My Visit to One of the Most Expensive Buildings in the World

Most of the top ten most expensive buildings in the world are opulent resorts or mighty skyscrapers. There is a nuclear power plant in the mix, and then there’s Apple Park. The new headquarters for my company doesn’t soar up to scrape the ionosphere’s belly, and it doesn’t drip with ridiculous lavishness. The cost came not from coating everything with gold but from building to design tolerances that the construction industry simply doesn’t do.

To make everything fit so tightly in earthquake country first meant resting the whole damn thing on shimmy-shake pads. Thinking about that puts the scale into perspective: The building is a ring; the whole of the new football stadium for the San Francisco 49’ers fits in the “garden” inside the ring.

When I first got through security and walked up to the building, the soft morning rain and the sun at my back produced a rainbow that seemed to emerge from the middle of the giant ring. One prone to symbolism might find that portentous. I took a picture, but I can’t show it to you. (I might have cheated but the picture’s not that great.)

Inside, it feels like the future. Like the fictional sets of many, many science fiction movies, but real, and… functioning. Considering that this whole thing was built on so many simulations, so many never-been-done-but-it-should-work-probably ideas, the whole thing has come together quite nicely.

I was on the third floor and I stepped out of the elevator to see the treetops of the cafeteria. The cafeteria was indoors at that moment (there are stunningly massive sliding glass doors — four stories tall — to open the cafeteria to the outside on good days), but it still felt arboreal.

One thing that enhanced that feeling was the near invisibility of the fence at the edge of the balcony looking down. Glass, clean, almost invisible, making me feel like I was floating over the space below. Happily, I am not prone to vertigo.

It is a building that glorifies glass. The stories you may have heard about distracted employees running into walls is true. Glass and pale cool stone define this quiet world.

I walked through the center of the ring, the path making satisfying crunching sounds beneath my feet. I saw places that had not been ready for the recent rains, standing water on top of newly-planted ground cover. And there is no place in the area built with Apple’s beer bashes in mind. (*WHAAT?*) Yet, there was a serenity in those rolling hills that I really enjoyed. I can imagine a monastery feeling that way.

When we started our stroll through the center of the ring the sky was offering a gentle sprinkle, but by the time we got to the path to the duck pond it was dumping rain and I was more inclined to get back inside. From the organic chaos of grass and trees and rain to the quiet, controlled world of glass and stone once more.

The people I was meeting with — now residents of this place — pointed out spots where trim was missing or small finishing tasks were incomplete. I imagine it will be a year or more before the miles-long to-do list is completed.

My group will not be moving to the new campus; even before ground was struck Apple had outgrown its new headquarters. It holds something like 13,000 people — similar to the Hewlett Packard campus that was razed to make room — but where the old buildings stood between parking lots, the Apple Campus leaves much of the real estate for parkland which I look forward to exploring. Apple was named for the local orchards; in part it was Apple’s success that destroyed them. Nice to see at least a few acres of them come back.

I may not work over there, but I will be finding excuses to visit.

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The Purpose of the Human Race

The other day, as I was riding home from work, I had an interesting thought. One thing about riding as slowly as I do — you get plenty of time to think about stuff.

Although, when the wind is at my back, pretty much the only thought in my head is “Whee!” and when the wind is in my face the cursing leaves no space for other thought. However, during the non-raining wind-from-the-side portions of my ride, I had time to chew on an interesting thought.

It started somewhere on Homestead Avenue, when it occurred to me that the Information Age was the inevitable consequence of being an organism that uses language. Our brains are built to interpret the world around us, breaking it down into the symbols that allow us to communicate abstract thoughts. We are biologically hard-wired to process symbols that represent the world; we are as hungry for information as we are for food.

But we didn’t stop at reducing the world into symbols, we began to recreate the world, using those same symbols as the building blocks. Early religions might be the first recorded attempts at building a symbolic world on top of the observable one, but any good story is a new world.

Facing a rainy headwind while I pushed down Park Avenue (a pleasant street), those thoughts were forgotten for a while, but by the time I reached Bird they had grown. We are now creating worlds entirely out of symbols. Worlds built purely out of language. World of Warcraft is an obvious example.

While WoW is crude compared to the (presumably) atom-based world we occupy most of the time, it’s easy to imagine that as we build ever-more eloquent languages (in this case programming languages and the frameworks that provide them vocabulary, which in turn express the desires of designers who communicate with more traditional languages) we will create more “real” worlds built solely with language.

By the time I’d huffed over the Curtner Hump and turned into the cemetery, I came down to a core question: Is this what we set out to do a million years ago?

Did we grow brains that had language so we could build better worlds, or was the ability to communicate mundane information twisted to introduce fiction? Are those cave paintings we know so well simply recording history, or are they expressing something larger that we all understand — the desire to build new worlds using the symbols we developed to understand the physical world?

What happens, then, when the world is entirely composed of symbols? What comes next? Are we finished?

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