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><channel><title>Muddled Ramblings and Half-Baked Ideas &#187; Stories</title> <atom:link href="http://muddledramblings.com/category/stories/feed/" rel="self" type="application/rss+xml" /><link>http://muddledramblings.com</link> <description>A blog about a geek trying to make a living as a writer</description> <lastBuildDate>Sun, 05 Feb 2012 19:57:11 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator><itunes:summary>A blog about a geek trying to make a living as a writer</itunes:summary> <itunes:author>Jerry Seeger</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:image href="http://s3.amazonaws.com/muddlebucket/wp-content/uploads/iTunes/iTunes_img.jpg" /> <itunes:owner> <itunes:name>Jerry Seeger</itunes:name> <itunes:email>vikingjs+tunes@mac.com</itunes:email> </itunes:owner> <managingEditor>vikingjs+tunes@mac.com (Jerry Seeger)</managingEditor> <itunes:subtitle>A blog about a geek trying to make a living as a writer</itunes:subtitle> <itunes:keywords>short story, spoken</itunes:keywords> <image><title>Muddled Ramblings and Half-Baked Ideas &#187; Stories</title> <url>http://muddledramblings.com/wp-content/plugins/powerpress/rss_default.jpg</url><link>http://muddledramblings.com/category/stories/</link> </image> <itunes:category text="Arts"> <itunes:category text="Literature" /> </itunes:category> <item><title>The Secret Life of Sporks</title><link>http://muddledramblings.com/stories/the-secret-life-of-sporks/</link> <comments>http://muddledramblings.com/stories/the-secret-life-of-sporks/#comments</comments> <pubDate>Fri, 27 Jan 2012 03:25:20 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[spork]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=10865</guid> <description><![CDATA[Because the world must know!]]></description> <content:encoded><![CDATA[<p>&#8220;Half-breed&#8221; they&#8217;re called, and far worse names. Not a true spoon, not a true fork, but some bastard hybrid from a 1950&#8242;s science fiction movie.</p><p>The only cutlery that&#8217;s always plastic. The only cutlery whose name isn&#8217;t also a verb. They are the sporks. A group so marginalized that my spelling checker suggests &#8216;sparks&#8217;.</p><p>They don&#8217;t have a place in the drawer, even though they replace two of the implements already there. They can lift soup to your mouth and they can hoist up a nice chunk of steak. It&#8217;s no wonder spoons and forks feel so threatened.</p><p>But perhaps you didn&#8217;t know this: Sporks are doing just fine, thankyouverymuch. They have their own culture, their own traditions, and they&#8217;re not pining for our acceptance. Recently I had the privilege of witnessing a Spork-out, a celebration of spork by sporks. While I agreed to not reveal the sacred rituals, I can relate a few impressions.</p><p>Presiding over all was the Elder Spork, coffee-stained and partially melted, bowing to confer his blessing on the gathered youth. How he laughed to the song, &#8220;whatcha gonna do with that one-inch tine, forky?&#8221;</p><p>The youth, so energetic and idealistic, chanting &#8220;we can do it all!&#8221;</p><p>The uproar when revolutionary Sporkicus suggested they adopt serrated edges and &#8220;bring down the knives.&#8221; What followed can only be called a riot.</p><p>There is more, so much more, but if I don&#8217;t want my heart to be slowly and inefficiently removed from my body I must stop now.</p> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/the-secret-life-of-sporks/feed/</wfw:commentRss> <slash:comments>6</slash:comments> </item> <item><title>Gravity</title><link>http://muddledramblings.com/stories/gravity/</link> <comments>http://muddledramblings.com/stories/gravity/#comments</comments> <pubDate>Fri, 16 Sep 2011 02:11:38 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[scribble]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=10305</guid> <description><![CDATA[I&#8217;ve been noodling with a little scene for a few days now, inspired by a line from a song I heard on the radio. Then yesterday I realized that it&#8217;s tangentially related to my august sibling&#8217;s writing challenge. That challenge is about writing kick-ass paragraphs that provide the details to make your point. This little [...]]]></description> <content:encoded><![CDATA[<p>I&#8217;ve been noodling with a little scene for a few days now, inspired by a line from a song I heard on the radio. Then yesterday I realized that it&#8217;s tangentially related to my <a
href="http://itsfiveoclocksomewhere.blogspot.com/2011/09/rhetoric-moment-well-developed-writing.html">august sibling&#8217;s writing challenge</a>. That challenge is about writing kick-ass paragraphs that provide the details to make your point. This little bit is more atmospheric and so (I claim) doesn&#8217;t work as well in the mighty-paragraph format, but the principle is still valid.</p><div
class="section"><p>The girl opened her eyes, and tried to remember the moment before. She couldn’t. It was as if she hadn’t existed. But she must have.</p><p><em>Heavy.</em> With an effort she lifted her head, then let if fall back; even lying still she could feel the pressure of the mattress beneath her. She flexed her shoulders, paused in confusion. She flexed again, pulling her shoulder blades together. Her skin moved against the coarse fabric beneath her. That didn’t seem right.</p><p>She struggled to focus her eyes, searching for anything familiar. She was in a structure of some sort, the smell sharp in her nose. Her bed was made of silvery-gray metal, the linens white and stiff. A curtain surrounded her bed, suspended from a track on the cieling. Outside the curtain she heard someone breathing, liquid and bubbly. A human, sick. This must be a hospital.</p><p>She, too was breathing.</p><p>Of course she was. If you don’t breathe you die. How could it be any other way?</p><p>She sat up, pushing with her arms agaist the pull of the Earth, still flexing her shoulder blades as if that would make a difference.