Expanding my Footprint

avatarMy experiment over at Tsū is going pretty well, but that platform is not as text-friendly as I’d like it to be for sharing my writing. I’ve started an account at 3tags, a profit-sharing blogging platform, to house Jerry the Writer, while at Tsū I will be Jerry the Photographer. I will of course always be Jerry the Muddled Rambler right here.

3tags may become home to a more-polished version of TFNIWLNW, but first I have to come up with an actual title. Right now all the ones I come up with are too generic (“The Soul Thieves”) or too glib (“Stabbin’ the Soul Thieves”). Hopefully I can come up with something soon. The rough-draft version of TFNIWLNW will continue to accumulate here. (There’s about 1.8 episodes in the hopper as I type this.)

I have no evidence to back this up, but I think keeping identities focussed will be more follower-friendly. I’m not sure 3tags is the right platform for me simply because there aren’t very many people there – I was able to grab the user name “Jerry” — so building a following will be a long and slow process. One thing that helps is that 3tags makes it easier to announce new posts on Facebook and twitter.

When people read my stories there, I get paid! If you accept the following invitation and then you create things people like, you get paid (and, since I invited you, I get paid a little, too).

Currently only a handful of people over there will see my stuff based on the tags, so I really hope folks like you will click the links on Twitter and Facebook to see my words. This means I’ll finally have to figure out Twitter, I suppose.

Here’s my invite link if you’d like to check out 3tags — it seems like a pretty capable blogging platform, and I hope they hit critical mass. Heck, if you’re gonna blog, you may as well get paid for it, right?

Writing for Social Media

It used to be that here at Muddled Ramblings I would just develop ideas at my own pace and trust my readers to hang with me for a few sentences to let things get going (there is actually no evidence that they did that, but I like to believe). Lately I’ve become (perhaps detrimentally) aware that most of my audience is only presented the first couple hundred characters of my ramble before they are presented with a go/no-go decision.

I’m a little bit embarrassed to say that it has changed the way I open my episodes here at MR&HBI. I’m fishin’ for the hook.

Last night as I posted episode one of TFNIWLNW to a new social media platform, I was compelled to add a little preface. The thing is, in all these platforms, what shows to the casual feed-grazer* is only a couple of sentences. TFNIWLNW starts with sexual assault. So, aware that said assault is going unhindered for the first 250 characters of the story, I decided to graft on a little intro with two goals: tell readers that the asshole’s gonna die before we learn what the asshole’s doing, and to introduce the audience to the narrator’s voice. I’m pretty sure I had only a partial success, but you’re welcome to tell me I’m wrong.

Then, not knowing the culture on this new Social Media site, I put in a little parental warning that also used a pretty sweet metaphor and accelerated the understanding that our narrator is, in some fundamental ways, not a nice guy. From a literary point of view the extra words serve a good purpose. From a “goddammit tell me a tale” standpoint they come off as masturbation.

Writers have always needed to put a hook at the start of a story, but the hook now has to catch in the first few words. I’m pretty sure I unhooked TFNIWLW:1 in an attempt to fix it. But if I’m going to keep it up over there, i’ll have to be very careful with the first 70 words of each episode. Maybe that’s a good thing. A book where every scene starts with a hook is the kind of thing about which reviewers say “I could not put down.”
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* I am a little bit proud of the phrase feed-grazer, so please don’t tell me how many times you’ve heard it before.