Don’t get mad, get Glad!

I had an audition today for another commercial. I really, really, don’t think I’ll get this one, but it would be nice if I did. Why? Because this ad would play nationwide in the good ol’ US-of-A, that’s why. I’d never see it, but anyone over on that side of the puddle who watched daytime TV would get to see me robbing a bank in order to sell plastic bags. For the same reason, the gig would also pay a lot. One day of work would pay the rent for half a year, minimum.

Alas, this gig will not come to me. We auditioned in pairs, and while I was not particularly sparkling, my partner was particularly flat. Now, in hindsight, I know exactly what I should have done to make the situation work, but that’s what hindsight is all about.

Many of you will see this commercial, and I will not be in it. Oh, well.

1

It’s an episode… about nothing.

Sorry for the lack of episodes lately. It’s just that life has carried on in its terribly ordinary way, the wheels of time and space turning on well-oiled axes with nary a squeak.

Of note, perhaps, is that my pants are falling down. Either they have stretched or I have shrunk. While I don’t feel any healthier, and can see no diffference in the mirror, is seems unlikely that all my pants got larger at the same time.

One reason I’ve not had much to say is that I spent more time than I should have in the last week playing a computer game. This is the sort of brain-eating activity that leaves one without an original thought to call one’s own. I finished the game today, and I have no plan to order any of the sequels. Not because it wasn’t fun, mind you, quite the opposite.

Now I am in the Little Cafe, and there is a birthday party goinf on. Birthday girl is very pretty, adn is dancing on the bar as I type this.(pardon the typos, but for authenticity, i will leave this as I firty tuyped iu while watching her dance.) She is particularly happy because her ex-boyfriend showed up for the party, and they are not ex anymore. I am happy because she is very, very, good at shaking her moneymaker. Perhaps they were reconciled before tonight, but I don’t think so. The breathlessly hopeful look on her face when he arrived, the careful way they acted until they fell into their old familiar habits, the disappointment of the other males present, all spoke of this being a birthday she will long remember. For me, in my corner, part of the universe has gone back to being the way it belongs.

And so the world moves on, quietly, calmly (with the exception of the dancing on the bar), and there is little for this correspondent to report.

Programming note: episode upgraded

I spent way too much time today putting images with captions in to the episode Floating Down the Vltava. Getting the captions to line up right turned into a big pain in the ass. (The missing element: margin:auto.) The pictures now mostly behave well. I’ll be adding pics to other episodes in the near future, so keep your eye in the “what’s new” section above.

Enjoy!

Arrr! Happy Talk Like a Pirate Day!

Ahoy, maties! I only be havin’ a moment ‘fore I weigh anchor and set sail to rendez-vous with Little John and the rest of his scurvy crew, but it would be ill indeed to let this day pass without a resounding “Arrr!”

1

Too much left unexplained

In fact, should I rate a tombstone, I’d be all right with that. I got a rejection today that at first glance was just another impersonal note stuffed in the return envelope. I almost didn’t read the text of the note; I’ve seen it before. This rejection was different, however, for two reasons. First, the text of the note actually was different: it said in part, “… your work shows a great deal of promise, and we’d very much like to see more from you.” They don’t have to ask me twice. Second, and even better(ish) was the personal message scratched at the bottom in handwriting worse than mine. The message read, “Some nice writing, but too much was left unexplained.”

Too much left unexplained. I’m trying to explain more now, really.

The reviews of “Memory of a Thing that Never Was” were generally good. There were a couple of professional critics that really liked it, and a bunch of armchair critics who thought it was pretty good. On the other hand, there was a minority of folks who said “I didn’t get it. What happened?” This issue of the magazine had been promoted to the blogosphere, promising free copies in exchange for honest reviews. That would seem like an open invitation to the nutjobs, but I read many reviews and most of these folk stepped up with fair and well-reasoned criticism. Those who rose to the challenge really were passionate about the genre, and ready to help it grow. So, when they ask “What happened?” it’s worth remembering that they are avid readers and champions of the genre.

Too much left unexplained. Some of my good friends here have said the same thing. (It takes a good friend to say something like that — caring enough to risk giving offense and trusting enough to know that the criticism will be taken constructively.) Graybeard, when he read “Memory”, thought for a bit and said, “this should be 600 pages.” From Graybeard, a brutally honest individual, that was for me a great compliment. “Memory” hints at a lot of other things that would take pages and pages to explain, but wouldn’t enhance the short story.

A lot of my stories have holes in them. It seems I’m not writing the holes well enough. Sometimes when I write a short story I’m trying to create a single instant, a moment in a person’s life. A mood. These are my favorite ones and the ones that are the most difficult to write. I worked at a pace of about a paragraph per hour on the rejected story’s opening. The time was well-spent, I think, as the Rejecting Authority appears to have enjoyed the prose. Often I write background bits that I subsequently delete because I see them as distractions. Unfortunately many people find the lack of background to be distracting. If I were to add that stuff, however, it would change the nature of the story.