</p><p>From outside the curtain came a clatter and footsteps. “Knock, knock,” a cheerful woman said, then a dark-skined arm pushed the curtain aside. The nurse wore loose green clothing. Her teeth shone white. “You’re awake,” she said.</p><p>“Yes.” Awake. She had been asleep before. She pulled air into her lungs.</p><p>The nurse stepped closer, put her warm hand on top of the girl’s cool one, where it lay on the sheet. “I’ll tell the doctor.”</p><p>“Something’s wrong,” the girl said.</p><p>The nurse’s smile grew even larger, her head tilted slightly, her sculpted eyebrows perfect arches over her soft dark eyes. “Don’t worry, honey. We’ll take care of you.”</p><p>“Thank you.” There was a window at the end of the room; outside the girl could see a parking lot bordered by trees. People walked across the pavement, cars trolled for spaces. She didn&#8217;t know how to drive. They all knew how to drive, every one of them, but not her. And she couldn&#8217;t tell them why. She was different. No one would understand. Better to not say anything.</p><p>Above all the sky arched blue, punctuated by drifting clouds. She was sure she’d never seen the clouds before, not like this, pulled by her own weight against the surface of the planet, looking up &#8211; always looking up.</p><p>A tear escaped from her eye and tracked down her cheek, pulled by cruel gravity.</p><p>But what else could it do?</p></div> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/gravity/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Who Writes Short Shorts?</title><link>http://muddledramblings.com/stories/who-writes-short-shorts/</link> <comments>http://muddledramblings.com/stories/who-writes-short-shorts/#comments</comments> <pubDate>Fri, 02 Sep 2011 22:16:27 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=10237</guid> <description><![CDATA[Esquire magazine is celebrating it&#8217;s 78th anniversary with a writing contest. The twist: every entry must be exactly 78 words. I&#8217;m pretty excited about the contest; back in the day I used to write 3-sentence bits when I was stuck, tiny snippets that were intended to capture a character, a setting, and a conflict in [...]]]></description> <content:encoded><![CDATA[<p>Esquire magazine is celebrating it&#8217;s 78th anniversary with a writing contest. The twist: every entry must be exactly 78 words. I&#8217;m pretty excited about the contest; back in the day I used to write 3-sentence bits when I was stuck, tiny snippets that were intended to capture a character, a setting, and a conflict in three sentences. Most of them sucked, of course.</p><p>I didn&#8217;t realize that most of those snippets are in an alpha version of Jer&#8217;s Novel Writer so old that the latest version won&#8217;t open them. I used to have an old version that I could use to rescue ancient files, so I&#8217;m not worried. For tonight, however, I contented myself with more modern efforts.</p><p>I think I can make a 78-word-something that doesn&#8217;t suck too bad, but there&#8217;s a catch. On the <a
href="http://www.esquire.com/fiction/short-short-fiction-contest-2011">contest page</a> they give an example. They seem to think it&#8217;s good. I don&#8217;t. At all. So I&#8217;m not sure the judges and I see things the same way. I&#8217;m going to enter anyway, and <strong>so should you</strong>! I mean, why not?</p><p>Meanwhile, here are drafts of my two candidates (until I bother going back and opening my most-ancient files). One is a condensation of a 600-word scrap I dug up. The challenge is to get a little atmosphere in there and get the buildup of the longer piece in fewer words. I think the payload need to be more condensed in this version &#8211; it has to be two sharp smacks of a hammer, <em>bam! bam!</em>. Not there yet. The other starts with a phrase my third-favorite-of-all-time bartender once said (the phrase, in fact, that earned her that stature), in Louisville Kentucky. It&#8217;s autobiographical up to a point.</p><div
class="section"><p>Me on my stool, Ray on his. The game ended. “Every eighteen minutes&#8230;” the tv said before falling silent.</p><p>“Every eighteen minutes,” Ray said. Took a long drink. Wet rings on the bartop. “Every eighteen minutes a new star is formed.”</p><p>“You’re making that up.”</p><p>He shrugged. “Every eighteen minutes a girl leaves her family for the promise of an easy life and free drugs.” He put down his empty bottle. “Every eighteen minutes I have another beer.”</p></div><div
class="section"><p>“I may be smilin’, but it’s fake.” Heather looked at me almost apologetically as she brought us our beers. She paused. The bar was full of people fresh from the Derby, drunk as lords and money losers on top of that. An angry bar. Funny Cide? Who the hell would pick Funny Cide? Beside me and Art.</p><p>“That’s all right, darlin’.” Ever the gentleman, Art. “If someone troubles you I’ll kill him.”</p><p>Heather laughed, a little. I didn’t.</p></div> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/who-writes-short-shorts/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Wrote a Good Scene this Week</title><link>http://muddledramblings.com/stories/wrote-a-good-scene-this-week/</link> <comments>http://muddledramblings.com/stories/wrote-a-good-scene-this-week/#comments</comments> <pubDate>Fri, 26 Aug 2011 20:19:49 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[Munchies]]></category> <category><![CDATA[novel]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=10195</guid> <description><![CDATA[Noteworthy because it hasn't happened too often lately.]]></description> <content:encoded><![CDATA[<p>It&#8217;s a delicate moment, as Agatha and Deek try to forge a working relationship that doesn&#8217;t lead to them killing each other. Deek&#8217;s not that good at delicate moments (to put it delicately), and he would much rather discuss bears. Agatha is annoyed, and Deek barely escapes with his life.</p><p>I&#8217;m trying not to fall into the &#8220;I hate you so much I must like you&#8221; trap with these two, but its steel jaws are open and waiting for my careless step. It&#8217;s a fun formula, dating back to the dawn of courtship, so it&#8217;s not inherently evil. It&#8217;s just&#8230; not this story.</p><p>So here&#8217;s a fragment of the scene. There are some other bits in the scene I was tempted to share, but this part stands on its own pretty well and isn&#8217;t too long. It&#8217;s a little bit edited because Agatha&#8217;s physiological reactions would be distracting without the context that came before. She&#8217;s not human, after all.</p><div
