Sonora Pass, Revisited

Has it really been so long?

If you own a nimble little car, particularly a convertible, put Sonora Pass on your bucket list. Be sure to note, however, that it is closed more than half the year. At almost 3,000 meters above sea level (officially 9,624 feet), it’s just not possible to keep the road open year-round.

I drove the pass once, many years ago, and this time the memories came flooding back. The place where I passed the slowpoke in a VERY short passing zone. The guy just wouldn’t pull aside, through there were ample opportunities. Then there was the place farther up when I had to shift down to THIRD (I have a six-speed), and briefly to SECOND, because the grade was so extreme and I didn’t want to lose momentum. I remembered the smell of burning brakes coming off the vehicles coming down, vehicles that probably shouldn’t have been there to start with.

Another corner, farther up, that I didn’t remember but now I will, as it hairpinned around to the right, steeply up, and I kept the accelerator to the floor to keep momentum and steerage but needed both hands to steer as I discovered myself in the wrong gear. It’s the kind of moment automatic-transmission drivers will never know, for better or worse. There were some people in a pullout there, and they probably heard my steadily-increasing-in-pitch “WoooooooooOOOAH!” as the full glory of that curve became apparent to me.

That was about the time Sammy Hagar’s “I Can’t Drive 55” came on the radio. I had to laugh. 55 mph would not be happening for a while.

I pulled over where there was a good view of the road below me. It was a long way down from where I stood to the rushing river in the valley below. I stretched, took in what oxygen was available, snapped a couple of unintersting pictures. The slope of the ground beneath my feet felt odd; paved surfaces aren’t supposed to lean like that.

Back in the car, around a bend, and a better place to stop. My foot twitched between brake and throttle, indecisive, but I decided to pull over again. “Taking it slow, today,” I reminded myself. “Smelling the roses. Only planning to get as far as Tonopah.”

I pulled over again, stood on a rock and fired up the panorama feature on my phone. At this time, I’m unable to upload the result. I’ll get on that real soon. After a few more moments to appreciate the view, I hopped back in the car.

Not much farther up the snow pack started to become significant. The snowplow cuts through the banks at the side of the road were obvious. My memories of my last time through the pass don’t include snow. For a few miles, the best potential camera shots were from the perspective of the road; one seldom-discussed advantage of convertibles is the ability of one to hold a camera up over the windscreen and get a good shot.

Touch-screen controlled cameras suck for this purpose, however. Even when using the hardware button to trigger the picture, too many knuckle-brushes against the screen change modes and settings, and while I could spare a hand occasionally, I could not spare my eyes to ensure that I had taken a shot. At one point I pulled over to review my work and I discovered I was in time-lapse mode, with a sped-up view of my lap. Then I was in some sort of ease-in-out-slow motion video. I just wanted a dang picture.

Not a great picture, but I like the reflection of the snow, and the reflection of the reflection.

Just over the top, maybe two miles on, a bicyclist was stopped at the side of the road, heading up, lights flashing fore and aft. He was straddling his bike, clearly gassed, panting through a salt-and-pepper beard. “Almost there!” I called out, hoping he took it as encouragement. I looked at my clock. Early afternoon. I wondered when he has started his assault on the pass that morning. He was a long way from any potential base camp I knew about. Maybe I should have offered him some cookies, or a Gatorade. In hindsight I think I could have been more helpful.

More memories as the road wound back down, and a curve carved with luck-fueled precision, the suspension squeezing and releasing in synchrony with the bank of the tight curve, the tires whooshing loudly but not squealing, the car shooting ahead as I downshifted to take some of the load off the brakes. I was redeemed for the curve that had taken me by surprise on the way up.

There’s a military base just beyond the steepest part, on the first flat piece of ground. As I passed one crew was paving the helipad (a road sign warned drivers of dust kicked up by helicopters), while another fatigue-clad bunch sat on a ring of boulders, facing the man addressing them, the way kids at camp might sit in a circle and listen to their counselor tell a story. My first time through, when my car was much younger, I had noticed that the propane tanks on the base were painted light olive, rather than white. I spent many miles pondering the logic of that. Was white not the best color? I always assumed white was intended to absorb less heat from the sun. What possible threat would be mitigated by painting the tanks pale olive?

