TFNIWLNW Reality check

While I remind myself that I am writing for myself and no one else, it’s been a while since the sweet-o-meter has been clicked for an episode of TFNIWLNW, and the comments have dried up, and as far as I can tell no one has shared links to the episodes with anyone else. So at this point I suspect that I’m writing for only me.

Through other channels a couple of folks have said they’re enjoying it, and I am Really Stoked about the upcoming episode (we get to see what the Soul Thieves are capable of), and overall that’s what matters.

But, if you like it, it wouldn’t hurt my feelings if you were to let me know. You’d even make my day if you mentioned what parts you like, and even what you don’t. And if someone else says something you don’t agree with, a little brush fire can be fun, too. Doesn’t mean I’ll change (that would imply a better plan than I have anyway), but I’d still like to hear from y’all.

And I’m not going to get that movie deal if people never see it. So pass it around. I’ll be adding previous/next links to the episodes to make the story easier to follow, and I think I’ll be adding more about the process in comments from here out to provide another layer of entertainment. But I’d really like it to be a discussion, rather than me going blah, blah, blah.

I think I may have discouraged discussion with my rather absolute pronouncements about back story and exposition in previous comments. Um… sorry? To make up for it, I think I’ll sneak in a backstory episode for Katherine and another for Martin — or maybe for his dark-bladed knife. That little piece of cutlery has a story to tell for sure.


The Class Action Channel

Sometime back in the dark ages a friend came back from Japan and said, “They have a TV channel there that is only advertising! People tune in just to watch ads!”

I was befuddled. In the United States, that tradition was, back then, reserved for the Super Bowl. (Hm… maybe not even then. This was before 1984.)

Now of course we have QVC, an enormously successful company that has television channels devoted simply to advertising. And people watch.

But that’s product advertising. Unscientifically, I thing half the ads I blip past fall into two categories: new medical therapies (mostly drugs), and law firms suing companies for the side effects of the new medical therapies.

With all those dollars being spent, and the country getting older and frankly more cranky, doesn’t it make sense to have the Class Action Channel? “Call in the next fifteen minutes to get in on the ground floor of this major lawsuit! Lyon and Lyin’ have a proven history of corporate blackmail, but you only benefit if you sign up before the settlement. And for the next five minutes we’ll add a bonus Lyon and Lyin’ mouse pad, even if you’re not qualified for the settlement!”

It’s gonna happen.

Expanding my Footprint

avatarMy experiment over at Tsū is going pretty well, but that platform is not as text-friendly as I’d like it to be for sharing my writing. I’ve started an account at 3tags, a profit-sharing blogging platform, to house Jerry the Writer, while at Tsū I will be Jerry the Photographer. I will of course always be Jerry the Muddled Rambler right here.

3tags may become home to a more-polished version of TFNIWLNW, but first I have to come up with an actual title. Right now all the ones I come up with are too generic (“The Soul Thieves”) or too glib (“Stabbin’ the Soul Thieves”). Hopefully I can come up with something soon. The rough-draft version of TFNIWLNW will continue to accumulate here. (There’s about 1.8 episodes in the hopper as I type this.)

I have no evidence to back this up, but I think keeping identities focussed will be more follower-friendly. I’m not sure 3tags is the right platform for me simply because there aren’t very many people there – I was able to grab the user name “Jerry” — so building a following will be a long and slow process. One thing that helps is that 3tags makes it easier to announce new posts on Facebook and twitter.

When people read my stories there, I get paid! If you accept the following invitation and then you create things people like, you get paid (and, since I invited you, I get paid a little, too).

Currently only a handful of people over there will see my stuff based on the tags, so I really hope folks like you will click the links on Twitter and Facebook to see my words. This means I’ll finally have to figure out Twitter, I suppose.

Here’s my invite link if you’d like to check out 3tags — it seems like a pretty capable blogging platform, and I hope they hit critical mass. Heck, if you’re gonna blog, you may as well get paid for it, right?

