I haven’t mentioned in these pages yet that Harlean Carpenter (who is a fiction) and I are making a magazine. Not some web-zine, either, but a nice, substantial print magazine called The Poetic Pinup Revue. The magazine is large, printed on good, heavy paper, and built to last. As you might guess by the title, it’s a book that juxtaposes beautiful images (that lean toward the pinup genre) and carefully-matched poetry. Harlean painstakingly laid the text into the images so that each enhances the other.
Yes, I am aware that I just took the Post Office to task for encouraging the slaughter of trees. This is the kind of thing paper should be used for. It’s bold, sturdy, and carries the impact that only an 11×17-inch spread can. Some of the pages are simply awesome.
At least, I think they are. My contribution to the Revue was mainly technical, laying out the pages in Adobe Illustrator and for some images tweaking the color balance after converting from RGB to CMYK.
But… did I do it right? Should I have tweaked all the images, not just the ones that didn’t look right onscreen in the .pdf file? Black works a little funny in CMYK; will the images lose their richness and depth on the printed page? Is some awesome photographer out there going to cringe to see her own work poorly reproduced? Or, on the other hand, will the images be so beautifully rendered that we are flooded with submissions for the next issue? There’s really no way to know if I got the colors right until we see the actual magazine sprayed onto dead trees a few days from now.
The first print run had to be of a certain size to be cost-effective. That means each mistake is repeated that many times, but it also means that each gorgeous page will create a whole bunch of smiles and thoughtful expressions. Please, oh please, gods of ink and pulp, let them all be gorgeous.
No matter how it turns out, I’ll be letting you know here. For the lowdown on the magazine itself, swing on by PoeticPinupRevue.com.