Thinking about it, I write plenty of stories in which everything is explained. Some of them I even like. (My hard drive is a graveyard of stories written that will never see the light of day, unless I decide to hire some poor slob to find the ones I dropped only because I was in the wrong mood when I reviewed them a week after writing). But my favorites are the very short, very dense stories that are more like a painting than a movie; a single frame in a longer narrative.

Tonight I looked at the rejected story with some frustration. I really thought I was hammering on the important parts, almost embarrassingly so. There is much unknown, but no one in the story knows the answers. They even say as much. The story is about a moment of awakening, but one that has happened many times before. So what can I clarify? The mountains are forbidden. Why? I don’t know. Nobody in the story knows. Why is not important; what matters is that they all believe it enough to kill a friend rather than let him get there. In a novel or even a novella I would explore those questions, but there’s not time for that now.

Obviously I have some work cut out for me as a short story writer, but at the same time I can’t help but think that there is a readership that likes to fill in the blanks. I am more appreciative than ever of the people at Fantasy and Science Fiction for having faith in their readers to put a more difficult story in their pages.

I joked tonight that perhaps I should write my stories in czech because the last thing they want here is an answer. Of course that’s silly; I’m blaming the audience (or actually in this case, a single underpaid slush-pile reader) for failing to understand me when it is my job to be understood.

Too much left unexplained. Isn’t that just like life.

My Beers With Angel

I first met Angel at the Little Café near home a few weeks ago. I was worried at the time that if he came in regularly it would be difficult to get any work done. If he is in the room, you know it. He is an energetic soul, and it is only with the greatest effort that he can leave me to work, when he is bursting with stories and ideas. He is able to keep that effort level required for restraint for perhaps thirty seconds before the pressure of all the ideas bottled up inside him pops his safety valve.

Tonight we met at the Little Café by agreement, so I had no expectations of writing. Tonight was for talking.

Angel is by any measure a good guy. He is sharp, no doubt about it — not only does he understand quite a few languages, he understands language. At one time he worked at a university in Peru, and gave most of his salary back to the university because, for him, there is nothing more important than education. Angel is an idealist and a shameless Christian.

I chose the word ‘shameless’ very carefully. Angel is not ashamed to be Christian, nor would he ever try to make anyone else ashamed for not being Christian. He believes in a higher authority is all. He is a philosopher, a lecturer, and a teacher. Much of what he says, I don’t completely agree with, but that’s OK. Part of that is that we agree that when people stop and listen to each other we can get along, even if we don’t agree.

Tonight over beers he said, “You can say ‘murder is bad’ and I will ask ‘why? Where is the authority that says so?’ He’s not arguing in favor of murder, he’s saying there is a reason murder is bad, and that the reason is bigger than humanity. Personally I don’t see the need for a higher authority, but that just made the conversation more interesting. It’s surprisingly hard to find people who are both passionate in their beliefs and tolerant of others.

In the last few days I’ve had fairly intense conversations with Greabeard and with Angel. In both cases part of the discussion is a search for a mutual definition of terms — making sure we’re using the same word in the same way. With Angel the process was much more rewarding. You can posit that this is the difference between argument and debate, but on that point I would have to disagree.

The reason I met up with Angel tonight is because he needs a place to crash for a few days until his new apartment is ready. This will be interesting indeed. My place looks like I’m still moving in (in a sense I am moving back into the room where Soup Boy slept), and there is overall a sense of disorder. I am, in my own small way, entropy’s little helper*. More than that, there will be a very large presence in my sanctuary for a few days. His need for a place is part of a large, complicated fur-ball of events that are his story to tell, not mine, but even being an uninformed bystander has been educational.

*On the entropy bit, it is important to remember that every time you achieve order you must expend enough energy to create more disorder somewhere else. By not moving the stack of boxes out of my living room, I am delaying the heat death of the universe. You don’t have to thank me, it’s what I do.

The Bohemian Quarter

I awoke lazily this morning, enjoying slipping back and forth between sleep and semi-wakefulness. While I lay there I thought of how much fun I’d had in the Bohemian Quarter recently, exploring it’s twisty-turny streets, the architecture from an earlier era, and the carnival atmosphere. I remembered being lost and stumbling into a small amusement park. I had to wander the streets of the quarter for quite some time before finally getting a feeling for the layout of the place, using a monument in a little square as my anchor point.

That memory was followed by a moment of confusion as I realized that Prague has no Bohemian Quarter. Still my memory of the place was so complete (new details easily recalled, emotional resonances, a seamless whole rather than a framework of invention), and my experiences there so varied, that I cast about trying to figure out where the real Bohemian Quarter is. I can’t find it, and the only place left to look is in a story I haven’t written yet.

