I managed to finagle my way into the editing room yesterday, but it did nothing to put me at ease – in fact, it did the opposite. The sound was uneven, thre was no background audio, the music wasn’t in, the lights were harsh and flat, and there were still plenty of rough spots in the flow. The movie is only allowed to the twelve minutes long, and this cut was fourteen and a half.
Charles the First didn’t seem worried. He estimated five hours to have something good enough, and the rest of the time until this morning to make it continuously better. He knows far more about the biz than I do, but I’ve been the boss of enough optimistic software engineers to trust my instincts when they give me an estimate. What it boils down to is that when you have lots of little things to do, and each time estimate has an error of half an hour, when you estimate your safety factor you have to combine the estimated error range of each task. I was seeing a possible creep of several hours just to get the piece to a showable state.
I wasn’t worried about the length until later, when I realized that a whole sequence was missing from the version I watched.
They asked me for feedback, and I pointed out a couple of problem areas, but the sound was bad enough that I didn’t think about other issues until later. Over the course of the afternoon and evening I left a series of messages with fuego about lighting and timing of certain parts. I never heard back.
Part of me (most of me) says “Those guys are pros, anything I spot they can see also,” but they’re awfully close to it now. They may just be accustomed to the way certain things are, and not be able to see that the comedic timing is off.
It doesn’t matter anymore. The tape was due more than an hour ago. I have heard nothing from them, but they must be tired. While I slept last night they were down in the trenches. However it comes out it won’t be for lack of effort or lack of skill. Pablo is with them, and he’s damn good. Another editor down from Santa Fe Arthur the Dog-Face Boy, was putting the finishing touches on the title sequence last I heard. The work could not have been in better hands.
Still, skilled and dedicated workers or not, the second hands keeps sweeping around, minutes and hours tick past, and no amount of skill can stop them. They are sleeping now, I hope, with smiles on their faces, knowing they have done well. All I can do is wait.