Writing for Social Media

It used to be that here at Muddled Ramblings I would just develop ideas at my own pace and trust my readers to hang with me for a few sentences to let things get going (there is actually no evidence that they did that, but I like to believe). Lately I’ve become (perhaps detrimentally) aware that most of my audience is only presented the first couple hundred characters of my ramble before they are presented with a go/no-go decision.

I’m a little bit embarrassed to say that it has changed the way I open my episodes here at MR&HBI. I’m fishin’ for the hook.

Last night as I posted episode one of TFNIWLNW to a new social media platform, I was compelled to add a little preface. The thing is, in all these platforms, what shows to the casual feed-grazer* is only a couple of sentences. TFNIWLNW starts with sexual assault. So, aware that said assault is going unhindered for the first 250 characters of the story, I decided to graft on a little intro with two goals: tell readers that the asshole’s gonna die before we learn what the asshole’s doing, and to introduce the audience to the narrator’s voice. I’m pretty sure I had only a partial success, but you’re welcome to tell me I’m wrong.

Then, not knowing the culture on this new Social Media site, I put in a little parental warning that also used a pretty sweet metaphor and accelerated the understanding that our narrator is, in some fundamental ways, not a nice guy. From a literary point of view the extra words serve a good purpose. From a “goddammit tell me a tale” standpoint they come off as masturbation.

Writers have always needed to put a hook at the start of a story, but the hook now has to catch in the first few words. I’m pretty sure I unhooked TFNIWLW:1 in an attempt to fix it. But if I’m going to keep it up over there, i’ll have to be very careful with the first 70 words of each episode. Maybe that’s a good thing. A book where every scene starts with a hook is the kind of thing about which reviewers say “I could not put down.”
* I am a little bit proud of the phrase feed-grazer, so please don’t tell me how many times you’ve heard it before.

TFNIWLNW on tsū?

I’ve been pondering how to make it easier for people not interested in this blog per se to follow my serial fiction projects, without all the other blog stuff and without my commentary.

I’ve also been curious about a new social media thing called tsū, which shares ad revenue with its users. Get a lot of clicks, get a wee bit of cash. So if I were to publish things there that lots of people liked and shared, it would be cool.

As far as I can tell, tsū is really not suited for serial fiction, or even posts of more than a paragraph or two. It may be completely impossible for people who stumble across Episode 3 to find Episode 1. But maybe, just maybe, it’s a growing platform that would embrace words as well as pictures and memes and whatever the kids are posting up these days.

More likely, I’ll have to find a different platform. But it’s worth a shot.

I’ll keep posting TFNIWLNW here, so don’t fret, kids, you need do nothing to continue to enjoy the upcoming twists and turns, and maybe even a plot. Maybe. But if you’d like to check out what this tsū thing is all about, click this link and you can join up as my personal guest. Or just sign sign up and when they ask you who invited you, use the code ‘vikingjs’.

Tugging the Heart-Strings

TV playing silently in front of me, showing an ad with a kid, maybe twelve years old, on the baseball diamond throwing out the ceremonial first pitch at a big-league ballgame. The kid did a pretty good job, a little low and outside, but with some zip. The catcher scooped it out of the dirt and held it up the way catchers do to show the umpire they have it. Then the catcher took off his mask and the kid lost his shit. It was his dad, back from military service overseas. Joy ensued.

I have no idea what that ad was selling. I wish I did, because if it isn’t shitty beer, I’d buy some.

Ripoffs are Relative

Most days on my way to work I pass a Shell station that advertises a price per gallon almost a full dollar over the going rate. These days, that’s almost a 50% markup. When I pass in the early-rush-hour morning, there is almost never anyone filling up there.

Across the street is a Chevron station which charges twenty cents less per gallon. That’s still a huge markup over the average price in the area, but I do see people filling up there. The price looks pretty good when compared to the Shell station.

Which makes me wonder…

What if the Shell station was only keeping a token amount of gas in its reservoirs for the occasional blind idiot customer, and the owners of the two stations split the profit on the sighted idiots who purchase the slightly-less-outrageously-priced fuel at the Chevron?