Well, THAT didn’t work…

I’m just coming out of a self-imposed Internet blackout that was intended to let me get things done. Let’s go to the scorecard and see how I did:

  • Refrigeratior: emptier
  • Cabinets: barer
  • Pile of dishes in sink: taller
  • Laundry: still out of detergent
  • Database in Jer’s Novel Writer: guts still hanging out
  • Work table: cluttered
  • The half of lliving room unusable because it’s full of furniture: unchanged.

The contents of my refrigerator as I write this are: 2 bottles of water, soy sauce, mustard, whipped cream, an open packet of paprika, and a plastic lemon filled with juice. If there’s anything in the freezer, I don’t want to know about it. Last night the cabinets surrendered the last solid food – a box of slovenské haluÅ¡ky mix. I was expecting something that made the meal you get in restaurants when you order slovenské haluÅ¡ky, but this was just the base dumpling part. My results did not match the picture on the box at all. Breakfast this morning was leftover slovenské haluÅ¡ky. I thought of putting soy sauce on it, but decided against it.

On the plus side, I think I’ve reached the point where I must do something or I will starve to death.

But wait, there’s more!

In the immediately previous episode I mentioned reading a Japanese comic that eventually became rather tiresome. The manga is called Bleach, and while the story starts off strong, eventually it crumbles under its own weight, becoming an endless series of battles. Most of those battles follow a form of gradual escalation that is common in literature from all around the globe. Just when the good guy thinks he has the bad guy beat, bad guy pulls out a more effective weapon, and suddenly the tide changes.

The question in a confrontation like that is “why the hell was the bad guy screwing around with lesser weapons in a life-and-death struggle? Why leave your life to capricious chance when you have a devastating first strike at your disposal?” The question, while rhetorical to most readers of these august pages, is direct for the people that write these stories. Think about it. You have a gun and a sharp stick. Which are you going to lead with?

As with any cliché, using it artfully yields magical results. In The Princess Bride, one of the best parts of one of the best books I’ve ever read is when Inigo Montoya meets the Man in Black at the top of the Cliffs of Insanity. If you’ve only seen the movie, you’ve only caught a pale shadow of the scene. Inigo has seen the Man in Black in action, and hopes that, perhaps at long last, he’s going to have a good fight. He wants a worthy adversary more than he wants life itself. He decides to start lefty to give the Man in Black a chance. The Man in Black reaches the top of the cliff, and Inigo waits courteously while his enemy catches his breath. Why? Because he needs this to be a fair fight.

After a few minutes the Man in Black stands and draws his own sword. Inigo smiles when he sees his opponent is left-handed. Strength against weakness. They join battle.

The battle is amazing, and the Man in Black pushes Inigo to his limit. Inigo has not been happier since before the six-fingered man killed his father. The Man in Black corners Inigo, who says (something like) “ask me why I’m smiling.”

“Why are you smiling?”

“Because I am not left-handed.” Inigo moves his sword to his right hand and now the battle steps up. They go all over the place: terrain, footing, tactics, and physical conditioning all come into play, written in so naturally that you think you’re an expert on fencing when the battle is over. Finally Inigo has the Man in Black cornered, and his mysterious opponent is smiling. “I am also not left-handed,” the Man in Black says.

Now, see? If you want to escalate the battle gradually, that’s how you do it. Give the combatants a human reason why they would not open with their most devastating blow. In The Princess Bride it is a mutual love of the contest. In The Monster Within, I notice now that without consciously thinking about it, I did all right with the escalation because the opposition’s goal evolved from testing to intimidating to eliminating. In The Test, no opponent ever holds back. The tension comes from battles pending and battles avoided, but when confrontation occurs, the action is swift and fierce, and everyone, even timid little Jane, bites for the throat. The Test is also different because while there are very bad people, there is no evil. Evil is a cheap excuse to make the bad guys do irrational things.

Which brings me back to where I started. Japanese comic book. Evil in this narrative is not simple, but there is still evil. Where the story gets good (and eventually tiresome as they work it to death) is when the toughest opponents are not the classic evil folk but powerful people with misguided ideas. This one does pretty well with the evil beings, explaining their lust to eat human souls to replace the one they only vaguely remember having themselves. Even within the soul-hungry horde, there is a scale of sins.

Ah… foolish mortal. Do you not know of the power of nantuki?

“Well, crap, if I’d known that, do you think I wouldn’t have mentioned the power of USS Iowa?

At least part of me is getting exercise…

I’ve noticed a few times lately that my scowling muscles have been fatigued to the point of aching. I’m having to consciously unclench my brows as I write this.

Dammit! There I go again, scowling at my writing about scowling. There’s a japanese comic book (Manga, for those in the know) that I followed for a while before it got awfully damn tiresome. In this story, the main dude sometimes has to leave his body, and a convenient spare spirit (unfortunately, a failed lab experiment) has to take over. The replacement spirit is much more happy-go-lucky, to the confusion of those on the sidelines. Early on the spare spirit comments, “how do you keep scowling like this all the time? it hurts“.

