Damn You, Bauhaus

I’m trying to write an episode that is actually interesting, but it hasn’t been going well. And that was before “Bela Lugosi’s Dead” came on the TV/Internet/Radio music distribution system.

It all starts with the simple bass line and the clock-ticking percussion, and I get sucked in. Then Peter Murphy takes direct control of my brain. It’s haunting, and even when it’s loud it’s all somehow far away.

It’s over now, and I just have to remember what I was writing about.