There was more to my drive yesterday, but past the military base it does not qualify as Sonora Pass anymore. Sonora Pass is a wonderful drive, rivaled by few other stretches of road in this very large country of ours. It felt good to renew our acquaintance.

4

The Leaving-for-Work Song, Improved

Most of us who grew up in these United States are familiar with the song, “Head, Shoulders, Knees and Toes”.

The Official Sweetie of MR&HBI and I have a version of the song we sing when I’m on my way out the door to go to work:

Keys, wallet, badge and phone (badge and phone),
Keys, wallet, badge and phone (badge and phone),
Lunch and computer and sunglasses and hat,
Keys, wallet, badge and phone! (badge and phone)

Rather than do the calisthenics of the original tune, I pat each pocket or gesture to the location of each item. It’s a good system for the memory-impaired. After a recent bike commute, as I changed into my work clothes at the office, the song was modified slightly:

Keys, wallet, badge and phone (and underwear),
Keys, wallet, badge and phone (and underwear),
Lunch and computer and sunglasses and hat,
Keys, wallet, badge and phone! (and underweeeeeeaaaar)

Jazz hands are optional for the last phrase.

2

Je suis encore avec l’accord

Francophiles, please pardon me if the machine didn’t translate the title idiomatically, but that’s about what I would have said back in the days I was more facile with French. So it represents me. And, I have to say, it reads really well.

I am still with the Paris Accord. I will reduce my carbon footprint 25%, and I will do it long before 2025.

When it comes to carbon (and other greenhouse gasses), almost every American is in the top 1%. Because I live in a temperate climate, my greenhouse gas production is low for an American, but that doesn’t exempt me from doing what I can — directly, measurably — to reduce the damage I do. Our government has abdicated its responsibility, but that doesn’t mean we can’t step up as individuals.

Fuck Washington.

If I want to reduce the harm I cause, I have to know: Where do I produce the most greenhouse gasses?

Gasoline, of course. That’s a big one. Beef, sadly, is another. Methane. I read today that Chicken is less greenhouse-gassy, as is fish. (As I type this I’m listening to the neighbor’s chickens.) Heating and Air Conditioning are a factor, even here. And then there’s just stuff. Buying things I don’t need packaged in materials that never die. Also, almost everything I use consumes electricity, and around here that mostly comes from natural gas.

It’s kind of too bad they couldn’t get nuclear right. We’ve traded the potential localized disaster of a nuke plant popping with the guaranteed global disaster of coal-generated power.

But mostly for me it’s food and transportation. And stuff. Which leads to my max-hippie-point morning:

I was delighted as I rode my bike to work today to see a farmer’s market setting up in a parking lot I ride through. An excuse to sleep an extra 30 minutes on Fridays, so it will be open when I pass through. How the veggies fare after a 15-mile ride home will have to be determined.

At the other extreme:

As soon as I get back from my 3000-mile road trip this summer, I’ll definitely cut back on the miles I drive. Definitely. Hey, I’ve got until 2025, right?

1

You Have Been Warned!

The other day, on my way home from work, I passed one of those portable road hazard signs, with the bright orange lights that spell out messages to passing travelers. When I first became aware of the sign, it read:

TACO
FESTIVAL

After a few seconds, the sign changed, moving on to the next part of the urgent message, with letters bigger and bolder than the first page:

BACON
EVENT

After a second or so, the words began to flash! BACON EVENT! BACON EVENT! BACON EVENT!

Finally,

EXPECT DELAYS

2

If I Were a Carpenter

Most days, I imagine, skilled craftsmen lay down their tools at the end of the day with a feeling of satisfaction, knowing they built something well. I know a lot of days like that.

But there are days you go beyond that. There are days a craftsman might come home after making really nice cabinets for someone, but only just yesterday learned a new joinery technique that MUST be exercised. Because cabinets are nice, but fireproof cabinets for half the cost is better.

In my free time I’ve been exploring new ways to make cabinets (by now, if you haven’t figured it out, cabinets in my case is software), and I’ve been spending a fair amount of my free time developing the conceptual foundation for something pretty cool.

Yesterday I sat down with a guy who taught me a new joinery technique. (The metaphor is almost literal, here. He taught me how to join C void* callbacks with Swift closures.) It was the closest thing I’ve had to a code review in 30 years, and dang if (let’s call him) Milo wasn’t enthusiastic about filling in the gaps in my code. It has been a long time since I’ve learned so much in such a short time.