A night of beautiful stuff

It is five minutes until five, Central European time. The sky is still dark, and the streets are quiet. I’ve been walking for the last hour or so, making my way home from a bar called Tulip. I’m not sure how much of the story I will tell, not because of any salacious or embarrassing details, but because it’s the same story all over again.

… and that’s as far as I got writing the episode before I called it a night last night.

Anyway, Little John invited me to join him at his favorite haunt last night, and I accepted because it had been a while since I left the domicile. A friend of his was singing and playing at Tulip, and they serve a particularly good flavor of beer, so it was a promising evening. I arrived to find Little John there with some of his friends, and we were joined as well by fuego and MaK. By the time Mad Dog (he will not be a regular character here, and how he earned his nickname is Little John’s story and not mine, but by Mad Dog he shall always be known here) joined us, I had already built one minor stack. In marked contrast to the last time I was stacking objects in a bar, this time those at the table were fully supportive. When I started wedging coasters into notches in the salt and pepper caddy, the others at the table began to collect items for me to use. I got a couple of interesting stacks, but nothing spectacular. fuego has pics of my early-evening efforts, so maybe I’ll be able to put one up here.

The music was good, the beer was good, and all was well with the world. Singing along was not just tolerated but encouraged (at least by Little John), and I did some of that as well. Later on a rather astonishingly beautiful woman joined us from the next table over, and cuddled up with one of Little John’s friends. It turns out she’s American, and has moved here to teach at an international school. She’s been here a week. She was very happy with her sparkly shoes, and she wants to be a writer. We talked for quite a while. Somewhere along the way a different musician took over, and his mellower style fit with the advancing hour.

And that, really, is it. Rather sad to think that is the most interesting thing that’s happened to me in the last few days, but any evening that includes stacking things with no resulting disasters and talking to a pretty girl is right up there on the “pleasant evening” scale.

Elephants of Doom

The challenge, thanks to C5K3:

The tall, thin man drove the International pickup as if someone’s life were at stake. 


Everything about the truck said one of a kind. Upfront was an air horn designed by the thin man’s musician/inventor friend, Juan, to be audible (and repugnant) only to squirrels. The roof had been replaced with a convertible top which was now up due to the blinding snow storm. The storm didn’t bother (or perhaps didn’t register with) the exceptional dog drooling out the passenger window and onto the “Got Fuego?” sign painted on the door. Behind the rear wheels were playmate silhouette mud flaps, a gift from Heath, another friend. The rear bumper had the world’s longest bumper sticker: “I break for kung fu brew masters, ivory billed wood peckers, pervious MOHs and rock stackers.”


The cargo, which provided the vital ballast to keep the truck’s balding tires on the slick, twisting highway, consisted of four kegs of Guinness Stout and twenty fifty pound bags of peanuts – one of which was leaking nuts at a steady rate.


It was dark, and the thin man was wearing sunglasses.

The tall, lanky man cursed as the rear tires of the battered pickup truck lost their grip and slid dangerously towards the precipice, sending a handful of peanuts sailing out into the void. He cranked the wheel and brought the vehicle under control, at least for the moment, and mashed the gas pedal to the floor. “Elephants,” he muttered. “It had to be elephants.”

His were the only tire tracks in the snow that was rapidly piling up on the crumbling blacktop. People did not come this way often in the best of times, and these were far from the best of times. Without the four kegs of Guinness and 1,000 pounds of peanuts in the back of the truck to provide ballast he would have sailed off the road long before. The snow would be deeper and he would be lighter on his way back down, but if he didn’t make it in time, none of that would matter. The Elephants of Doom were on the move.

The large dog in the passenger seat tried to turn at the sound of the thin man’s voice, but his tongue was connected to the “got fuego?” sign on the passenger door by a long icicle of drool. The dog blinked the snow out of his eyes and stuck his head back out the window.

Suddenly the thin man hit the brakes, sending the machine into a heart-stopping sideways drift and throwing a shower of goober peas out of the truck, pelting the man standing serenely in the middle of the road.

From the trees a pair of glowing red eyes, rather far apart, watched the truck skid to a stop. The eyes narrowed as a robed figure pitched a metal barrel into the back of the truck and climbed into the passenger seat. With the sound of grinding gears the truck lurched forward, but the extra keg in back seemed to help traction. The glowing eyes followed the progress of the truck until it was lost around the next curve. There was no mistaking the message on the sticker that took up the entire width of the 2×4 that served as the truck’s rear bumper. “I brake for kung fu brew masters, ivory-billed woodpeckers, pervious MOH’s and rock stackers,” the sign read, but it said so much more.

The elephant crouching in the forest twitched his trunk nervously. This is not good. I’d better warn the others. It’s as if… The glowing eyes widened as they spotted the objects scattered on the road. Peanuts!

Peanuts! Peanuts! Peanuts! Hoo Boy!

