I got a text message from fuego, leaping wide oceans in a single bound. “Pirates script due Jan. 8.”
I assume he is not referring to the script we have already written, as, well, a deadline in the future would not be very noteworthy. Unless it’s a Pirates script that includes the ad-libs and other changes made during the shooting, that are not reflected in the master document. That might be it, but what would the point of such a script be?
No, I’m guessing that for some reason we need a new Pirates script, of unknown length (probably significantly longer), for an unknown audience, for an unknown purpose, and for some reason the window of opportunity closes on January 8th.
A good guess is that we need something for a feature-length movie or a television pilot. I hadn’t considered how different those two things can be until tonight as I sat down and started thinking through an outline of the plot. For a TV pilot you need to establish the style that the series will adopt, which limits you to styles that work in smaller chunks and won’t confuse first-time viewers. That means you can’t get too carried away with nonlinear structures and other devices that take time to build. Also, a pilot defines the main issues the characters will face, whereas a movie resolves them.
Getting a polished work of that size done in a month will be a big, big, challenge. We’re with Unlikely on Impossible’s front porch, and we’re ringing the doorbell.
Hopefully by the time I can get this posted I will already have the answers, but right now I’m anxious to start working. If only I knew what to work on.
Post Script: It’s all cool now. I’m a little rusty with english, apparently – I didn’t recognize “jan” as an abbreviation for “June”
