Just Because I Don’t Know What They’re Saying Doesn’t Make it Not Crap

I’m at the Budvar Bar Near Home right now. There aren’t many people here, and the plasma TV is showing an American thriller movie. Tom Clancy was mentioned in the opening credits, and it seems that Ben Affleck is the star.

It could be that Mr. Clancy bludgeons himself whenever he’s reminded of this flick. I hope so. I’ve read several books by him that I’ve enjoyed greatly. But what is happening before my eyes on the television is patently ridiculous.

A pilot is patrolling the desert wastes. He is distracted when the photo of his wife and child comes untaped from his jet fighter dashboard. While trying to recover the photo he lets his guard down and runs into a hostile missile. Words fail me. The photo on the dashboard immediately classified the guy as Dead Meat. But then I am asked to believe that a guy carrying an atomic fuckin’ bomb would be distracted that way. Or even that he would be flying without an escort.

Then I’m asked to believe that those who lost the bomb shrugged and said, “oh, well, we can make another.” Twenty-nine years later, the bomb is recovered by Bad Guys. “It’s warm!” one of the scavengers declares. I am being asked to believe (I think) that the Israelis lost an atomic bomb and didn’t try to get it back. Yeeeeaaaah, riiiight. Tom! Mr. Clancy! That wasn’t your idea, was it? I can still respect you, can’t I?

OK, and as I watch we have the silliest of all action movie conceits. The standoff where each guy is pointing a gun at the other. Only in Hollywood would someone hesitate to pull the trigger. *ahem quentin* Seriously. A standoff occurs when the person who moves first loses. Guns pointed at each other is not a standoff situation – the first to move wins. If I have a gun pointed at someone’s head, and they have a gun pointed at mine, and we’re not old chums from back in the day, I’m pulling the trigger.

It could be that there was dialog to go along with this patently ridiculous standoff to make it make sense. If I was the guard with bad teeth, things would not have got to that point. Here’s the test I give myself as a writer, for every character in every story. Would I have done that? Given that character X has limited information and even less time to make a decision, would any non-stupid human being act the way the author asked this guy to behave? You can’t base a plot on the actions of stupid people.

Nor can you depend on bad driving, but as the movie progresses they have done that too. You can’t make a really stupid driving error a plot point. OK, you can, but you shouldn’t. The car that won’t start should be reserved for crappy horror movies. Please, Mr. Clancy, tell me you’re better than this. I hunger for the reassurance that you were not responsible for what I have been watching.

Although, honestly, I know you’ve already sold out. You flog your name shamelessly, unconcerned with quality. There’s the whole series of crappy airport novels with your name on them that you can’t feel good about. But there they are. You’ve earned your laurels. Just… don’t insult me like this.

Hopefully, when I sell out, I will do it more gracefully.

End of an Institution

Saxová Palačinkarna (rhymes with Sax’s Creperie) is under new ownership. There is still a resident pup, but rather than Sax the golden retriever, we have a little dog with a fancy haircut. The dog seems all right, but it’s not the same as being greeted by Sax. (Sax remains in the logo, flipping a palačinky, his other paw resting on a big stack of yummy treats.

This was my second visit since the changeover. First visit: Cool! Things are still working here and the old guy with the bushy beard (who I hoped was the new owner) is a hoot. Second visit: Ehh… The food lacked magic, and they had an easy time forgetting they had customers to take care of.

This could be growing pains, just people who thought owning a restaurant would be cool (and rightly figuring grandpa would be great), who still need some time to get used to how much work even a small restaurant generates. I hope they grow into the job and find success; they seem like a good bunch of people.

November 1st, 2002

I’ve decided to put an excerpt of each of my previous NaNoWriMo efforts here. Sorry in advance. The first year’s excerpt was a no-brainer; day one of novel one. Since I haven’t actually read the story that was also the easiest to find. This installment of NaNoWriMo hit parade is a little tricker. I spent the next eleven months of my life on this story as well, adding more than editing, letting the story sprawl. There are many parts much better than day one. The thing is, I have no idea what day they were, or even what month they were. So I have gone back to my earliest version of chapter one. This is not exactly what I wrote on November 1, 2002, but it’s pretty close.

I’ve edited this chapter a lot since then. A lot. (The reason I have such old versions is to test the format conversion for newer versions of Jer’s Novel Writer.) So while this isn’t exactly what I produced that lovely November day, as I sat in Callahan’s on day one of “30 days, 30 bars, 1 novel”, it’s reasonably close. I think the only major change after day one is that I experimented with giving people pretty heavy dialects. I wanted to differentiate Jane’s speech, but the result is some hard reading.

Also, this is pretty wordy. That was the point, after all.

My current version of the chapter is a total rewrite from the ground up; it may be that no phrase at all from this version survived. While the new version is definitely better I think this first spew of words did a decent job setting the tone of who Jane is. (I was tempted to give you chapter two here instead, it’s tighter and introduces the world better and is overall a better chapter one than chapter one is, but then I got tired of thinking and just decided this will be a series of November 1sts.)

A side note I discovered as I worked on this story: one of the most difficult things about world-building is inventing a good system of cursing. I believe that one day I will come up with a vocabulary of epithets so integrated and natural that they will give me both the Hugo and the Nebula, with a Pulitzer for garnish.

The Test

Jane was just a little girl when her mother died of the shakes. Her mother had tried to shelter her from the truth, that she was dying, but Jane knew something was wrong. Late at night she would awaken to the sound of her father giving futile reassurance to her mother as she silently wept.

It wasn’t until Jane overheard a neighbor talking that she knew what was wrong.

“Such a shame,” the woman had said, shaking her head. “The shakes, and her so young. Such a sweet girl. And she with them little ones, too. An’ thet lass a queer duck, ‘erself. Gives me the shivers when she looks a’ me. She’s a touch o’ the dark blood in her, I’d nae be surprised.”

“It’s thet way she talks,” another agreed. “Like a steamin’ princess.”

“Thet’s ‘er Ma’s doin’. She thet it might ‘elp ‘er rise in station.”

The first woman clucked. “Jest made the lass odd, is all she did. Jest talkin’ like a steamin’ richie don’t make yeh one. Jest look at ‘er with thet book.”

They hadn’t realized that Jane was listening, or they would not have mentioned the shakes. There had been a careful conspiracy to keep the truth from Jane, as if that would change anything. Nobody ever got better when they had the shakes. The disease was as inexorable and unforgiving as it was painful and humiliating. Jane had seen someone with the shakes once before, a neighbor in the crowded row house, another woman who worked the wonders down at the factory. Her screams had echoed up and down the hallway. By the time she died, the whole building let out a sigh of relief.