So tonight, daily work complete, I’m sitting on the back patio with a beer, and moments ago was that fist-pump, when the new technique worked — the callback happened and the closure captured the generic type — and I thought, “damn, it’s a beautiful world.”

1

Knives Episode 34 Published!

Knives Episode 34 is out! A bit of travel, a campfire, and a look at the thing from the well.

I was sorely tempted to put a stinger on the end of this episode, but boy would that have messed with my plans. You can’t just put every shiny idea you get into a story, no matter how well it would have rounded out this episode. So, no fireworks this time.

On the writing side, I’ve discovered that the way to make money on Patreon as a writer is to write porn. I’m just going to stick with hoping my patrons see fit to spread the word about Knives, however.

In other news, the chicken that lives next door just laid an egg. Life in a trailer park is nothing if not glamorous.

Anyway, enjoy Episode 34: The Prize!

A Letter from Betty

I get these occasionally:

Hey

I’ve been reading a few of your posts, and they’re really good – Your blog is really in depth, and it just so happens to be in the same industry as us. Which is why I’ve approached you for a guest post. Would you be willing to host a guest post on your website which is well written, researched and packed with information for your audience

If you would like to collaborate and hose a post useful for your audience please feel free to get back to me. I look forward to your reply.

Best Regards
Betty Miller

Occasionally I respond. Not because I particularly want a guest writer, but because I hope that out there, somewhere, is a talented person trapped in a shitty job who will at least crack a brief smile upon reading my response. It also offers me a chance to ask, “what is MR&HBI?” because it actually is a difficult thing to define. Like the way ‘America’ is hard to define.

So I wrote back. I don’t always, but I have to admit I was curious to find out what industry I was in. And just now I noticed that the query message has a missing period. Would a robot commit an obvious grammatical error?

Anyway, I said:

Hi Betty,

I’m flattered that you’ve enjoyed my posts; it validates the over one million words I’ve written over the years. Perhaps you will now be joining the small but fiercely-loyal Order of the Muddled. (Note to self: Order of the Muddled merchandise. And a theme song. And a cool coat of arms. And a private-label scotch whiskey.)

I’ve never had a guest writer, although I have received offers like yours before. Unfortunately, up until now all those offers have come from robots — except the one recently that came from a thin-skinned jerk. So please forgive me if I jump to the conclusion that this mail came from the former, and please excuse yourself if you are the latter.

Likely there is no Betty, there is just a robot ready to pass any responses to this mail to someone willing to pretend to be Betty. That would be you, whoever is passed this response. Pretend Betty.

Going back to your original message, you have to admit that “in the same industry as us” is a pretty vague, robot-spammy thing to say. So first I think we need to figure out just what industry we are talking about here. I cover* a wide range of tech issues, focussing perhaps mainly on privacy, but I couldn’t say that’s what MR&HBI is actually about. The most recent episode was about dishwasher installation. Or ineptitude. Or something like that. OK fine, it was a list. But a list that told a story, if you squinted at it just right.

I picture you, Pretend Betty, as a student, or maybe an ex-pat living in Prague (ah, Prague!), getting paid slave wages to plant links in “guest posts” across the Web. I’ve actually known people like you, creative and ambitious, stuck in a rut but having to pay the rent. The challenge, Pretend Betty, your challenge, is to find a way to stretch your literary wings while still pleasing your spammer masters.

Well, Pretend Betty, here’s your chance. You can write about just about anything at MR&HBI (had you *actually* read any of my posts, you would know that). There are only two requirements: You have to believe it, and it has to be in your voice. Humor is welcome; if you can work your overlords’ links into your submission in a fun and playful way all the better. Art trumps substance. Voice trumps art. Storytelling trumps all.

Safe to say, substance is not a priority at Muddled Ramblings and Half-Baked Ideas. Just so you know, it will have to be pretty good writing for me to make space for you here. Much better than my own writing — if I had to please an editor each episode, there would only be a fraction of the words on this site.

There it is, Pretend Betty. Your chance**. I eagerly await your response.

