Here we go, writing a pivotal scene over the weekend! My history in the contest isn’t great but I keep doing it for two reasons: first, it’s good practice for the crucial moments in a story, and second, because it’s damn fun. This is a habit I enjoy.
As always, I encourage everyone to play along, even if they’re not formally registered. It’s good practice dealing with the moments that the audience will always remember. In previous contests I’ve given more advance warning, but this time, there were so many “This is the deadline for registering! We really mean it!” followed by “Deadline extended! But this time it’s the absolute last deadline!” that I wasn’t really confident the contest would actually happen even at the revised time.
But it has. It’s on, baby!
For those who aren’t paid participants, there’s nothing stopping you from using this as a writing exercise. As usual, the prompt is for one of those key moments in a drama that will make a story float in the starry heavens of genius or wash up on the shore of mediocrity, where it will be used as kindling by natives. The natives on the island of mediocrity have no shortage of fuel.
So, here’s the prompt:
Your PROTAGONIST and his or her LOVE INTEREST are at odds. One of the protagonist’s schemes has gone terribly awry, and the love interest has had it. Write a scene in which they have it out – but in an unconventional way. Their words seem measured and reasonable; but the subtext says another thing entirely. You may use additional characters other than the ones specified.
The prompt also comes with this note:
This is going to take some crafty, non-on the nose writing here. For example, they can talk about boiling water, but it’s clear they’re really talking about something else. Use sarcasm or body language or timing or other means to convey your true meaning.
If past history is any guide, I’d not get too caught up in the note. What they say they want and what wins are not the same thing. What wins is a scene that kicks ass. If you can kick ass and achieve the secondary challenge, great. But it is better to never have been crafty at all, than to be crafty and not kick ass.
So, go forth, nascent screenwriters, and kick ass! I shall endeavor to do the same. As always, I will post my effort here. As always, I will write to the round 2 prompt even if I’m not officially a contender any longer. This whole exercise is about recognizing the key turning points in a story and rendering them well. You can’t practice that too often.