The two said little to one another as the truck rumbled on. They both knew time was short. They both knew that it was going to take more than beer, peanuts, and Kung-Fu smack-down to stop the Elephants of Doom.

The Monk broke the silence. “Rock slide around the next corner,” he said.

Rather than slow down the tall man gripped the steering wheel with white knuckles, ready to swerve.

“Relax, become one with the truck,” the monk said.

“Bite me.” The truck roared around the corner almost sideways, heading directly toward a boulder lying on the double yellow lines. With a curse and a yank on the wheel the tall man whipped the rear of the truck around, almost off the road once more, drifting toward oblivion, when the rear wheels caught and powered the beast down the road.

“How’d you know that was there?”

“I have achieved harmony with the trees, with the snow and with the rocks themselves. Also, I saw an Elephant of Doom hiding at the side of the road.”

“They’re on to us, then.”

“Oh, yes. How could they not be? But what else did you see?”

“Now that you mention it, it was odd the way that second rock was balanced on top of the big one.”

“There are few hands on the planet that could have done that. Whatever the message was the rock stacker was trying to send us, we’d best not forget it. In the meantime — watch out!” In the road ahead stood a small knot of squirrels, shivering and groggy from the cold, but with determined looks in their beady little eyes. They shot each other reassuring glances as the truck roared down upon them.

The tall man didn’t flinch. He roared directly over the squirrels. He heard the rapid-fire thump-thump-thump and checked his rearview mirror. No trace of the rodents remained. He let out a sigh of relief.

The monk was less sanguine. “You didn’t even try to avoid them! You willfully killed living creatures! What kind of man are you?”

“I’m the kind that doesn’t swerve off the road just because a suicidal critter wants to take a shortcut to oblivion.”

“But isn’t that a special horn to repel them mounted right on the front of your truck?”

“Yeah, but it’s too cold to put my lips on the mouthpiece right now. Besides, the squirrels wanted to die; I was just helping them out.”

“That is not for you to decide.”

“Look buddy, you might be willing to wait until some ninja rodent shoves a black hole up your Zen ass, but me, I’m not giving them the chance.”
The silence in the cab of the truck seemed chillier than it had before, but then again, the heater was broken.

The High Council of the Elephants of Doom sat around the campfire, discussing the latest crisis while some of their minions prepared the sacrificial bonfire on a hilltop nearby.

“The squirrels have failed.”

“I never did trust those little rats.” The Elephant shuddered. “Too much like mice, if you ask me.”

“They were a little too eager for this mission.”

“Came out of hibernation for it.”

“We can conclude,” trumpeted Doom Leader, “that squirrels are not to be trusted. I was not relying on them in any case. Have we heard from Elephant of Doom Second Class Snorky?”

“We found him staggering along the road. He’s still coming down off his peanut high, but it’s safe to assume that the robed one is now with the thin one.”

Council of Doom Member Ollie used his trunk to adjust the enormous earmuffs he was wearing. “How can you tell them apart? They all look thin to me.”

“The one operating that shamelessly sexy vehicle. It doesn’t matter. Things are coming to a head. Nothing must be allowed to stop our evil plan of DOOM!”

“Evil? Our plan is evil?”

“Well, not for us, of course. For us it’s pretty damn good. But for the rest of the world, I think it’s safe to call it the ‘Evil plan of Doom’. Just so there’s no confusion. It’s easier that ‘Evil Plan of Doom for Everyone Except the Elephants of Doom’.”

“Fair enough.”

“Too many Dooms in that second one.”

“Doesn’t really trip off the tongue.”

“Might be hard for people to remember.”

“We can remember it, though. We never forget.”

“Maybe we could call it ‘Evil Plan of Doom for Everyone Except the Elephants of Doom which Only the Elephants of Doom can Remember’.”
“EPDEEEDOEDR for short.”

“No, look. Evil Plan of Doom. That’s it. Now, how long until the tall one reaches the checkpoint? We have to activate our next trap at precisely the right moment.”

“Umm… judging by his previous rate of progress…”

“Yes?”

“Taking into account the steadily worsening weather conditions…”

“Yes?”

“…and the deterioration of the pavement at higher altitude…”

“When the hell will they be there!?”

“We just missed it.”

“That’s strange,” the Monk said.

“What is?”

“I fully expected a diabolical and crafty trap to spring on us at that last curve.”

The thin man nodded. “It did look like a crafty-trap-like sort of spot. We must have them off-balance.”

“Off-balance, perhaps, but remember, elephants don’t tip.”

The thin man shot the monk an annoyed look. “You really expect me to pick up your straight lines?”

“Are we not expected to engage in witty banter as we, an unlikely pair of heroes, rides to near-certain death?”

“Key word: witty.”

“Well, then, I suppose I will have to provide the zingers, while you are the straight man.”

“Are monks even allowed to use the word ‘zinger’?”

“Ah! Now I see! You are the brooding, angry, witty type. I assume in that case you also have a story concerning you and elephants, one that makes this mission
more personal, but all the more difficult because of that. You and pachyderms have a… history.”