Jane pretended she did not hear. She just sat quietly, forming the letters in her most treasured possession, a reading and writing primer she had found on the ground outside the school where the children who didn’t have to work went to learn. Nobody paid any attention to her as her tears smeared the lines where her fingers passed over the inscrutable shapes. The corner of the room where she sat had markings all over the floor, from the times she had a scribbler and she practiced making words. Jane fancied that it was a spell she had placed on that corner of the room, that the simple words were actually powerful runes to deflect any evil that might try to reach her there. She didn’t mind when her mother made her clean them, for it gave her a chance to replace the simple words with longer ones, and now even whole sentences.

Jane’s mother never made her clean the markings if she didn’t have a writing stick to make new ones.

She wished she had a scribbler now. She wished that her mother had let her practice her writing in other parts of the house, to create words that could keep the shakes away. She reminded herself that they were just ordinary words, not the mysterious symbols used by the Great Ones, but she wanted to be able to do something, and that was all she had. No one would stop her from writing wherever she wanted right now, but she didn’t have a scribbler and there was not going to be any money to buy one.

After a few weeks her mother’s tremors were undisguisable. She started to forget things, and remember things that had never happened. The tremors started in her hands and slowly spread throughout her body. For a few weeks there was no other indication that anything was wrong. When mother slept they would look at her and fool themselves that everything was as it had always been.

As time passed, however, Jane’s mother slept less and less. The last two weeks were marked by the catastrophic loss of bodily control and sanity. When her voice gave out she continued to rave in a hoarse whisper, seeing things that were not there, speaking with people long dead, and crying piteously in terror as unseen demons tormented her.

It was on a quiet morning that she died. The sudden stillness in the building was unnerving. The entire block paused, took a breath, said a prayer for the departed, and after a moment moved on.

The stillness continued in the room that Jane’s family called home, however. They all just sat, Jane, her father, and her brother. Her brother was still too young to understand what was going on, but he took his cues from the other two. Finally he asked, “Is mama better now?”

Jane’s father took a moment to answer. “No, John, she’s passed to the shadow world. The spirits came and took her by the hand and showed her the way to somewhere where she doesn’t have to suffer anymore.” To Jane’s ears, it didn’t sound like he believed what he was saying.

“I want to go there, too, Papa. I want to be with Mama. I want to go to the shadow world.”

The neighbors who were visiting then all sucked in their breath. Some of them made motions in the air to ward off bad luck or worse. Even Jane’s father seemed alarmed. “Nae, lad, Yeh mus’ nae ever say a thing like ‘at. Nae even breathe it. Nae even dream it. Yeh nea ever know the dark ears what may be listenin’. Yeh will be goin’ to see yer ma anon, boy, long hence, I pray, but if yeh go tae soon ye will nae be ready, so the dark ones will take yeh for theyselves, to eat yeh or worse. The dark ones alway be lookin’ for the little boys they can fool into followin’ them, but yeh must not listen to ‘em. Yeh have to work your whole life to earn yeh place there, so yeh can be in peace there.”

“When will Mama come back?”

“She’s nae comin’ back tae’ us ever, little mon. ”

John’s face started to cloud as he began to understand. “I want mama tae come back.” The tears were coming.

“Aye, I know.” The big man gathered his son into his arms. The hard man was crying too. “I know.”

Jane watched them cling to each other from across the room. She wanted to go over to them, to share their sorrow and comfort, but she did not know how. She watched as Father’s big, gnarled hands took in her brother and built a fortress to protect him. Her father looked up and his eyes met hers, and she felt that he wanted to cross the gulf as well, he wanted to give her comfort and protection, but he was just as lost as she was. When a neighbor came to the door, it was Jane that answered.

The visitors had become a procession, bringing food and words of condolence to the most recently grieving family. A display like this happened every week in the building, it seemed. Everyone pitched in, because they knew that it might be their family next. Jane often had carried the offering to the bereaved; for some reason the gift was better received when delivered by a child. Perhaps it was without the taint of obligation when it came from someone who didn’t really understand what was going on.

Jane did not take comfort in any of her father’s platitudes. She did take comfort in the knowledge that her mother was no longer suffering, but she did not believe they would be together again in some happy place some day. While she allowed that there was a remote chance her mother was in some improbable better place, she was confident that was a place she would never go. She didn’t believe, and the place she didn’t believe in was a place only for believers. So even if she was wrong she was out. She knew that there was a shadow world, she just didn’t believe the descriptions of it that she heard, since no one had ever come back from there.

Days passed, and slowly the sympathy visits dried up as new tragedies supplanted the old, and gradually life settled into a new routine. There were still some women who would call, women who had lost husbands to the lumps or to the blood cough. They would bring food and dote over the children, praising them and giving them sweets. Their own children would never come over with them.

This parade, too, slowly petered out as Jane’s father began to drink more and more.

The first time had been about a week after Jane’s mother had died. He had been sitting in his chair, quiet, brooding. Suddenly he had jumped up, startling both children. “Look after the lad,” he said to Jane. “I need tae get some air.” He didn’t come home until the middle of the next day. He had staggered in, disheveled, reeling, reeking of vomit, and had gone straight to bed. Hours later he called out “Breakfast!”

Jane did her best to make him something, but there was almost no food in the house. Her father had been angry at the thin broth she had given him. “Yeh air the goddam woman innis house now, and I expec’ yeh tae act like it. There’s nae mon will want yeh like this, sniveling and whining. Get down to shop and bring me some proper kip.”

She was relieved to get out of the house. She went down to the shop that her mother had always taken her to, and walked in as if everything was normal. She selected her bread and eggs the same way her mother had, and approached the counter. She had to stand on tiptoes to see the butcher over the counter. “A pound of bacon, please.”

“Well, bless me if it isn’t Jane! She’s been a far time since I’ve seen yeh, lass. And now yeh be grown up and doing the shopping for the family.” He paused. “And how is your lovely mother?” He asked the question casually, but Jane could see that he was very interested in the answer.

“Mama died. She had the shakes.”

The butcher’s face lingered briefly on sympathy before resting on caution. “The shakes, eh?” He shook his head and made a gesture to ward off bad luck. As if he could catch it. He recited an old proverb. “The spirits are greedy, always taking the finest ones. And how will yeh be payin’ today?”

“On the account, just like Mother did.”

“Ah, darlin’, do yeh know what thet means, account?”

“No.”

“It means that yeh’ll pay me later. Yeh already owes me quite a pile o’ money. For yer ma, I was willin’ teh wait ‘til she could pay it, but if she’s gone I’m afraid thet I can’t be lendin’ yeh any more coppers until I have the silvers yeh already owe.”