class="section"><p>Agatha leaned back and studied Deek as he returned to his pancakes. “You seem very blasé about it.”</p><p>“About&#8230;?”</p><p>“About my people hunting and killing you.”</p><p>“Oh.” Deek scratched his head. “I dunno. I’m not pissed off at bears.”</p><p>“Bears?”</p><p>“Yeah. Bears eat people, right?” He swirled a slice of his pancake stack in the lake of syrup on his plate.</p><p>“Bears are stupid animals. We are far more dangerous than bears.”</p><p>“You ever fought a bear?”</p><p>“No, but—”</p><p>“There you go, then.” He gestured to show the argument was closed. “You call yourself some kind of badass bear slayer, but when it comes time—”</p><p>“Deek, I could kick a bear’s ass with one hand tied behind my back.”</p><p>Deek smiled. “Uh, huh.”</p><p>“I could.”</p><p>“You wanna go to the zoo and prove it?”</p><p>“I— no! What the hell are we talking about bears for, anyway? Who gives a shit about bears?” Agatha looked up to see the waitress standing over their table, holding a steaming pot of coffee. The woman’s lined face was set in a frown as she glared over her reading glasses at Agatha.</p><p>Deek positioned his cup for a refill. “Apparently she doesn’t like bears,” he said, his eyes arched in an apologetic shrug. “I happen to think they’re all right.”</p><p>The waitress threw him a ghost of a smile. “Am I in the presence of another bear afficianado?” he asked.</p><p>“Bears are all right,” the waitress said. She filled his cup but didn’t seem to notice Agatha’s. She left on squeaky shoes to visit the next table.</p><p>“I can’t believe you don’t like bears,” Deek said.</p><p>Agatha pressed her palms against the cool formica. “Deek. If you say that word one more time—”</p><p>“Bear?”</p><p>“Yes. Bear. If you say ‘bear’ one more time, I will kill you. Not just the metaphorical kill or the hyperbolic ‘kill’ people generally use at times like this, but I will really, truly kill you. Do you understand?”</p><p>Deek raised his hands in surrender. “All right, all right. You’ve got some kind of aggro thing about&#8230; animals that shit in the woods. No need to get all bent out of shape.”</p></div><p>I don&#8217;t think I&#8217;m giving away too much to say that Deek says the forbidden word one more time.</p> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/wrote-a-good-scene-this-week/feed/</wfw:commentRss> <slash:comments>6</slash:comments> </item> <item><title>Feedback for God&#8217;s Entry in the Hyperspace Open</title><link>http://muddledramblings.com/stories/feedback-for-gods-entry-in-the-hyperspace-open/</link> <comments>http://muddledramblings.com/stories/feedback-for-gods-entry-in-the-hyperspace-open/#comments</comments> <pubDate>Sun, 03 Apr 2011 20:38:45 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[cyberspace open]]></category> <category><![CDATA[satire]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=9656</guid> <description><![CDATA[Who would presume to judge me?]]></description> <content:encoded><![CDATA[<blockquote><p>Score:<br
/> Structure: 21<br
/> Life Forms: 16<br
/> Style: 21<br
/> Originality: 23<br
/> Total score: 81</p><p>A very interesting universe. Your concepts of &#8216;gravity&#8217; and &#8216;light&#8217; really added a fresh twist to the old Big Bang style of universe. Generally universes unfold better without direct intervention from the creator, but in this case the miracles are done with a delicate touch and seem to work. But to what purpose? To create a whole &#8216;planet&#8217; full of beings that seem to serve no purpose other than to slaughter each other comes off as cruel. The ending feels anticlimatic, with the entire universe slowly dispersing into nothingness. Increasing the &#8216;gravitational constant&#8217; so the universe collapses back into itself at the end would have provided a good feeling of closure.</p></blockquote><p>Holy Hell what does it take to get a competent judge around here? Were they even looking at the same universe?</p><p>Cruel? I guarantee that no one else in this contest came up with a natural order that gave rise to an intelligence like that. Their struggle to overcome their animal instincts is <em>the whole point</em>. I don&#8217;t know how I could have made that any more obvious. <em>How could the judges not get that?</em></p><p>And not everyone wants their universe to end with an explosion. I mean, come on, aren&#8217;t we tired of that by now? As the energy-people fade away one by one, until the last intelligence in the universe drifts into a dreamless sleep — that&#8217;s gold right there. Or maybe they thought that was cruel, too.</p><p>I&#8217;d like to see any of these so-called judges make a universe even half as good at this one. I guess I should have known what to expect, though; after all if they were as talented as <em>I</em> am they wouldn&#8217;t need a job judging a contest.</p><p>My universe is perfect! Flawless! I mean, for starters, just look at the way the physical laws work together. <em>All my friends agree with me!</em> Anyone who can&#8217;t see that is obviously not worthy to view my masterpiece in the first place.