Jerry

___
* “cover” is a nice way to say “rant about”
** “chance” is a shorthand way to say “opportunity to have some fun and maybe get published in the backwaters of the forgotten blogosphere to the benefit of no one”

2

Tools I Used While Installing a Dishwasher

Tape measure
Box knife
Medium flathead screwdriver
Small flathead screwdriver
Pliers, electrician’s
Pliers, slip-joint
Pliers, long-nose
Pliers, groove-joint
Wire stripper (crappy)
Desk lamp
Flashlight (cheap and annoying)
Extension cords (3)
9/16″ crescent wrench
7/16″ crescent wrench
Drill motor
Medium philips screwdriver drill attachment
Drill-screwdriver extension
3/32″ drill bit
Mazda Miata (1999)
Credit card
Tote bag, canvas (No Kid Hungry)
Wood planer (antique)
Belt sander, small (belts all broke)
Belt sander, medium (borrowed)
Dremel motor with cutting bit
Mini Countryman (2014)
Circular saw
Dust mask
Vacuum cleaner
Goggles
Level, carpenter’s
Level, torpedo
Socket wrench, 1/4″ drive
Socket, smallish
Socket, very small
Pencil
Scissors
Packing tape
Duct Tape
Cardboard
Multi-tool (used by helper)
Bucket
Towels, cloth
Towels, paper
Topical antiseptic

Knives Episode 33 Published!

We rarely outrun our pursuit, we outlast it.

Knives Episode 33: The Hardest Lesson has been published! Things happen, but they’re small things. Things that might or might not develop into large things.

Over here at Muddled Ramblings I talk for a bit about a character quirk of Martin’s I reveal in this episode, that to actually make sense I’d have to go back and tweak a lot of previous episodes. I left that quirk in for now, and perhaps you can spot it. In the next few days I’ll have to decide what to do about that quirk. Either erase it from this episode, or go back and do some rewritin’.

It is taking me much longer to get to looking at the goddam thing from the well than I thought it would. That’s because there are more important things going on. Or at least that’s my story now.

Behind the scenes, things are going pretty well. I’d like to welcome a new patron, and send out special thanks, while respecting privacy. Thanks, new patron! I’ll have your special access set up real soon. All y’all feel free to spread the good word.

Serial Fiction Blues

For the most part, writing serial fiction really agrees with me. When you release a story a chapter at a time, shit has to happen every chapter.

That’s a good thing. One of the most celebrated Fantasy Epics, the Wheel of Time series by Robert Jordan, became so agonizingly cumbersome and long-winded that the networks probably won’t make it into a gigantic TV drama. Had Jordan written it as serial fiction, he would likely have told the story with about one-third the words. Maybe less. Things have to happen. There’s a ticking clock, but it’s not a plot device, it’s the readers’ expectations.

I realized recently that while I’ve spent months working on the story, much of the action for the characters has been compressed into a handful of days. The slow pace of Martin’s dissolution in Mountain Hole suddenly shifted to a steady physical pounding as his world has gone up in flames. More than once I’ve had to remind myself that it was yesterday that our hero(ish) took a right beating.

But those are good challenges, and I’ll manage them.

Today I wrote a sentence, and it revealed a character quirk of Martin that I really like. Nothing plot-changing, but indirectly and casually revealing something fundamental about him, a window into his not-quite-like-you-and-me nature. The thing is, to make that work I have to go back and put that trait into every observation Martin has made up to this point.

I expect most successful serial fiction starts out with a much more detailed character design than I had for Martin, but even with the best of plans, something like this is inevitable. Surely in season two of Mad Men the writers had a great idea about a character that was probably too late to implement.

But for me, what is the definition of too late? I don’t really have that many readers; I could revise the previous episodes and carry the trait forward. Perhaps the occasional new reader would be more likely to be hooked. But then again I’m already behind posting backstory content (Katherine’s youth will be coming REAL SOON), and a revision like that will slow me down even more.

But knowing this possible trait, can I write future episodes without it? Or what if I go back and retrofit it everywhere and it turns out to suck? I do not know how to deal with these choices, so I’m just going to write something and hope it comes out OK.

2

Last Night I Dreamt of Snakes

The girl lay, loosely curled, in a garden next to a gravel path, the autumn tones of her jacket blending with the dried leaves and flowers, her long brown hair collecting leaves. An early spring sun kissed her face, and here and there the plants around her showed the first timid hints of green. One of her hands lay outstretched, flexing unconsciously as a snake, blue with dark markings dancing down its body, entwined itself between her little fingers.