“But I don’t have any money.”

“Nae anyone has any coin, Miss Jane, but if I gave everyone free food then I would be theh one starvin’. Yeh unnerstand?”

Jane nodded solemnly, although she didn’t. She didn’t want him to explain any more, though. “I need to bring breakfast for my father,” she said.

“I’m sorry, Miss Jane. I wants to help yeh, I do. But I’ve got enough problems of me own. I can’t help yeh with yourn.”

She fought the urge to cry. She pushed that part of her back inside herself until she couldn’t feel it anymore. “But I have to bring him breakfast.”

The butcher was becoming less sympathetic. “I’m sorry,” he said, “but nae wi’out money. Yer pa is working. ‘E must have some coppers. Go and get some coin from ‘im and bring it back. Then I can give yeh ‘is bacon.”

Jane wasn’t sure why she was confident that would not work, but she couldn’t think of any other plan. She dragged her heels as she walked back home, not sure of the reception she would receive.

Her father was sitting at the table when she came in, head cradled in his hands. He wasn’t wearing any trousers, and he smelled bad. “Did yeh get me kip?” he asked.

“No, father. The man said I had to give him money.”

“Well, of course yeh hae tae give im money. ‘ow the ‘ell dae yeh expect tae buy tings wi’out money?”

“But I don’t have any money. He said to get money from you. He said we already owe him money for the account.”

“Account? Account? Weh don’t owe thet goddam shyster a goddam bean! Yeh get yer goddam arse down there and bring me me goddam breakfast!”

Jane scampered from the house and started walking back down to the shop. Listlessly she avoided the puddles of filth and worse in the street. There were few others out in the lane, and they moved like animated corpses, which some of them were close to being. She passed a man with oozing sores on his face. He stood staring directly at the weak sun, muttering unintelligibly. Most of the families on the lane knew each other, but she was not surprised that she did not recognize this man. When they had the sores they tended to drift about in the tide of traffic, finally washing up dead in some lane far from home. No one would take in one of these – a simple act of charity could wipe out an entire family. Jane passed as far from him as she possibly could. She hoped he would move on before he died. Sometimes it was a long time before anyone would come to this neighborhood to remove the corpse.

She still had no money and she knew that there was no way she was going to be able to come home without her father’s breakfast. She followed her feet, with no particular destination.

Some time later she realized the day was failing. She watched the sun sink in the west, chased by the fat, lazy, river, which rose and fell with the tides of the mysterious sea beyond. Jane had never seen the ocean, but she wondered about the vast water that was alive somehow. It breathed, its great watery lungs rising and falling, pushing the river back on itself and lifting the ships anchored there.

Jane was not supposed to go down to the docks, but she found herself there now. She was far from home. She turned and started walking quickly back the way she had come.

Without the sun, the autumn air turned cold in a hurry. Jane walked as quickly as she could, which helped keep her warm, but slowly the cold crept into her fingers and toes, stabbing her with tiny needles. Still she pressed on. Eventually the pain in her extremities was replaced with a welcome numbness. She imagined she was walking on pillows; it didn’t seem like she was touching the ground at all.

That is how they found her, floating dreamily on frozen feet, pretending her light jacket was a set of wings, flapping it and feeling it carry her away over the rooftops. It was not her father who found her, but one of the neighbors he had pressed into the search. By the time she had been delivered safely home her father was there waiting, along with some of the women who had come over to look after young John while the men went searching.

As she came through the door Jane’s father rushed forward and swept he up in his arms. “Oh, my wee one, my sweet, I thought I hed lost yeh, too. Yeh’re all thet I have left of me dear Shannon.”

Jane rested in the warm embrace of her father’s hands and felt his strength, protection, and love. She felt far away. Somewhere down below her knees sensation was returning, the promise of agony to come. Her mind felt fuzzy and detached; she was watching herself being held. It was just like watching her brother sitting in her father’s lap; somehow the love he was showing was directed at someone else. She watched as he wept and promised never to do wrong again. She watched him promise to be a good father, the way he always had before she died. She listened to him promise that he would support them all and they would never want for anything. Even from far away she knew he didn’t believe the promises himself, but he felt the need to make them anyway.

He held her in his arms while she slept, and massaged her feet and hands to restore the circulation. Neighbors came visiting again, bringing hot food and contradictory advice. Jane drifted through it all, knowing she was the center of attention for the first time in her life, and liking it, but also knowing that the situation was fleeting at best, and hating the world for that.

Eventually she recovered with all her fingers and toes, and not long after that father disappeared again. His absences got longer and more frequent until one day he didn’t come back.

November 1st, 2001

What follows is my first day’s output from my first NaNoWriMo. It’s rough. It’s the first draft of the first day of my life as a novelist, day one of a story that I have not bothered going back to read. It was tempting to repair the obvious errors, to tweak the repetitious phrases, and to generally smooth things out, but that would not be in the spirit of NaNoWriMo. Even the flagrant misspellings remain. I’m not entirely certain that I have the right end point for day one; seven years later it seems like the loss of the umbrella girl was more poignant back then. There is another moment later, but that’s a hell of a lot of words in. In any case, there’s no point inflicting any more than this on you guys.

Rio Blanco

The plane banked sharply as it made its way through the clouds. I was generally nervous when I wasn’t the one flying the plane, and descending into the airport, knowing there were mountains out there, and not being able to see the ground was nerve-wracking indeed. Down, down, we went, and I wondered how close we were. It seemed like we should be below sea level by now.

Suddenly we broke through the deck of the clouds and I could see the lights of a small town about 1500 feet below the belly of the plane. Although the sun would rise soon, the clouds kept the land below dark. By the layout of the town I guessed that it was Ciudad de la Santa Fe del San Domingo, or San Domingo on the map. We were almost to the airport at Rio Blanco, my destination. If anything, I noted, we were coming in high. The pilot began to drop more quickly, scrubbing off as much speed as he could on the way in. The attendants defied reason and continued to move about; had I asked, I probably could have had another tequila. I didn’t ask.

A few minutes later the last stewardess strapped herself in moments before the wheels of the plane bounced once off the runway and settled back down to stay. The engines roared as we slowed to taxi speed and pulled off onto the taxiway. As we approached the terminal, I noted that there was one other plane, smaller than ours and apparently deserted. With a lurch we rolled to a stop just as the clouds opened up and the rain started to fall with vigor. Beyond the airport the lush greenery of the rain forest bowed and waved under the buffeting of the gravid raindrops.