</p> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/feedback-for-gods-entry-in-the-hyperspace-open/feed/</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>Cyberspace Open Spring 2011: Scooter&#8217;s Balls</title><link>http://muddledramblings.com/stories/cyberspace-open-spring-2011-scooters-balls/</link> <comments>http://muddledramblings.com/stories/cyberspace-open-spring-2011-scooters-balls/#comments</comments> <pubDate>Mon, 21 Feb 2011 17:30:46 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[contest]]></category> <category><![CDATA[cyberspace open]]></category> <category><![CDATA[excerpt]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=9528</guid> <description><![CDATA[As usual, I&#8217;m posting the work I entered in this iteration of the Cyberspace Open. This time around my process was a little different &#8212; not by design, but by sloth. In the past I&#8217;ve tried to spend the first day playing with several ideas that touch on the prompt in very different ways, then [...]]]></description> <content:encoded><![CDATA[<p>As usual, I&#8217;m posting the work I entered in this iteration of the <a
href="http://cyberspaceopen.com">Cyberspace Open</a>. This time around my process was a little different &mdash; not by design, but by sloth. In the past I&#8217;ve tried to spend the first day playing with several ideas that touch on <a
href="http://muddledramblings.com/writing/cyberspace-open-2011-under-way">the prompt</a> in very different ways, then take my favorite rough draft and polish it on Sunday.</p><p>This year I mulled things over quite a bit on Saturday, but didn&#8217;t start typing until Sunday afternoon. I only ever came up with one idea, which my home consulting service improved dramatically.</p><p>I tried to follow my own advice and keep the scene dynamic and flowing; hopefully it&#8217;s not too confused. I thought over ways to sneak a little more of the broader story context into the scene, but in the end I just managed to work a few clues in. After that the as-you-know-Bobishness started to grate on me.</p><p>Anyway, without further ado, I bring you: Scooter&#8217;s Balls.</p><div
class="screenplay"><p
class="scene_slug">INT. LIVING ROOM &#8211; DAY</p><p
class="action">HELEN (28, pretty, several locks of hair escaping from her pony tail) jumps when the phone rings. She scans the disrupted living room and locates the phone on the couch.</p><p
class="action">SCOOTER (dog, big, a mix of Labrador Retriever, Rottweiler, and god knows what else) takes the play position and barks with excitement. Crossing to the couch Helen steps on a squeaky toy, which just excites him more.</p><p
class="character">HELEN</p><p
class="dialog">Hello?</p><p
class="character">JAKE (OVER PHONE)</p><p
class="parenthetical">(loud, agitated)</p><p
class="dialog">Helen?</p><p
class="character">HELEN</p><p
class="dialog">Jake! Where are you?</p><p
class="action">Scooter perks up at the mention of Jake&#8217;s name and watches the phone intently.</p><p
class="scene_slug">INTERCUT PHONE CONVERSATION</p><p
class="scene_slug">EXT. LAS VEGAS BACK STREET &#8211; DAY</p><p
class="action">JAKE (30, wiry, disheveled) is in his car, the convertible top down and obviously damaged. The windshield has a spider web of cracks centered in front of the passenger seat, where it appears someone&#8217;s forehead hit the glass very hard.</p><p
class="character">JAKE</p><p
class="dialog">I&#8230; better not say.</p><p
class="character">HELEN</p><p
class="dialog">Jake, what the hell is going on? The FBI was here, for Christ&#8217;s sake.</p><p
class="character">JAKE</p><p
class="dialog">Is Scooter there with you?</p><p
class="character">HELEN</p><p
class="dialog">Of course he&#8217;s &#8211;</p><p
class="character">JAKE</p><p
class="parenthetical">(shouting into the phone)</p><p
class="dialog">Hey! Scooter! How&#8217;s my buddy?</p><p
class="action">Jake whistles over the phone, low, high, then medium pitch. A prostitute leaning against a lamp post nearby looks up.</p><p
class="action">Scooter hears the whistle over the phone and goes ballistic, simultaneously running in circles and jumping into the air, barking madly. He slams into a coffee table but Helen drops the phone and catches the lamp before it hits the floor, then dives to recover the phone before Scooter can grab it. She puts it to her ear to hear Jake laughing.</p><p
class="character">JAKE (CONT&#8217;D)</p><p
class="dialog">That&#8217;s my boy!</p><p
class="character">HELEN</p><p
class="dialog">Jake, Mrs. Simms came by. Scooter&#8217;s been peeing on her stupid lawn gnomes again.</p><p
class="character">JAKE</p><p
class="dialog">He&#8217;s just marking his territory. That&#8217;s what dogs do.</p><p
class="action">The prostitute approaches Jake&#8217;s car, her cheap blonde wig askew. Twenty years of meth have taken their toll. Jake looks at the hooker, then back at the traffic light.</p><p
class="character">JAKE (CONT&#8217;D)</p><p
class="parenthetical">(under his breath)</p><p
class="dialog">Hurry up, hurry up&#8230;</p><p
class="character">HELEN</p><p
class="dialog">Yeah, well, she doesn&#8217;t like it.</p><p
class="character">JAKE</p><p
class="dialog">She should be glad. That means he&#8217;ll protect her yard too.</p><p
class="character">PROSTITUTE</p><p
class="dialog">Hi, honey. You want to have a little fun?</p><p
class="action">Jake looks back at the light. Still red. He shakes his head quickly and returns the phone to his ear.</p><p
class="character">HELEN</p><p
class="dialog">Oh, yeah, I&#8217;m sure she sleeps better at night knowing her urine-stained statuary is protected by Scooter&#8217;s unwavering vigilance.</p><p
class="action">The prostitute leans over Jake&#8217;s car door, showing withered cleavage.</p><p
class="character">PROSTITUTE</p><p
class="dialog">You know what you need? A blowjob.</p><p
class="action">The light has changed, but the car in front of him is not moving. Jake honks his horn.</p><p
class="character">HELEN</p><p
class="dialog">Listen, Jake &#8212; I made an appointment with the vet.</p><p
class="character">JAKE</p><p
class="dialog">What? Why?</p><p
class="character">HELEN</p><p