The thin man set his jaw and stared out into the driving snow. “I don’t want to talk about it.”

The Monk nodded, satisfied, and let it drop.

“But if you insist…”

* * *

“Peanuts! Fifty cents! Feed the elephants!”

The thin boy clutched his mother’s hand. “Can we, mommy? I want to feed the elephants!”

The thin boy’s mother smiled indulgently. “Of course. It’s the circus, after all.” She produced two quarters and handed them to the thin boy. “Go get your peanuts.”

Timidly the thin boy approached the vendor and held out the two quarters silently. “Here ya go kid,” the busker said. He handed the thin boy a paper bag, red and white striped, filled with peanuts. “You can feed any of the elephants you want, except that one over there.”

The thin boy looked in the direction indicated. “The one with the glowing red eyes?”

“Yeah, that one. He’s, uh, allergic.”

“O.K.” The thin boy gazed into the eyes of the forbidden elephant.

Peanutsssssssss. The voice was like a whisper at the back of his brain that only he could hear. He snapped his gaze away from the fearsome creature and ran back to his parents. They walked over to the pen that held the rest of the elephants. The towering beasts reached over the fence and with a snuffling whuffling trunk would lift the peanuts right from the thin boy’s palm.

“Say, what about that one over there?”

“No, dad, were not supposed to feed that one. He’s allergic.”

“An elephant allergic to peanuts? That’s absurd.”

“Really, dad. That’s what the man said.”

“Huh. well, if that’s what the man said.” The thin boy’s dad was still looking over at the red-eyed elephant. “He looks hungry, though.”

“Now, honey, I’m sure they know what’s best for their animals,” the thin boy’s mother said.

“Yeah, yeah, you’re right. Still, what harm could one lousy peanut do?”

“I don’t know, and neither do you. You’re supposed to be setting an example.”

“You’re right. I’m sorry, dear. That poor elephant will just have to wait for his regular meal.”

The peanut bag was nearly empty when the thin boy realized his father was not by his side. He turned to see his father walking, trance-like, toward the forbidden elephant, a single peanut in his outstretched hand. The thin boy looked into the red eyes of the elephant and saw there madness, rage, and mayhem.

He ran after his father as fast as he could, watching as the elephant reached out for the proffered treat. The thin boy was going to be too late. He dove, gravel flying behind him in slow motion. “Nooooo-” he called out as the elephant’s nimble nose picked up the peanut, just beyond the reach of the thin boy’s outstretched hands. “-oooooooo-” the boy continued as the elephant placed the peanut in its mouth.

* * *

“-oooooo!” concluded the thin man, while the big dog howled along. He took a moment to gather himself. “Fourteen people were killed that day. My parents were two of them. I’ve never been able to look at an elephant the same way since.”

The monk blinked himself awake. “Interesting,” he said. “You could hear the elephant’s voice in your head?”

“That’s what I thought then.”

“Hm. Have your eyes ever glown red?”

“Not that I know of.”

“Good. If they do, I’ll have to kill you.”

“What!? Why?”

“Because if I don’t, you’ll become a person… of Doom.”

There was a pause in the conversation as the thin man digested that. “That would suck,” he finally said.

They rode in silence for a while as the snow continued to deepen. “I’m impervious,” the monk observed.

“Lucky for us I’m not.”

The monk raised an eyebrow. “You’re pervious?”

“As pervious as they come.”

“I don’t remember your tenure.”

“Honestly, how many do you remember?”

The monk nodded. “You’re pervious, that’s all that really matters. Do you think the Elephants know?”

“They do have a reputation for remembering things.”

“We’ll have to assume the worst.”

“We’ll have to assume the worst,” Doom Leader said. “With a bumper sticker like that, the chances of one of them being pervious is just too great.”

“That’s all right,” one of the others said. “Most of those guys never do anything anyway.”

“Yes, but should one of them choose to exercise their power, it would change everything.”

The other elephant snorted through his trunk. “Pfff. That’ll never happen.”

The Youngest Elephant of Doom on the council asked, “What is this ‘pervious’ thing anyway?”

Doom Leader closed his eyes for a moment, remembering back to times long past. “There was a time, long ago, when men were real men and elephants were real elephants. There was among humans a special group, the elite of the elite, who would wander the Earth. They were crusaders for justice, defenders of the weak, pickers-up of the downtrodden, brushers-off of those who had sand kicked on them, mediators for the…”

“We get the picture,” one of the other Elephants of Doom said.

“Yes, well, these men were known as the pervious Men Of Honor. They were few, but their power was legendary. No Creature of Doom dared oppose them. Now, ‘pervious MOH’ is nothing more than a name, just old stories that no one really believes anymore.”

“Then why should we worry?”

“Because although the power lies dormant, it still exists. It would be just like the power of the pervious to awaken on the night we execute our Evil Plan of Doom. Pass the marshmallows, would you?”