Ground crew members rolled the stairs up to the plane and a flight attendant opened the door. A breath of the air outside replaced the stale air around me, and I inhaled deeply, savoring the clean, damp air. A good rain can even make an airport smell good. The ground crew undertook the task of getting the tourists off the plane without getting them too wet. The efforts to escort passengers down the stairs while holding umbrellas over them was the culturally correct thing to do, but was laughably ineffective. They were escorting the passengers in stages, first getting them under the shelter of the wing of the plane, and from there another crew was escorting them to the terminal building. I declined escort down the slippery stairs, and dashed under the wing of the plane. From there I intended to jog to the terminal unprotected, and save everyone the trouble of keeping someone dry who didn’t really care that much about it.

I was in no hurry to depart that place, however. I have an affinity for machines and was distracted inspecting the engine, now quiet except for the tiny pings the metal made as it cooled off. Over the sound of the rain, I was probably imagining those sounds as well. As so it was, so it was meant to be, that it became my turn to be escorted to the terminal.

“Sir, if you will come this way,” she said politely.

I hade been vaguely aware that one of the ground personnel escorting passengers through the rain had been a smaller woman with a nice figure, but contrary to my usual nature I had not really paid her any attention. My, but I had been distracted by the air, and the airplane. Now, suddenly, those things vanished. She was beautiful. She was small, but had a nice figure. That paled in comparison with her round, brown smiling eyes and her sweet, almost-sincere smile. “I’m going wherever you’re going,” I managed, and I meant it. I realized that I had responded in Spanish.

Her smile grew a little more (white perfect teeth lined up like dominoes, red lips full) and her eyes crinkled at the edges in a way that suggested playfulness. “Well, I’m going to the terminal,” she replied in credible English. With a suggestive swish she turned and raised the umbrella over our heads. I picked up my bag and we headed towards the terminal. Her perfume added to the smell of the jungle close by, and it was perfect; a blend of the exotic and the alluring, with just a hint of the cheap. She was the goddess of Rio Blanco come down to Earth; she was all that the town promised, all that the town dreamed of. I was in love with my umbrella girl.

I tried to walk slowly, to prolong the moment, to cheat one extra breath of the perfume, to feel her hip brush mine once more as we walked under that tiny shelter, but mostly to earn one more smile. I needed something to say, anything, to get her to smile once more, to turn towards me with that swishing motion, to give me a glimpse down into her blouse just before swishing away again and looking at me over her shoulder in mock scolding for how I teased her.

That’s the way it would have happened, had I thought of the right thing to say. I did not.

As we reached the building, I touched her arm, the one not holding the umbrella, smiled at her and said, “Thank you.”

She returned the smile with one that made mine seem like a horrific grimace (but a sincere horrific grimace, I hoped), and said “You’re welcome.” Before I could ask her if she was going to be at the festival she turned, making my heart stop for a moment with the pure grace and sexual suggestion of the motion, and headed back to retrieve the next passenger. I watched her for a moment, and I hoped she knew I was watching, hoped that she liked the idea that I was watching her, but just standing there waiting for her would be too obvious, too lame.

The interior of the building was much like the perfume my umbrella girs had been wearing, filled with things you have never before seen or smelled, but somehow cheapened by the entrepreneurial spirit that is America’s primary export. The airport had been built in a different time, by people with different priorities than the airports of the States. I stood under a wide roof, next to a building whose walls served as doors and were currently wide open, letting the tropical air move through the space unhindered. People also moved about the space; there was about an even mix of travelers and those whose purpose was to separate the tourists from their money. Sprinkled here and there were police in neat uniforms, carrying serious-looking weapons in their white-gloved hands. In two hours, after the plane had finished exchanging its passengers for a new set, most of the businesses here would pack up and head back into town. I picked up my bag and moved into the flow of people.

Near the opening that I entered the shelter through, there was a folding table staffed by three middle-aged women with a full set of teeth between them. On the table were some bottles of the local rum and a stack of small paper cups. There were several cups arrayed on the table, each filled about 1/3 full with the booze, and a sign, neatly hand-lettered, which read “Free Rum. Welcome to Rio Blanco.” There was no sign that said the same thing in Spanish.

I paused to sample the local drink, testing it as if I had never had it before. It had been a long time, but the stuff still didn’t taste very good. Still, there is something to be said for supporting the local industry, especially if that industry is a distillery. At the behest of one of the women I had another sample. She didn’t realize that she had already closed the sale. I allowed her to offer me one more before I bought a bottle. I didn’t want her to think I was easy. The bottle cost three times what I could get it for in town, but I wasn’t in town. Location, location, location. It’s the key to a successful business.

I looked back towards the plane, and it seemed that all the passengers had finally been safely ferried to the terminal. I looked for my little umbrella girl, but I couldn’t see her. I convinced myself that could feel her nearby, but people can convince themselves of just about anything, and I’m no exception.

The Descent – ongoing commentary

If you’ve been here recently you’ve seen my review of the first four chapters and the beginning of the fifth of The Descent by Jeff Long. To summarize: Tiresome pages of backstory, cheap writer’s tricks, and really frickin’ cool stuff.

I don’t know what it was that prompted me to set down the book and write the previous review, what instinct warned me that it was time to record my impressions – there was no time break or anything like that – but the very next paragraph announced a new narrative direction that almost made me put the book down for good. After spending four chapters introducing four interesting people, the point of view is wrested away from one of those characters and we are subjected to a series of anecdotes of only passing relevance to the story. We learn about the mobilization of millions of people, from dozens of countries, in absolute secrecy. Unlikely as that is, the secrecy turns out not to matter. The bad guys counterattack in a coordinated, lethal, downright evil fashion. Panic in the streets leads to great (but ultimately irrelevant) destruction. Our guy? The one this chapter started to be about? Oh, yeah, the author says (well, he practically does), probably should have mentioned – Branch is delirious with a fever in a hospital safely out of harm’s way.

At this point I started getting annoyed not only with the author but with the editor as well. If I had been the editor, much of this chapter would have been cut, and the story would have benefitted. Twenty (give or take) pages of blah blah blah in the omniscient point of view – “then this happened and then that happened” – while Branch, the interesting guy this chapter is supposed to be about, is mentioned now and then and winds up watching the worst of it on TV. Branch could have been in the middle of it, bringing us the events viscearally, which also happens to be the author’s strength. If I’m his editor, I say to Jeff, “ok, you’ve written a synopsis of events. Now put it in the story. Some of it won’t fit, and we’ll just cut those bits.”

This is a lesson I would do well to remember.

I did not put the book aside. I plowed through all the blah blah blah. Why? Because when Jeff Long gets to the parts he does well, he does them really well. Eventually the story starts again, with our man Branch down in the caves, and there’s horror and fear and holy crap there’s Ike. Ike was interesting before, but now… yeah, Ike has some stuff going on in his head. He gets full credit for my continued reading of this story.