class="dialog">You know why. Maybe if he&#8217;s neutered he won&#8217;t be so much of a&#8230; problem.</p><p
class="character">JAKE</p><p
class="dialog">He&#8217;s not a problem, he&#8217;s a dog!</p><p
class="character">HELEN</p><p
class="dialog">We&#8217;re supposed to be a family now. How can we be a family if I can&#8217;t trust him?</p><p
class="character">JAKE</p><p
class="dialog">You can trust him, honey! Scooter would die for you!</p><p
class="action">The prostitute leans in even closer.</p><p
class="character">PROSTITUTE</p><p
class="dialog">Blow. Job.</p><p
class="character">HELEN</p><p
class="dialog">Who is that? Did someone say blowjob? Where are you?</p><p
class="action">Finally the car in front moves and Jake lurches forward in the convertible &#8212; about ten feet. The car in front of him stalls again.</p><p
class="character">JAKE</p><p
class="dialog">It&#8217;s no one! Jesus!</p><p
class="character">HELEN</p><p
class="dialog">What about when we have children? What&#8217;s he going to do then?</p><p
class="character">JAKE</p><p
class="dialog">Scooter loves kids!</p><p
class="character">HELEN</p><p
class="dialog">That doesn&#8217;t mean he should have any of his own.</p><p
class="action">The prostitute is back, standing by the car with a bony hip cocked, smiling with yellow teeth. Jake honks his horn. He puts his hand over the phone.</p><p
class="character">JAKE</p><p
class="dialog">Go away!</p><p
class="character">PROSTITUTE</p><p
class="parenthetical">(cackling)</p><p
class="dialog">Blow job!</p><p
class="character">HELEN</p><p
class="dialog">I heard that! Who&#8217;s there?</p><p
class="character">JAKE</p><p
class="dialog">I don&#8217;t know. Some crazy lady.</p><p
class="action">He takes the phone from his ear but doesn&#8217;t cover it.</p><p
class="character">JAKE (CONT&#8217;D)</p><p
class="dialog">Go away! Please!</p><p
class="parenthetical">(into phone)</p><p
class="dialog">Honey, that&#8217;s just how Scooter is.</p><p
class="character">HELEN</p><p
class="dialog">Well, that&#8217;s not good enough. He&#8217;s going to have to shape up if we&#8217;re going to have a family.</p><p
class="character">JAKE</p><p
class="dialog">He&#8217;ll be better. I swear. Give him a chance before you chop his balls off.</p><p
class="action">Scooter is up on the sofa now, pushing his head through the blinds, barking madly, coating the glass with slobber.</p><p
class="character">HELEN</p><p
class="dialog">I don&#8217;t &#8212; You hear that? I can&#8217;t take any more of this.</p><p
class="character">JAKE</p><p
class="dialog">Why&#8217;s he barking?</p><p
class="character">HELEN</p><p
class="dialog">Why is he ever barking? I don&#8217;t know.</p><p
class="action">She looks out the window.</p><p
class="character">HELEN (CONT&#8217;D)</p><p
class="dialog">Huh.</p><p
class="character">JAKE</p><p
class="dialog">What?</p><p
class="character">HELEN</p><p
class="dialog">It&#8217;s your friend with the limp. It looks like his nose is broken.</p><p
class="character">JAKE</p><p
class="dialog">Shit! Helen! Get out of the house! Go out the back RIGHT NOW. Take Scooter with you. Do it!</p><p
class="action">Helen is still looking out the window.</p><p
class="character">HELEN</p><p
class="dialog">Holy shit they have guns!</p><p
class="action">She turns and runs toward the back of the house.</p><p
class="character">HELEN (CONT&#8217;D)</p><p
class="dialog">Scooter! Come!</p><p
class="action">Scooter gallops after her, tongue flopping in the wind.</p><p
class="character">JAKE</p><p
class="dialog">Helen!</p><p
class="character">HELEN</p><p
class="dialog">What?! What else have you done? Set the house on fire?</p><p
class="character">JAKE</p><p
class="dialog">I love you.</p><p
class="action">She hesitates a moment.</p><p
class="character">HELEN</p><p
class="dialog">I love you too. And&#8230; I have something to tell you, so get home safe, OK?</p><p
class="action">Helen throws down the phone and dashes out the back door.</p><p
class="action">Jake flips his phone closed. A horn honks. He&#8217;s blocking traffic. He hits the gas but just then the light turns red. He pounds his head on the steering wheel.</p><p
class="character">PROSTITUTE</p><p
class="dialog">So they gonna chop his balls off or not?</p></div><p></p> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/cyberspace-open-spring-2011-scooters-balls/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Not Bad Enough?</title><link>http://muddledramblings.com/stories/not-bad-enough/</link> <comments>http://muddledramblings.com/stories/not-bad-enough/#comments</comments> <pubDate>Fri, 26 Nov 2010 22:13:36 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[excerpt]]></category> <category><![CDATA[NaNoWriMo]]></category> <category><![CDATA[novel]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=9319</guid> <description><![CDATA[I did a poor job at being bad last night.]]></description> <content:encoded><![CDATA[<p>My story this November is about bad writers getting murdered. One of the things that makes this an excellent NaNoWriMo idea is that I can include excerpts of the fictitious bad writers&#8217; fictitious bad novels. Which means not only can I just let fly with the prose, I don&#8217;t even have to cringe and tell myself that I will fix it later. I can revel in the mediocrity, even add things that normally I would never do.</p><p>Except for the complete absence of structure, however, even this draft of <i>Step on a Hack</i> is ahead of some of the crap out there.</p><p>Occasionally I will write a scene specifically intended to showcase common crime story clichés and blunders. Paragraphs of exposition and loose-end-tying while the protagonist and antagonist are in a burning building, for instance. It is a fun world to write in, where all the good guys are named &#8216;Buck&#8217; or &#8216;Dirk&#8217; and all shoot with far better accuracy than a bad guy ever could, where they live a solitary existence, all girlfriends and partners murdered, and are tormented by demons from the past. And out there somewhere, a criminal mastermind seems to have it in for that one detective.