Perhaps she was dreaming; her other hand grasped at the soil. Only it wasn’t soil, it was another snake, gray and pale, as thick as her wrist. At first I thought it was dead, but then it began to move, unwinding and refolding endlessly, neither head nor tail discernible in the mass.

Another snake, the color of brick with black accents, reaches out timidly and touches the girl’s face with its shy tongue, and her cheek dimples with a fleeting smile. Another snake, orange-yellow, is coiled by her head.

The longer I look, the more snakes I see, surrounding her peaceful slumber, sharing her radiant warmth in the weak sun, whispering reptilian secrets that she probably can’t hear.

2

The Robots are Slacking

Over there on Facebook, I got an ad for some kind of wedding-related thing. I wasn’t surprised to see it; in retrospect I was surprised that it took four months after changing my Facebook status to “engaged” for an ad like that to show up. Sloppy work, robots!

Oh, and in case you don’t all hang on my Facebook relationship status 24/7, I suppose I should announce here that Sam and I are getting married in December. Woo Hoo!

6

I’ll Make a Note for Next Year

I didn’t realize it was turn right in front of bicyclists without signaling day. Had I known that, I might have made other transportation plans.

1

The Venues of my Youth: Tingley Coliseum

In this country, going to your first Big Show is a rite of passage. For a pair of decades at least, almost every youth in northern New Mexico passed through the gate and became Experienced at a crappy barn of an arena called Tingley Coliseum.

By John Phelan – CC BY 3.0

The building was not designed for music. It was a hollow box with a concrete floor surrounded by something like 10,000 seats not designed for comfort. In some arenas like that, the powers-that-be would hang fancy acoustic thingies that would mitigate the echoes. Other places would at least hang heavy tapestries from the rafters to catch some of the echoes. Tingley didn’t even bother to hang moth-eaten airline blankets. If you liked the note the guitarist played, you would have ample opportunity to experience it several more times, as it mixed with the following notes to create sonic quicksand.

But Tingley was (is? I have no idea) where the bands played. It was such an unquestioned truth that when the Thompson Twins played Popejoy Hall (a lovely place for music) I found it exceedingly strange.

Ah, Tingley. The Experienced among us know there are two ways to enjoy a performance in an acoustically-hellish barn: from the seats or from down on the floor. Some might say that you are not truly Experienced until you watch an act from the floor. I’m not that hardcore.

My first Big Show featured .38 Special and Jefferson Starship. It was, as the Arena Rock critic Charles Dickens said, “the best of shows, and the worst of shows.” It was loud. Oppressively, crushingly, my-ears-hurt BUT HOLY DANG I CAN FEEL IT loud. I was not particularly well-versed in .38 Special’s oeuvre, but a couple of the songs had been getting radio play and not long after this gig they were the main attraction, not the opening act.

Then Jefferson Starship played, and more than once I thought, “hey! I know this song!” Then I learned about the obligatory encore, after a suitable period of shouting.

Among my friends, opinion of the show varied. One friend said, “.38 Special was rocking so hard I didn’t know how Jefferson Starship would match it. But then they blew them away.”

Me, I think the Good ol’ Boys sounded better that night. From this distant perspective, I think their music was just better-suited for the venue. Simpler. Happier in the mud.

My next Tingley Experience was Kansas, the Point of Know Return tour – or maybe the tour after that. I was excited; but they canceled. Welcome to show biz.

In my college days, only a two-hour drive from the venue (welcome to the Land of Enchantment) I saw a variety of bands. Bands big enough to play in arenas but small enough to stop in Albuquerque. (I learned later that it’s really useful to have a connect-the-dots stop in the middle of nowhere to keep the tour generating cash.)

From the seats I saw Golden Earring (“Radar Love”) open for Rush; I saw two horrible choreographed bland-metal bands open for Aerosmith (who didn’t distance themselves from the opening acts that much) (an abbreviated version of the puking story you can find elsewhere); I saw Cindi Lauper pump her WWF connections while trying to keep those on the floor from killing each other.