And that’s what’s driving me crazy. Why couldn’t someone have gone over the manuscript before it got to me? I need William Goldman’s dad to say, “what with this and that, two years passed.”

So three quarters of chapter five is crap, but then it ends strong. There follows some maneuvering to get people in the right places to allow the adventure to truly begin. Fifty percent blah blah blah and a parade of names I sure hope don’t matter. And then a really cool encounter between Ike and Ali, a quiet meeting that shows Ike’s humanity, and his almost magical understanding of what it means to pass from the light into darkness. It’s a moment that will have repercussions, and just like that I’m back on board.

I just want to grab the author by the lapels and say, “Do you see the parts you do well? Yes? Just do those. Leave the rest.” At the end of my last review I thought I had gone through the introductions with the characters and now the story was going to get under way. It was time. A lot of pages later, I still have the feeling the story is about to get under way. Hopefully I’m right this time.

Note: if you use the above link to buy this book (or a Kindle, or a new car), I get a kickback.

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My NaNoWriMo Bibliography

This year I will be participating in my eighth National Novel Writing Month, which is something not many people can say. My first year, 2001, was the first year the event started to gain traction; about 1100 people participated, if memory serves. So now I’ve written seven piles of words, and I’m getting a little vague on what they all were. Indulge me, then, as I climb into the way-back machine and try to excavate my NaNoWriMo career. This is mostly for my benefit; I’ve been trying to reconstruct my history for a while now. Hopefully I’ll get it right.

2001: Rio Blanco – a spy vs. spy story set in Central America. When I bogged down I wrote sex. I’ve never read the result, but I think it had a few good moments, and the narrator had a strong voice. It was the voice that convinced me that maybe I could write something good. On December 2th I started my first serious attempt at a novel.

2002: The Test – This was the year of 30 days, 30 bars, 1 Novel. I have some documentary remains of that time, but my plan to keep a running log of my adventures was overwhelmed by the task itself. The novel I’d been working on for eleven months, While God Sleeps, has been languishing ever since. I plan to pick up The Test when I put The Monster Within to bed for the last time. There’s some really good stuff in here (if I do say so myself), and Jane might be my best character ever. She is managing to survive in a very ugly industrial-revolution world. Some scenes are so gut-wrenching I’m surprised I wrote them.

2003: The Monster Within – Holy cow, has it been that long? I hated to set The Test aside, but I recognized that this story was structurally a lot stronger and would be easier to get into a publishable state.

2004: Worst Enemy – A techno-thriller that has some problems with the techno. There’s a lot of chase and a clever idea – the guy on the run can never get ahead because the people he is running from have an AI that is based on the guy’s personality. He is his own worst enemy. To escape he must do something that is completely against his nature – forgive. (Alternate title is Unforgivable.) This one might turn out to be better as a screenplay. As it stands, two good characters stand out in a field of poor storytelling. This story has a lot of my road trip in it. It was an excerpt from this that first attracted That Girl’s attention.

2005: The Stan Man Plan – Previously excerpted in these pages. I reread it a few months ago and chuckled the whole way through. It’s a long, long way from publishable, but it was funny and even had a heart.

2006: Untitled – A very heavy subject and extremely high literary ambitions (along with real-time publication) doomed this project from the start. I might try it again someday, but the constraints of NaNoWriMo, which seemed perfect for the idea on paper, turned out to not work at all. I got the word count, but the result was a total mess.

2007: Math House – intended to be a near-future social satire and adventure story, it quickly bogged down and I turned to the story of one of the secondary characters, which turned out to be a whole lot of fun. Beth’s story had a Tim Robbinis sort of feel to it, and might be worth revisiting some day. One thing about NaNoWriMo, it’s taught me a couple of times the sort of story I should not be writing. It’s a good lesson to only lose a month to learn.

2008: I am almost giddy with anticipation for The Quest for the Important Thing to Defeat the Evil Guy. Since my last post about it, I have added a carp.

It’s Not Too Early to Start Begging, Is It?

You know what I’d like for Christmas? I like a version of Adobe Flash that is actually designed to run on my computer. My old, old version of Flash (old enough to be made by a different company) works – mostly – but is slow and crash-prone. Anyone got a used version of Flash that runs in Intel-based macs they’re not using anymore?

Note that this would be a highly impractical gift, allowing me to waste time with greater efficiency than ever before. Flash is also very expensive and there’s no way I can justify paying for a new version based on what I do with it. But if someone out there bought Flash thinking they were going to take over the Web and then discovered what a pain in the butt Flash can be, think of me.

On a related note, I am making slow progress on the next animation, a much more ambitious follow-on to the ducks animation. I’m sure I’d be done by now if I had the right software…

NaNoWriMo’s Coming!

Those of you who have been around for a while have seen mention of NaNoWriMo before; it’s something I spend every November doing. Here’s the deal: during the thirty days of November a whole bunch of folks set aside the useful and productive activities they would otherwise be doing and instead they crank out a novel. This is National Novel Writing Month, or NaNoWriMo for short. I will be participating for my eighth consecutive year, and this year my story will be particularly silly. More on that in a bit.

NaNoWriMo is a pretty popular pursuit these days, with tens of thousands of participants and a host of other lurkers and hangers-on. Best-selling authors write pep talks for the struggling masses, and the message forums are choked with celebration and cries of agony.

Today I logged in at the NaNoWriMo web site for the first time this year, checked for a couple of the names I’ve seen over the years, and generally got my bearings. There was a time in years past that I spent a lot of time on the message boards but not so much anymore. It’s just… too big. Lots of people trying to find new ways to say, “boy aren’t we all so crazy!” The answer is no, you’re not crazy. NaNoWriMo is not crazy, insane, or even particularly difficult. Almost anyone in the US could easily write 50,000 words in a month if they stopped watching TV. No other sacrifice need be made. (Oddly, most of the people I hang out with are exceptions to this rule.)

So it’s not crazy, not insane, not masochistic, nor any other adjective that implies that accomplishing this goal is particularly punishing. In fact, it’s pretty damn fun. No, the people who perform this feat deserve your undying admiration for another reason. Or maybe three.

  1. They are being creative. Rather than switch their brains off when they get home from school or work, they are switching them on. This can be habit-forming.
  2. They are committing to something outside their usual routine. Consistency is the key to success and it takes a special kind of commitment to do something outside your comfort zone. This can be habit-forming.
  3. They are making something. It may suck, but the balance of human endeavor will be tipped just a little more towards “worthwhile”. They are producing rather than consuming. What have you added to humanity’s list of accomplishments lately?

