; one of my favorite Prague moments was a similar walk through fresh snow. We bid Brad goodnight at his (correct) tram stop and fuego and I started tromping homewards. We made it as far as El Paso.

tramsleeper.jpg

I wonder if he can play the blues…

El Paso is a bar I pass often but rarely go into. One of those visits was on a very similar walk home with fuego, late at night when we both know better but are willing to forget for a while that we do. El Paso is open almost all night, just closing long enouogh to clear out the drunks before they start a new day. We sat, chatted a little more, mostly about the project, and eventually there was just no denying that it was time to go home. I walked part of the way but I was passing the tram stop just as the night tram pulled up (still night trams — at least it wasn’t as late as last time) and I hopped on for the last half-mile or less. The tram itself was a fairly modern number, but all night trams come equipped with a sleeping drunk guy. This guy is living in luxury; he’s not forced into the standard slumped-forward posture you see on the older trams. I’ll tell you a story about that sometime.

Finally, home, happy to be there, I spent a little while chatting with That Girl. She called me a dork. (She loves dorks, luckily.) I didn’t last long, and then I flopped down on the Curiously Uncomfortable Couch and was asleep almost before I was horizontal. Quite a productive day, overall…

2