But even by the hardcore definition, I am Experienced; I have been to the floor. I have been close to the stage, in the crush of sweat and anger. The funny thing is, I remember the sweat and anger much better than I remember the bands. Or it might be more correct to say, I remember the sweat and anger, and I remember the bands, but they are disconnected. I have no idea which band it was when the guy started to push his way in front of me and I resolved to make that as difficult as possible. Pretenders? Yes? Kinks?

Probably not the Kinks. That was an undersold concert.

Another show. Here’s where the sweat and anger is most disconnected from the band. I was on the floor. The crowd was rowdy. The obligatory encore was executed, including of course some Big Hits held back from the regular part of the show because the first encore is really just another short set. The band left the stage, and the shouting and chanting commenced.

Usually this is a staged drama, with each actor playing a part. The band was not inclined to do any sort of REAL encore, so the harsh stadium lights came on. The surge of anger at that moment was real, and thick; you could taste it in your mouth. People — all the people on the floor, as a single mass — shifted one way, then the other, and the noise rose. The lights went back out and the band played a couple more songs. You’d think I’d be able to remember which band that was.

Huey Lewis did their obligatory encore, and the crowd kept chanting. He stuck his head out from behind the curtain and spun his finger around his ear: “You guys are crazy!” They came back out and did another set, very informal, just playing around. It was a treat to watch. The pop stars were being musicians! One of my favorite Tingley moments. So don’t go talking shit about Huey where I can hear you. Dude loves to play; the fame and fortune are a side effect.

It was the Yes performance, which surprisingly included no potentially-deadly rush to the stage when the doors opened, and had no opening act. When they brought the massive light bars down over the stage while the bass started that hammering riff in Starship Troopers (am I mixing up my songs? I could look this stuff up but I’m not going to), that I got my first total rock and roll overload. Fortunately breathing and heart beat happen without conscious direction or I might not be waxing so pleasantly nostalgic right now.

There were other bands — musically, The Pretenders might have been the best show I saw there — but this is about the venue. A terrible venue. A seminal venue. The sort of place every First Big Show should be Experienced in.

3

Who is Going to Make the Electric Miata?

Sooner or later I’m going to have to replace my little car. It is the second Miata I’ve owned, and I have no regrets. The car is fun to drive, inexpensive to own, and I’ve got some great memories tied up in that car.

I hope that I still have a few years of service left, but there’s another part of me looking at what’s going on in the automotive market, and I like what I see. Mostly. So I’ve been thinking more and more about the requirements for my next ride. I want a little car I can drive across the country with the top down (and be able to put the top up when necessary), nimble on curves, and other than that I want to score the most Hippie Points possible.

I want an electric Miata with access to charging stations all over this country.

Tesla seems like a candidate to produce this car, and they have an answer to the fueling issue (as long as I stick to major highways). In fact, there’s a charging station going up very close to my office. Free fuel!

Tesla hinted about creating a new 2-seat convertible, and they intimated it would be absurdly fast. (“Maximum Plaid”) Also, therefore, very expensive. Lately the company has announced that their new roadster is on the back burner, because (not in their words) it’s a niche vehicle. There are few willing to pay for maximum plaid.

I don’t need a supercar! I don’t even want one. Mazda (and MG and Alfa Romeo before them) demonstrated that people drawn to this mode of transportation don’t need thrust to push their eyeballs out the backs of their heads. They need adequate performance and a nimble little chassis. This is not rocket science. Well, batteries are heavy, so there is some rocket science. But that’s solvable.

I widened my search. I found other electric convertibles, and they fell into two distinct categories: golf carts and supercars. Detroit Electric, Future Mobility, BMW, and others all seem to have forgotten who drives convertibles in this world.

Side note about the word “convertible”: I don’t consider a car to be convertible if you have to decide before you leave the garage whether the top will be on or off for the duration of your trip. That makes top-down road trips impossible. That important distinction pretty much clears the table even of supercars. There’s just nothing left. No electric convertible at all.

If Mazda plans to make an electric Miata, they’re doing a great job looking like they’re completely behind the curve. Volkswagen is probably my best hope, perhaps under the Audi or Porsche badges. Or there’s the rumored Beetle Electric Cabriolet.

But none of those companies are building the charging network that Tesla is. Tesla really understands this part of the automotive experience. Road trips should not require internal combustion. But Tesla doesn’t get that road trips are better with the top down.

1