It is even less of an accomplishment when I succeed at NaNoWriMo – I sit down to write every day as it is. Those habits I mention in the list above have served me well for eight years now.

So all of that has nothing to do with what I intended to tell you guys today, but one thing you learn during NaNoWriMo that has served me well ever since is that one should never (well, almost never) stop yourself from writing. You can always delete it later. The title of this blog gives me the right – no, the responsibility – to just ramble on. Anyway, on with the actual point of all this.

On the site I updated my personal information (though I left my age at zero – that appealed to me somehow). There is one section of the profile that is about what you’re writing. Right now I’m leaning toward The Quest for the Important Thing to Defeat the Evil Guy, inspired by a blog episode I posted some time ago. I won’t use any of that in the NaNoWriMo effort – that would be cheating, and I need to start differently anyway (and the blog episode really isn’t very good). However, the idea is there.

Of course I’m not allowed to start on the endeavor until November 1st, but there was a section to enter a brief synopsis of the story. Here’s what I wrote:

Bixby is a simple farm boy, but he’s good with an ax and doesn’t ask too many questions. His brawny physique strikes fear in the hearts of Evil-Doers and Nasty People, and a pitter-pat in the bosoms of Fair Ladies (and unfair ones, as well). He adopts Kitty, a black cat who turns out to be an evil sorceress in disguise. She hates the name, but she does like curling up in Bixby’s lap.

Princess Skoda is a strong-willed young lady who is accustomed to getting what she wants. Though she may seem like scantily-clad fluff, she is in fact a scantily-clad expert on the history and lore of the Important Thing. Her pouting skills will get the group out of many a close scrape – if they don’t kill her first.

Chavdar makes up for his diminutive stature with his big mouth. A veteran of many improbable campaigns, Chavdar knows what he wants out of life, but Skoda won’t let him have it. He won’t even consider asking Lada.

Lada the Huntress is an elf maiden whose skill with a bow is unmatched. She’s not too bad with knife, sword, club, machete, brass knuckles or small bits of string, either. Like all elves she is terribly shy, and would rather kill people than try to talk to them. She’s especially dangerous when it’s that time of the century, if you know what I mean.

Trabant the Immutable is a powerful wizard who can warp the very fabric of space and time, and make the universe do his bidding. This leaves very few brain cells for everyday life, however. It may be that he’s fought one Balrog too many…

No one is quite sure why John the Smith is in the party, but it’s bound to be a big surprise when his true identity is revealed at some critical juncture.

Finally, there is Evil Guy. He’s trying to take over the world. Or destroy it. Or something. If he gets his hands on the Important Thing, there will be no stopping him.

Mysterious Forces and Evil Forebodings abound, Great Danger lurks, and the Evil Guy wants the Important Thing. Will this misfit band of adventurers be able to set aside their old rivalries and perform this Quest?

Probably.

I added to the synopsis after I first pasted it in here. But just look at that! How can one possibly not be excited about writing TQITDEG? So I was pretty darn ready for November to start. But then, then, came the part of the Novel Info section that got me even more excited than ever, a part which I have no skill to execute. This year there’s a place to upload cover art! Holy carp on a cracker that would be cool – I mean, what better than a racy fantasy adventure parody for a great cover? A big strapping guy, some kind of little funny-looking sidekick, a scantily-clad princess, a scantily-clad evil temptress, a scantily-clad elf hottie, a dark wizard, and any variety of odd, deformed creatures. In the background a castle or a spaceship or whatever’s handy.

So here’s my challenge to you, dear readers, and your chance to challenge me. If you draw me a cover that even remotely resembles TQITDEG as synopsized (go to my profile page for the latest), I will include all your cover elements in the story, no matter how outlandish they are.

Bonus points if you can identify the theme for many of the names above without using Google. I think John the Smith’s name might really be Zaz. Kitty’s real name could be Dacia.

At Last

One of the good feelings you get as a writer is when you’ve been beating youself against an idea that you know is good but you just can’t get a working story out of it, and then suddenly you find the magic. You’ve all been there, perhaps not as a writer but the principle applies all over. Yesterday was one of those days. Today was the follow-through.

Hockey Night in the Czech Republic

It’s hockey season again, and the NHL has decided to kick things off with a pair of games right here in Prague. The Czechs are excited about it; the matchup is the team that Jagr used to be on versus the team that Prospal is on, but the ticket prices are outrageous, so I am at the Budvar Bar Near Home (Budvar is the hockey beer). The game is in the first intermission, tied 0-0, and it’s been pretty exciting.

Yet, despite the full stadium, the crowd seems quiet. Sure there’s plenty of shouting going on, but something is missing. Finally I realized what it was: There’s no one playing drums! There aren’t any horns blowing Poot Poot Poot-poot-poot — Poot-poot. There isn’t even an accordion that I’ve noticed. I guess the drum corps comes out for the home team, and neither one of these teams is home. (Note to self: when I own an NHL team and it’s playing here, recruit a drum squad. The rest of the crowd will assume that my team is their team. Instant home ice advantage!)

This is a country that brings their drums to tennis tournaments (that is not an exaggeration – at the Davis Cup match between the US and ČR the drummers were out in force). The real shame is that the US television audience has no idea what they’re missing, and the Czechs are missing a chance to show the rest of the world how things are done here.

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Episode 28: The Invisible Hand

Our story so far: There’s a thing that people want. Or maybe it’s a pile of things. Fact is, no one seems to know what the thing is, but it’s big. Big enough to kill for. Big enough to die for. Meredith Baxter just made that choice right in front of Charlie’s eyes. Whatever the thing is, Charles Lowell does not have it, and he really isn’t that interested in having it. That’s what makes him a valuable ally. Now several factions are banking on Lowell to bring them the goods, and he’s not going to be able to please all of them. There is a painting which contains clues as to the location of the treasure, and now Lowell has has the painting – or a least he has a box that everyone assumes contains the painting. He is trapped at the end of a pier after a gangland shootout, and who should turn up but his faithful and plucky assistant Alice…

To read the entire story from the beginning click here. It starts out quite silly, but then settles down. This is all written in brain-dump style, so you get what you paid for it.

From the far end of the pier, the end connected to land and to safety, a search light erupted. At this distance the beam was muted by the fog into a dull glow, and I knew that it was doing little more than lighting up the fog. We were safe for a few more moments.

“You have a boat?” I asked.

“Of course. Come on.” Alice gestured with her gun but didn’t put it away. She hesitated. “What do you think the distance is to that searchlight?”

“You’re thinking about shooting it?”

“It would buy us time.”