While Doom Leader carefully skewered a marshmallow and held it over the fire, one of the workers from up on the hill came down to report. “The pit is ready, and the firewood has been stacked. The sacrifice has been prepared. We can begin whenever you are ready.”

Doom Leader ran his trunk over his long tusks, and his eyes glowed brighter. “Eeeexcellent. Prepare the trumpet, prepare the drum. It will not be long now.”

The worker Elephant of Doom stood nervously nearby. “Uh, sir?”

“What is it, lad?”

“They say, that is, some of the boys are saying, and I don’t know what to believe…”

“What is it they’re saying?”

“They’re saying that people are coming… with peanuts.” The last word was little more than a whisper, lost in the wind, but it carried with it a mixture of fear and secret longing.

“It’s true, boy, it’s true. But don’t worry; once the ceremony starts, the power of the peanut will be unable to reach you. We will be beyond temptation. Tell the others that the Council of Doom will protect them.” Doom Leader curled his trunk over his head defiantly. “It will take more then Beer, peanuts, and Kung Fu Smack-down to stop us this night!”

“Yes, sir!”

“And tell them also…”

“Sir?”

“Tell them the Council of Doom has run out of cocoa. Have someone make some more.”

The wind stopped, but the snow kept falling, in big, lazy flakes. An eerie silence descended over the forest, which the occupants of the truck could not hear over the roar of the International Harvester V-8 with the rusted-out exhaust system. Squinting, the monk pushed the large dog aside and peered out the passenger window into the unbroken blackness of the sky. “It’s going to be midnight soon.”

The thin man hit the brakes and the truck drifted sideways to come to rest perfectly positioned between two graceful stacks of rocks. He took off his sunglasses. “We’re here.” He killed the engine and opened his door, stepping out into the soft, powdery snow, the quiet ticks of the cooling engine the only sound, except for the dog panting, the door slamming, the monk hauling kegs out of the back of the truck, and the distant drumming.

The two men began to load the peanuts and beer onto the big dog.

“This stuff must weigh a ton,” the monk said.

“Shh. He doesn’t know that.”

“So then he can carry it?”

The thin man nodded.

“That’s a pretty stupid dog.”

The thin man shrugged and strapped another keg to the dog. “Ceremony’s started. Peanuts won’t be much good now.”

“No, not ’till the party after.”

“Good point. Load them on.”

“But they must–“

“Ix-nay on the eight-way.”

“Right right right. Throw me another bungee strap.”

The elephants swayed in a ponderous ring around the blazing fire pit, chanting ominous but unintelligible syllables. The flames jumped and danced with their utterances, gaining strength as the pachyderms accelerated their shambling dance. The thin man and the monk raised their heads up from the arroyo to the north, witnessing a landscape ravaged by dancing elephants.

“We’re too late,” the thin man said.

“We still must try. Beer, peanuts, and kung fu smack-down may not be enough, but if it’s all we have, we still have to try.”

The thin man nodded. “There’s always the chance that something unexpected will happen.”

“Well, then. It’s been good knowing you.”

“Yeah, something like that.” The thin man gestured to the dog, who stood drooling tirelessly. “Let’s party.”

The trio burst out of the gully. The thin man began pulling beers while the monk struck a kung fu pose with peanuts in either hand. His voice rang out in the still night air. “Stop! You foul creatures of Doom!”

One elephant paused to glance in their direction long enough to make a trumpet-like snorting sound through its trunk, then continued in its dance.

“Time to get up close and personal,” the thin man said.

Before they could move, a horrifying squak rose from fire, as the flames leapt the the height of the treetops. Slowly there rose from the flames a mighty creature, a bird with a pointed beak. The flames danced around it, but didn’t touch its feathers. “Squaaaaawww!” the creature called through the night.

“Ivory-billed woodpecker, if I’m not mistaken,” the monk said. “Though large for the species, and fireproof.”

“Ivory-billed woodpecker of Doom,” corrected the thin man.

“Sqwaaaauuuu!’ the titan bird called into the night, then fixed its glowing red gaze on the intruders. “Squau? Squee sqo squonk!”

“Not the traditional call of an Ivory-billed woodpecker,” observed the monk.

“You want to take it up with him? You gotta get though the killer elephants first.”

The two prepared for battle against the onrushing herd, preparing beer, peanuts, and kung fu smack-down.
“Squeeerrrawww?” The herd shambled to a stop, and turned to look at the giant bird standing in the flames. Next to the pyre was a stack of rocks, elegant, graceful, seeming to defy gravity. At the top of the stack was a peanut.

“It’s inside the doom perimeter!” Doom Leader croaked.

“Peanut,” the rest of the herd droned, their eyes brightening. “PEANUT!”

* * *

The thin man stretched out by the campfire, enjoying his beer. The elephant next to him shifted lazily and reached out for more peanuts. You can hear my words?”

“Yeah. Don’t tell the monk.”