</p><p>Yesterday I thought, &#8220;I need a scene with cars and guns,&#8221; so I wrote one. Such freedom! As I wrote it I had several opportunities to include details that are personal peeves of mine (car doors stopping high-velicity bullets, for instance), but I didn&#8217;t. Instead I let the scene play out the way I would do it. It&#8217;s still mildly preposterous, but I think it scores in the acceptable range on the preposterometer for a story of this genre.</p><p>Were I to go back and tweak it, I can see several ways I could make it better, especially at the start, where I still had word-inflation and bad prose as goals. Overall, however, this scene scores a &#8220;not bad&#8221; from the not-as-dispassionate-as-it-should-be part of me that judges everything I do. Which, ironically, makes it unsuitable for <i>Step on a Hack</i>. Not enough for the cop reading the story to mock. Oh, well.</p><p>Here, for your amusement, is a scene with cars and guns. And swearing. If the occasional f-bomb is going to sour your stomach and cast a pall over the rest of your day, then you probably should stop now.</p><div
class="section"><p>Ace Martingale shifted into fourth as the sleek black Dodge Charger roared up the ramp and onto the highway, a steel shark in the night. Ace lit one cigarette with another and threw the smoldering butt of the first out the window. The speedometer crept upwards, 70 then 80 then 90. He let it settle in at 100 miles per hour. A good speed. Fuck kilometers.</p><p>The mighty engine purred and the hot desert air blew Martingale&rsquo;s hair and dried his sweat instantly. He punched in an eight-track tape to help him think. Lynyrd Skynyrd. Free as a bird now. Free as a fuckin&rsquo; <em>bird</em>. Maritngale smiled for the first time in five years.</p><p>He was out, he was in a fast machine, a twelve-pack of corona blondies in the passenger seat, bolt cutters, pick and shovel in the back seat. In the trunk, the last of his problems. Life didn&rsquo;t get any better than this.</p><p>&ldquo;Fuck yeah!&rdquo; he shouted into the night. &ldquo;Fuck yeah!&rdquo; he threw his empty out onto the road and reached for another. By the time the glass bottle hit the pavement he was long gone. He was a spirit, a shaman, a god of the desert and he was going to live forever.</p><p>At Desert Center he left the interstate highway, turning north on state road 177, past a couple of industrial sites and into the breathing desert. Two lane blacktop. The way it was supposed to be. He slowed it down to a safe and sane 90 per and popped open another brew.</p><p>For the next hour he floated along the highway, in harmony with machine and road, alone and unencumbered. Past mile marker 239 he slowed. There it was. Martingale&rsquo;s heart sped up a bit as he pulled into the primitive rest stop. Nothing more than a table and what had once been a sun shade. A rusting barrel overflowed with garbage.</p><p>He turned off the music and rolled gently to a stop, his tires popping over the gravel. Behind the table his headlights splashed on a gate adorned with a rusted, bullet-riddled  &ldquo;No Trespassing&rdquo; sign swinging on a piece of wire. He left the motor running and reached back for the bolt cutters.</p><p>He opened the car door and stood, stretched his spine. The desert&rsquo;s hot breath kissed his face. &ldquo;I missed you, baby,&rdquo; he whispered into the darkness. The gravel crunched under his boots as he walked to the gate. Before he even reached the gate, he froze.</p><p>The chain was already cut.</p><p>He dropped the cutters and ran back to the car, dove back in the waiting door.</p><p>A hole appeared in the windshield, nice and clean, matched by a larger, more ragged hole appeared in the rear window. The round passed his head with a supersonic crack and vanished into the night.</p><p>Martingale stayed low, cranked the wheel and mashed the gas. The car slewed and jumped forward, slamming the door shut. The passenger door made a booming sound like someone had kicked it, and a slug tore into the upholstery.</p><p>&ldquo;What the fuck!&rdquo; He screamed. Killing another man was one thing, but this car was a <em>classic. </em>It was <em>art.</em> You don&rsquo;t shoot art. He lifted his head a little to guide the car out onto the blacktop, pointed north. The spinning tires screeched when they hit the pavement and thrust the car forward. The engine roared as Martingale went through the gears. The car started to float at one hundred twenty miles per hour, and Martingale held on for sweet life.</p><p>Two lights stared back at him on the road ahead. The eyes of an animal, reflecting his headlights. He hit it before he even had time to wonder what it was. Night insects flashed in his high beams, there and gone faster than a prayer.</p><p>More lights ahead. This time, a car. He hurtled toward it. Motherfucker had his brights on. Martingale pushed his speed up to 140. Holding the wheel with sweaty hands, twitching to keep it in his lane.</p><p>Just before the other car flashed past he hit the brakes. Flame burst from the other car, the muzzle flash of an assault rifle on full-auto, spraying the space he would have occupied had he kept a steady speed. The enemy flashed past as Martingale punched the gas again and heard bullets tearing into the rear of the car. Then he was away, and, for the moment at least, he was alive.</p><p>In the rear view he watched as the other car hit the brakes and began to turn around. Martingale was going to be a long was down the road before they even got turned around. They&rsquo;d have to be driving one hell of a car to catch him.</p><p>He took a deep breath. Time to stop <em>reacting</em> and start <em>acting</em>. They had men and guns, he had a fast car and the desert.</p><p>This was his desert. Whoever those people were back there, they had missed their chance.