It seemed there was a lot I didn’t know about Alice, but there are limits. She was not going to hit her target with her 9mm pistol when she didn’t even know the range. “Yeah, they’ll hold back and send bullets instead. A lot of bullets.”

She nodded. “This way,” she said. I followed to another cold metal ladder vanishing over the edge of the pier. “You first.”

Once more I negotiated a ladder with the package wedged in my sling. At the bottom was a dinghy, deceptively still in the water until I tried to put my foot into it. It swung around and I almost wound up in the drink. If I fell in, which would Alice rescue first, me or the package? I chuckled at my own naivety.

Right then, I might have been able to destroy the painting. Sea water certainly couldn’t have been good for it. I could have taken a dive, gone deep, and cracked open the box. I didn’t.

I pulled the dinghy closer with my foot and managed to fall into it without capsizing it. “What the hell are you doing down there?” Alice hissed.

“I never got the seamanship merit badge,” I grumbled back.

She responded by snapping off four quick shots with her pistol. A second later the spotlight went out and the cops opened up with their own arsenal. By then Alice was halfway down the ladder, her tight polka-dot skirt hiked up to her thighs. With my good arm I steadied the boat against the ladder as she stepped in. Yeah, she had gams all right. She pulled her dress back down with a little shimmy and fixed me with a glare more dangerous that any gun. “Some gentleman you are,” she said. Her anger evaporated and she turned away, suddenly shy. Then just as fast she was all business. “Looks like I’m rowing,” she said. I will never understand dames.

Bullets cracked and snapped throught the air over our heads, digging into the wood of the pier with dull thuds and smashing into the little shed. In the heavy air the reports from the guns seemed dull, like they were happening in someone else’s life. Alice began to row.

I sat in the back of the boat, facing her. She wore a dark number with white polka-dots that seemed to glow on their own in the low light. The pale skin of her arms disappeared into dark gloves which hardly seemed adequate for protecting her soft hands. Her strokes on the oars were smooth and what she lacked in strength she made up for in skill. Occasionally a light would penetrate the pea soup around us and I could tell that we were making good time; the tide was sweeping us right along.

Her hands were full; I had a gun. We both knew that, so there was no need to pull it out.

“Fancy meeting you here,” I said.

She hesitated for a fraction on the oars, then began pulling again. “Does it have to be now?” she asked.

“You lied to me, Alice.”

“No!” She controlled her voice. “Only about small things.”

“You brought Cello to the pier tonight.”

“Yes.”

“And now Meredith is dead.”

“I didn’t think—”

“Think what?”

“I thought she’d handle it better.”

“Better, huh? Perhaps kill me instead, for selling her out.”

Alice stopped rowing and put her face in her hands. “It was Cello I wanted dead. Sooner or later he was going to kill you. And… I wanted her to take the fall.”

“You got your wish.”

Her sobs were getting louder. “You made me your partner, Charlie. You can’t imagine what that meant to me. You made me your partner.”

“Who do you work for?”

“You.”

“Who else?”

“No one. Not any more.” She took up the oars and began to row again. The splashing as the oars lifted from the water was the only sound for a while. A breeze kissed my cheek; the fog would break up soon. Alice looked tired. She spoke between strokes. “Before… I worked for Vittorio Fanutti. My father.”

That was a dot I wasn’t ready to connect. The eels had barely started on Vic’s carcass when she came to work for me, for peanuts on a good day. And somehow her stepmother had come to me. I’d been on this case much longer than I had realized. Alice had singled me out. I tried to feel fortunate.

“Meredith didn’t know, did she?”

“Of course not. That bitch was ruthless.”

High praise coming from this girl. In the wash of shock one thing became clear. “You good with a rifle?” I asked.

“I prefer low-calibre, high-velocity,” she said.

“I guess I owe you one, then.”

“No,” she said. She smiled and in the dimness I saw the dark gap where her front tooth should have been. “We’re partners.”

Tune in next time for: Clear as Mud!

Curse of the High Bar

Thought I’d do a little stream-of-consciousness detective writing this afternoon. It’s been a while, and I miss Charlie and the rest of the cast of Feeding the Eels. Of course, I have no memory of where things left off, so I went back and read the last three episodes. And there’s a bit of a problem.

See, there are parts of those episodes that are actually pretty darn good. Considering the rules I’ve set for myself as far as just spewing out the story, this next episode is sure to be a letdown. That’s the way it goes, I guess. By the time you read this we will all know how well I did. Hopefully this little sorry-in-advance will allow me to kick back and produce some raw spewage.

Dear Mr. Obama

I can dance you into the ground. Seriously. I think there might have been a time in your life when you could let go and allow the music to move you, but that was before politics. Take heart knowing that you are the only candidate worthy of my challenge.

You. Me. Loud music. I will shame you.

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The Descent

I have read the first 4 chapters and a bit of the fifth in the novel The Descent, by Jeff Long. Some among you might contend that one should read the entire book before writing a review, but to that I say, “fiddlesticks!” If the fist hundred pages give you plenty to talk about, why wait? The following is in the style of a real-time blog I might have been writing as I read the beginning of this book. My memory of my impressions as I read the first few chapters is unusually clear, however I feel I must write this review before going on with the story, lest I forget.

Edited to add: apparently the reading public (all one person who has mentioned it to me) has gotten the idea that I’m really not enjoying this book. There are a couple of times near the beginning that nearly lost me, but then something really cool happens and all is forgiven. I think now that the characters are introduced things will just be getting better.

Pseudo-LiveBlogging Descent’s first 4.2 chapters:

Acknowledgments

Every kid who aspires to be a writer should read this. A lot of people worked very hard on this book, including a nameless copy editor. It is apparent that the author also worked hard, devoting himself to research on many different subjects. This book was not the product of some guy simply sitting in front of a keyboard and making the magic happen.

We’re off to a good start; I have already developed a personal attachment to the author.

Chapter 1

We have a group of tourists trapped in a cave somewhere in the bumpiest part of Tibet. Nice.

WTF??? we just had our first dramatic moment of the book, and it was totally contrived. I’m willing to suspend disbelief for almost any situation, but when people stop acting like people, that’s it, I’m done. They’re in a cave, in the pitch black, and only now someone thinks to turn on a light? Pleeeeeeease. So the big moment is ruined by a ridiculous and ultimately unnecessary need on the part of the author to have a Big Surprise.

It’s three days later now, and I’m picking the book back up. Despite the disappointment on the third page, I suspect I’m going to like this story. Onward, then, with chapter one. The thing revealed by the lights is pretty damn amazing, marred only by someone identifying an object as “solid gold” based on a glimpse of color beneath a coating of grime. Another silly detail that ultimately is not needed for the plot. But the thing itself, there in the cave, it’s pretty intense.