Pfff. Friggin’ boy scout. Although he does make a fine Pale Ale.

The thin man raised his mug. “True enough, true enough. He is a man of God, after all. You guys done with all this Doom stuff?”

Ha! you may have thwarted us this time, puny human, but we will be back!

“Yeah, that’s what they all say.”

2

Meanwhile, back at the ranch…

For the past couple of days my acting career has been on the upswing. This time I am a cowboy in another movie you will likely never see. In fact, I will probably never see it.

The movie is supposed to be a comedy, and part of the humor (if I may be so bold) comes from the fact that most of the cowboys and cowgirls speak little or no English and learned their lines phonetically. Comprehensible is all they’re trying for, and usually they achieve that. Every once in a while they even get enough behind the lines to be convincing. It seems that only one of the czech actors bothered to study the script ahead of time, so in between scenes the writer/assistant director has to drill them on their lines, explain the meanings, and try to help them get a little emotion behind the words. I imagine he is getting frustrated, especially when one actor said, “I know not to study, because they will just change everything anyway.”

The story might even be funny if the lines were delivered well, but pretty girls is what the movie is really about, and the quality of the dialog will only be a footnote. My performance will be even less than that.

That’s not to say the movie won’t be successful. The budget is practically zero, and the ranch where we’re filming is very pretty, nestled up in the hills in a rural part of the Czech republic. Horses frolic in the pastures, and as far as I can tell the sun is always shining here. The real reason the film will succeed, however, is that is has lots of very pretty women in it, and they spend a lot of the time not wearing very much (always somehow when I’m not in the scene — when I’m around it’s all about riding horses and poorly-delivered dialog).

Friday, my first day on the set, was all about hurry up and wait. It didn’t start well; I spent an hour and a half at the train station waiting to be picked up, thinking about the casting for a commercial I was missing. Things got better when I reached the set, as I was able to set up the computer and work on my own stuff while waiting. I spent the entire day here, and “worked” for about fifteen minutes. Work involved standing and waving; then I was asked to ad lib something as the riders passed. Woo hoo! I put on a bit of Texan, spoke my piece, then headed back to the ranch house. A few hours later I was told I wasn’t needed any more that day.

Yesterday, Monday, was a different story. This was the day they shot most of the scenes that were called the “comedy” scenes, and I was in many of them. I had a few more lines, and once more I was asked to ad-lib to stretch out my part. “We need more blah-blah-blah,” was how the director put it. I blah-blah-blah’d to the satisfaction of those present and earned my pay. Little John (who had hooked me up for this job) was here also, and as always it was fun to hang out with him when we had breaks. It was a fun day.

Today is more like the first day. Once more I am needed to open a gate and make a comment to riders as they pass through. then I’m done. Transit time from Prague to the set and back is likely to be longer than the time I spend here (although they are running behind today). One other important event today is that I get paid.

Then I return home, cowboy no longer, and wait for the next little character role to happen my way.

…except even the best-laid plans sometimes don’t pan out. One of the other scenes went long, and I happened to be on hand while the director and writer tried to juggle things. Thus it came to pass that I told them I could come back tomorrow if it would help. It would, so I will. So, a pleasant-but-slow train ride to Beroun, lunch, and pay for a half-day, and in return I did… nothing. It’s a fair exchange, I think.

glown

“Have your eyes ever glown red?” sounds so much better than “have your eyes ever glowed red?” I have no reference that would allow me to use this, however. Any help out there? (Keeping in mind that I’ll use any word I want, but going against the grain is a conscious risk.)

Quite a day here at the bowling alley

I was instructed by the benefactor mentioned in the previous post to spend his largesse on beer. This is a mandate I take seriously, and, since if I spent the whole lump on beer I’d be besotted indeed, I decided that some of the lovely lucre could go for pizza and I’d still be within the spirit of his request. There’ll still be some left over, even so.

To Bowle & Bowling, then! It is quiet in my neighborhood, and the short walk was a pleasant one. I entered the bowling alley and the first thing I thought was, “wow! there are a lot of pretty women here today!” And there were. I made my way inside and the next thing I thought was, “wow! It’s loud in here today!” down below on the lanes there is a horde of kids, forty or more on the six lanes, roiling in noisy confusion, bowling occasionally. It is a party. One of the big tables up where I am has a spread of food and a birthday cake, and the women are chatting with one another, sipping cokes, and occasionally looking down to determine whose kid it is shouting this time.

This place is, I realize, ideally suited for this sort of party. There is bowling, there is pizza, and parents can watch the kids discretely while staying literally above the fray.

It’s not so good for writing, however. I could handle any two of the noise, the hivelike activity below, and the milling of the pretty women, but all three is just too much. And now, a beeper is beeping. An alarm of some sort, with that shrill icepick-in-the-brain tone. Nobody seems to notice. It is time, I think, for the Budvar bar. Most likely I’ll be the only one in there on a Sunday evening.