</p><p>They knew about the rest stop, and that meant Olaf had spilled his guts. Which meant he was probably dead. Anybody with the means to make Olaf talk wouldn&rsquo;t be the type to keep him around after they got what they wanted from him.</p><p>Martingale slowed to take one white-knuckle turn, then another. He checked the rearview. Nothing. Just before the next corner he switched off his headlights and slowed. He pulled off the road, over a cattle guard concealed by a boulder. He stopped the car and ran back to the road, brushing over his tire tracks with his boot. It didn&rsquo;t have to be perfect, as long as they weren&#8217;t obvious.</p><p>In the still night he heard the hiss of the car as it approached, augmented by the roar of a large engine. He ducked behind the rock as the pursuit car screeched around the corner, then around the next curve and out of sight. He jogged back to his car. He&rsquo;d be easy to spot by anyone coming back the other way.</p><p>He stopped short when he saw the bullet holes in the trunk, the metal shining silvery in the moonlight against the black paint. He put his hand on the trunk lid, afraid to open it. &ldquo;Fuck!&rdquo; he said, but there was nothing to do now except get well down this road before the others doubled back. He thumped the trunk twice with his fist and jogged to the door. He drove slowly, lights off, steering by moonlight but wishing it was darker.</p></div> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/not-bad-enough/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>November 1st, 2010</title><link>http://muddledramblings.com/stories/november-1st-2010/</link> <comments>http://muddledramblings.com/stories/november-1st-2010/#comments</comments> <pubDate>Wed, 03 Nov 2010 00:55:10 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[excerpt]]></category> <category><![CDATA[NaNoWriMo]]></category> <category><![CDATA[novel]]></category> <category><![CDATA[November 1st]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=9283</guid> <description><![CDATA[My traditional show-and-tell at the start of NaNoWriMo.]]></description> <content:encoded><![CDATA[<p>Well, another NaNoWriMo is under way, and this year my mystery/comedy (with action and adventure!) is off to a roaring start. It&#8217;s become a tradition for me to put my first day&#8217;s output here, and this year my novel&#8217;s prologue has guns, cars, hookers, explosions, and profanity! Not bad! Chapter 1 loses some of the momentum, but there&#8217;s no time to go back and fix it.</p><p>For those new to these parts, National Novel Writing Month is an event where participants are challenged to write an entire novel in a month. Quality is optional and often counterproductive.</p><p>There are a lot of ironies here, but I think I&#8217;ll discuss them in the comments thread.</p><div
class="section"><p
class="title" style="font-size:160%">Step on a Hack</p><p
class="title">Prologue</p><p>Benny Hamwich regained consciousness slowly, as if his brain knew something bad was out there and didn&rsquo;t want anything to do with it. Someone was slapping his face, he realized.</p><p>&ldquo;Benny.&rdquo; The voice was low and gravelly and came from nearby. Another slap. Benny&rsquo;s tongue was sandpaper against the roof of his mouth. The air tasted like hot metal.</p><p>&ldquo;You really doped him up good.&rdquo; That was a female&rsquo;s voice, to his right, a little farther away.</p><p>&ldquo;Benny!&rdquo; Another slap, harder. &ldquo;I know you can hear me.&rdquo;</p><p>Benny blinked with sandpaper eyelids and tried to focus. He was sitting upright in the driver&rsquo;s seat of a car. Convertible. Big. Beyond the long hood the city lights stretched before him. They were pretty high up.</p><p>&ldquo;Benny.&rdquo;</p><p>Benny wheeled his head to point it at the man crouching over him. He was a big guy, his lined, pale face divided by a thick dark mustache. Under the brim of the man&rsquo;s hat one eye was squinted almost shut. The man&rsquo;s smile revealed perfect, white teeth.</p><p>&ldquo;Hello, Benny. Are you ready for a little science project?&rdquo; The man&rsquo;s adam&rsquo;s apple bobbed as he talked, drawing Benny&rsquo;s attention to a scar there.</p><p>&ldquo;A&#8230; wha?&rdquo; asked Benny.</p><p>Behind him a woman cackled. He turned to see her sitting in the passenger seat, her short skirt revealing long, slender legs. Her outfit was business sexy, and it worked well on her. She laughed again. Her teeth were not as straight as the man&rsquo;s. &ldquo;You should see yourself,&rdquo; she said, and made a stupid face.</p><p>&ldquo;Now, Marybeth,&rdquo; the big man said. Benny turned back to meet his cold gaze. &ldquo;Benny here&rsquo;s been drugged. It&rsquo;s hardly fair to judge.&rdquo; The man reached inside his overcoat and pulled out a slender paperback novel. &ldquo;Do you recognize this, Benny?&rdquo; The man&rsquo;s voice was cold and hard.</p><p>Benny nodded, too afraid to speak.</p><p>&ldquo;Look, it&rsquo;s got your name on it.&rdquo; The man held out the book so Benny could see his name on the cover, near the bottom. At the top was another name, Penn Jetterson. In between, there was a picture of a rugged-looking man and a sexy woman in a massive white convertible. They were airborne, and she was kneeling in the passenger seat (showing a lot of leg), firing a wicked-looking assault rifle at unseen assailants behind them. He was gripping the wheel like a man possessed, grinnig. &ldquo;TWO TO TANGO&rdquo; the title screamed.</p><p>&ldquo;You wrote that?&rdquo; Benny turned back to the woman in the passenger seat. He was going to hurt his neck wheeling back and forth like that. She looked a bit like the woman on the cover of the book. &ldquo;Really?&rdquo; she prompted.</p><p>Benny nodded. &ldquo;Yeah.&rdquo; His voice cracked. He swallowed and tried again. &ldquo;I wrote that.&rdquo;</p><p>The woman smiled. &ldquo;That&rsquo;s terriffic.