Weeks have passed since our first tentative shoot dates slid past, but at last the big day approaches. The big day underwent one last unexpected lurch when the DOP was confused about the days, and the Friday shoot was abruptly shifted to Sunday. This caused some scrambling and we lost our makeup person in the shuffle, and we still don’t have a script supervisor and the free jukebox is not available, but other than that things worked out well, especially with the camera.
Wednesday night we met with Rene Trossman, who will play Old Ray Black, a blues musician. Rene has only one line, but some heavy musical responsibilities. He’d been reluctant to commit to the production, but when we met him before his gig things were congenial and he caught some of the excitement of the project. His keyboard player, Jan (rhymes with John), seemed especially excited. It was with a great feeling of relief that I woke up yesterday morning and wrote the first ten words of this episode. That was all I had time for.
Thursday was a productive day as well, starting with a meeting at Slavia Café (reputed to have been a hangout for Havel and his buddies before the revolution). The presence of a baby increased the time the meeting took by a factor of five, but we figured out most of the things we needed to figure out. The exception was our focus puller: it turns out George Lucas made us lose the guy who was going to do it for us (for cheap), and we’re still searching for a replacement. The first day we may be able to get by without one (which is good considering the rates these guys are asking); the biggest shots are using steadycam, freeing up our DOP to work focus. (We have a different guy as steadycam operator). Maybe an all-steadycam production?
The other glitch we face is that we will have limited time in the Sunday location. The key to getting in and out in time is preparation, and fortunately fuego makes a living doing that. After we’re booted from U Sudu we will get some shots of our two guys passing through the cobbled streets of the city center, dodging tourists and eventually finding themselves in a deserted lane.
After the meeting I parted ways with the rest and found a comfortable place to sit and mark up the most recent version of the script. Happily, there was nothing I felt the need to tweak that will have much effect on the shooting of the scenes. I need to read over my markups this morning and see how they sound after a few hours.
After that fuego and I met with Steve and we scouted the passages and alleys of the city choosing the locations for the aforementioned exterior shots. We found enough places to make the travel sequence work, and happily enough of them were close together so we can get the shots efficiently.
Once all that was done it was time for my first outdoor beer of the year. The weather has been ourdoor-beeriffic for days now, but there was always something in the way, either health (I’ve had a cough for days now) or just too much to do. The three of us repaired to a park in Å½iÅ¾kov with a large garden.
It was packed. Just next door was a slightly more upscale spot with a much smaller garden but without the long lines of people waiting for beers. A much better choice; who wants an outdoor beer to be a hassle? It goes contrary to the who ethos of it.
Only one bar and then home for some food, a bit of writing, then an early bedtime. And now here it is, bright and early on Friday, one day before the shoot. fuego here, and Lenka will stop by in an hour