You know what I could use about now? Another page or two of backstory. You can’t overdo the backstory.

All right! Ike and his business partner/sweetie seem to be patching up some backstory relationship problems. It’s too easy. These two are going to be fighting for the whole damn book. Now they have to find another way out of the caves.

Sweet holy crap. I was undecided about this book until now. As chapter one closes, we learn just what Jeff Long is capable of. It’s not the horror of the situation, it’s how Ike judges his own response to the horror. All the above criticism is forgiven.

Chapter 2

Another time, another place.

Nooooooooo! Not the mirror! The nun looks in the mirror and once again feels bad about being attractive. Ali took the mirror down for a while, then she put it back up – which I suspect is more a description of the author’s efforts to find another way to introduce her hotness. He wrote out the mirror then put it back in. Never mind that during the rest of the chapter there are plenty of times (especially during the extensive backstory) to present her hotness dramatically. From the mirror we learn two things: Ali’s a looker and she has long blonde hair. At the time, her attractiveness is irrelevant. The color of her hair could easily be introduced in a dozen other places, and the length is incongruous with the local heat and available hygiene. Easy to mention. But the author wanted us to know right away that Ali was one smokin’ nun.

Like there’s been a nun in modern literature who wasn’t temptation personified. Goes without saying.

Ooo! The intriguing native girl has given Ali a good luck charm. I will be sooo surprised to learn that it’s made from human skin.

The nun was a rising star in the church, but she stepped out of line at the wrong time. When she was relocated to the butthole of Africa, she went. Sometimes critical, but always loyal. She has given her life to the church and she will not be asking to have it returned.

But… things are getting interesting. The locals, and the girl (reputed to be a witch) in particular, seem to know a deep, dark secret. Perhaps they’ve been trying to tell Ali about it all along, but she hasn’t been willing to open her mind enough to hear them. There aren’t any obvious connections with the incidents in the cave that we can decipher, but it’s pretty clear that something big is going on. I want to know more.

Yep… It’s human skin. I lied before; I’m not surprised at all.

Chapter 3

Bosnia. Rain. War crimes investigators. Branch is a career military guy who on that night accidentally lets his principles do the talking. He winds up flying an attack helicopter to investigate a strange occurrence. His commanding officer is not happy. Not at all. The colonel had put his foot down and Branch undermined his authority. A promising career just crashed against one man’s morals. This isn’t going to come out well.

OK, the other guy in the helicopter has never seen his newborn son. Why don’t we just paint a bulls-eye on him?

Holy smoke. Let’s just leave the chapter at that. Holy frickin smoke. Although the rockets don’t really make sense. But I’ll tell you this: I like the helicopter pilot, and I think these events are going to mess him up. I really care what happens to this guy. Like Ike in chapter one, Branch was faced with a choice between survival and compassion. He made a different choice. I think that’s going to matter down the road.

Chapter 4

Our fourth point of view. We have a vatican scientist named Thomas investigating some ancienter-than-ancient ruins that were accidentally exposed. The vatican is quite adamant that the ruins be hidden away again, but Thomas wants a look first. He has an old friend who has seen the site, who has said some interesting things about a carving there, a face depicted in the ruins that seems to be actively preventing the church scientist from seeing it.

It’s funny when there are characters who have no reason to suspect foul play, but we readers all know bad shit is going to happen. Hell, it’s chapter four, and people have died in nasty ways in all the previous chapters. “Huh,” says one of the scientists. “The security guard must be off drinking.” Of course we know the security guard has died terribly, and we want to shout at the characters, “don’t you see?” But of course they don’t see. Why would they?

Thomas is a pretty good guy. You can feel his quiet confidence and the internal consistency of his character. His presence is intimidating to those who feel themselves lacking.

This chapter ends with a horrific revelation. What do you know? I like the church scientist, and with him came a couple of other characters that might prove interesting. We have met the intellect of our inevitable party of discovery (although the nun was also pretty damn smart).

Chapter 5

Oh please oh please oh please don’t introduce another character. I’m looking at the book sitting on the table in front of me and I know another character would be more than I can handle. It’s not like I can’t keep track of five people, it’s that we have four completely different vectors toward the truth in this story, and that’s plenty. Also, some of the folks in the previous chapters were in pretty deep doodoo, and I’m anxious to hear back from them.

It has been pointed out to me that an odd-numbered group good for storytelling – it is always imbalanced, and can be imbalanced between different subsets of the group over different issues at the same time. We’ve got four characters right now, and that’s enough. A couple of these introductions were brutal enough to last me for a while.

I get the feeling that each character is crafted to represent a particular facet of humanity. Ali is compassionate, Thomas is intellectual, and so forth. One of the guys will get the hot nun, but at first it will be the wrong one.

Chapter 5 underway. We’re back with Branch, the helicopter pilot, and yes he’s messed up. Spooky messed up. The burn scars are competing with the scars from cuts and trauma; he’s still carrying a fair amount of metal around with him, as well as some medical equipment he absorbed while healing. His recovery was not normal. Now he’s back in Bosnia.

And that’s as far as I’ve gotten. There have been a couple of close calls where I put the book down and almost didn’t pick it back up again, but I’m hooked now. There will be a convergence, and the group will combine weaknesses as well as strengths.

I did not mention above the style of the writer, and to be honest, I never thought about it much. That’s a good thing. His voice is clear and doesn’t get in the way of the story. If I discover anything else over the next 450 pages I’ll let you know.

Note: if you use the above link to buy this book (or a Kindle, or a new car), I get a kickback.

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In Need of a Subject Matter Expert

I’m writing a story right now, and it requires that I know many things I don’t actually know. For instance, I know frightening little about the native cultures that were on the east coast when the europeans first started arriving. Names! I need names, at least. The exact tribe is not so important, I can hand-wave around that, although the Seminoles or another tribe in Florida would be the most historically accurate but not very convenient for the unfolding of my story.

I do pledge, however, to NOT perpetuate the “Jamestown is America’s oldest city” myth. Have I ranted about that on these pages yet?

Anyway, I could use some advice about an east-coast tribe that greeted some of the first settlers, and what names they might have used (transliterated is acceptable, maybe preferable). Other details, like how they got along with their neighbors, their architecture, and diet would be extra-awesome.

Less important, I have some physical chemistry hand-waving that, while believable, could be better – more clever.

It’s a fun story to write, but as it progresses I suspect I won’t be hitting it out of the park with this one. I’ll settle for a solid base hit, however. Any offers of help either email me directly or leave a comment. I look forward to hearing from you!