A lot of stories are based on people competing for something. In many cases, what they are competing for is far less important than the competition — as long as the object of competition is important to them.
It might be a glowing thing in the trunk of a Chevy Malibu or it might be the contents of an ice skate bag. All that matters is that everyone in the story is willing to kill to get it or die trying.
But then there’s the Double-MacGuffin. This is a story where people are competing not for the thing, but for the thing that will tell them what the real thing even is, and perhaps provide access to the actual MacGuffin.
For the record, I just coined Double-MacGuffin, and in the annals of literature, when they discuss Double-MacGuffin stories, they will mention this humble blog episode in the “quaint backstory” part of their analysis.
It would be easy to confuse a race-for-treasure-map story as a double-MacGuffin, but that’s not the case at all. Even if the treasure is vague and MacGuffin-like, the map is not. It’s a competition for a well-defined thing that leads to an undefined thing. That’s a single-MacGuffin plot right there, bunky. To make it a Double-MacGuffin, the map itself has to be something so inscrutable that it can never be defined.
The characters in a Double-MacGuffin story are fighting to find the question, because they know the answer to that question is important.
I’m dancing around a story right now that wants to be a double-MacGuffin. And that’s actually not so hard, until you try to end it.
On Television right now, Lodge 49 is the perfect Double-MacGuffin story. An artifact that may or may not exist but everyone wants can provide access to something… undefinable. While the characters chase the artifact, the “undefinable” isn’t afraid to elbow people in the ribs. It’s beautiful.
Locally, Feeding the Eels has stumbled into that world, and is having a good time. And The Quest For the Important Thing to Defeat the Evil Guy is an archetype of the double-MacGuffin trope.
Yeah, I put my writing into the paragraph right after mentioning one of the best-conceived television shows I’ve ever seen. But Eels has the Double-MacGuffin going, and that’s all right.
Actually, in reference to Lodge 49, in the last episode the MacGufus Prime made a shift toward the tangible, but that was offset by where the typewriter landed.