&rdquo;</p><p>&ldquo;That remanis to be seen,&rdquo; the man said. Benny turned back around to face him. It was much more pleasant to look at the woman. The man tossed the book into Benny&rsquo;s lap. &ldquo;Thus, our little experiment.&rdquo;</p><p>Benny forced himself to look around. He was in a white Lincoln convertible with red leather seats. A mighty piece of Detroit iron from back when big really meant big. The same kind of car Dirk Freemont drove in <em>Two to Tango</em>. They were on the roof of a building half a mile from downtown. In front of the car, rails stretched to the edge of the roof. Behind him a machine hissed with escaping steam.</p><p>&ldquo;We are going to do a little reenactment,&rdquo; the frightgning man said. &ldquo;Have you memorized your lines, Marybeth?&rdquo;</p><p>&ldquo;Sure,&rdquo; she said.</p><p>&ldquo;Since you haven&rsquo;t had time to prepare, Benny, we&rsquo;ll let you read from the book. Chapter one, as you have no doubt surmised.&rdquo;</p><p>&ldquo;Wait, what&rsquo;s&mdash;&rdquo;</p><p>&ldquo;It&rsquo;s like this, Benjamin. I have a difficult time accepting that chapter one is, well, possible. Which sort of undermines the rest of the story. So we&rsquo;re going to reenact some parts of it and see. Perhaps I am mistaken, in which case you&rsquo;ll have my most sincere apologies.&rdquo;</p><p>&ldquo;What about all this?&rdquo; Benny indicated the rails.</p><p>&ldquo;It&rsquo;s like a flight simulator. We&rsquo;re going to make it feel like you&rsquo;re flying while you go through the dialog. We&rsquo;ll plug that back into the computer to see just how far you actually would have flown.&rdquo;</p><p>&ldquo;This is bullshit.&rdquo;</p><p>&ldquo;Benny, I&rsquo;m afraid I must insist.&rdquo;</p><p>&ldquo;Come on, Benny,&rdquo; the woman said. &ldquo;Just say your fuckin&rsquo; lines so we can get out of here. If you&rsquo;re fast enough I&rsquo;ll throw in a blowjob.&rdquo;</p><p>The scary man smiled. &ldquo;Most of Marybeth&rsquo;s acting career involves less clothing,&rdquo; he said. &ldquo;You two have a lot in common.&rdquo;</p><p>Benny opened the book with fuddled fingers and found chapter one.</p><p>&ldquo;I highlighted where we will start,&rdquo; the man said.</p><p>Benny scanned ahead until he saw the mark.</p><p>&nbsp;</p><p><em>&ldquo;We&rsquo;re cornered!&rdquo; Marybeth cried out.<br
/> </em></p><p><em>&ldquo;Hardly,&rdquo; Dirk grumbled. He mashed the gas pedal down to the floor. With a throaty growl the 455-cubic-inch engine thrust the Lincoln toward the edge of the parking structure. With a roar the mighty beast crashed through the rail and out into space. Directly ahead an office building loomed.<br
/> </em></p><p><em>Marybeth flipped down the visor and inspected herself in the little mirror there. With her little finger she fixed a flaw in her lipstick. &ldquo;I think you should know that I&rsquo;m sleeping with Steve,&rdquo; she informed him.<br
/> </em></p><p><em>&ldquo;What?&rdquo; Dirk growled. &ldquo;Steve&rsquo;s my partner!&rdquo;<br
/> </em></p><p><em>Red-tipped tracer bullets streaked past, leaving burning trails of magnesium and strontium nitrate&#8230;</em></p><p>&nbsp;</p><p>&ldquo;Ready, Benny?&rdquo;</p><p>Benny glanced up from his writing. &ldquo;Fine. Let&rsquo;s get this over with.&rdquo;</p><p>&ldquo;All right, then. Marybeth, you start when I say &lsquo;action&rsquo;. Really go for it, all right? Show me what you can do.&rdquo;</p><p>&ldquo;You said this was an audition.&rdquo;</p><p>The man indicated a video camera on a tripod nearby. &ldquo;It is. If this works out, I&rsquo;ll be optioning the screenplay rights. This is your chance to be a real actress.&rdquo;</p><p>&ldquo;You&rsquo;re going to make a movie out of <em>Two to Tango</em>?&rdquo; Benny asked. It was the opportunity he&rsquo;d always dreamed about &#8212; only, in his dreams things were&#8230; different. Less scary.</p><p>The man patted his shoulder with a gloved hand. &ldquo;Whether the movie gets made is up to you, now. Let&rsquo;s see if  we can&rsquo;t resolve some of these pressing questions.&rdquo; The man stepped away from the car. The night hung dead still around them, the city below lay quiet. The man glanced around, assured himself that all was ready, and pulled a stopwatch from the outer pocket of his coat. He practiced with the buttons a couple of times. Satisfied, he looked up and said, &ldquo;Action!&rdquo;</p><p>&ldquo;We&rsquo;re cornered!&rdquo; the woman shouted, her voice an icepick in Benny&rsquo;s ear.</p><p>&ldquo;Hardly!&rdquo; Benny said, and grabbed the steering wheel for effect. He mashed the gas pedal even though the engine wasn&rsquo;t running.</p><p>His head snapped back againt the seat&rsquo;s headrest and he was pressed into the leather upholstery with such force the air was driven from his lungs and spots appeared in his vision. He stomped on the brake but that had no effect as the car was launched into the air and sailed over the edge of the building.</p></div><p></p><div
class="section"><p>On the rooftop, the man stood in the steam washing out from the catapult and watched the car float through the air, slowly rolling over and going nose-down. He could hear the prositiute screaming. Damn her voice was annoying. After a few seconds the white streaks of tracer rounds flashed up from another rooftop, slowly converging with the the sailing car. Would Benny appreciate the bullets&rsquo; red tips? It seemed unlikely. If Benny survived, as his protagonist had, the scary man would be sure to ask.</p><p>The Lincoln was no longer right-side-up but still a bullet found the gas tank. The car didn&rsquo;t explode but a nice gout of flame erupted from the back just before the land yaht slammed people-first into the side of a building downtown. The man stopped his timer.</p><p>There was a delay before the low <em>whump</em> reached the man&rsquo;s ears, followed by the crunch of metal against concrete, and the crash of shattered glass. The flaming wreckage bounced to the side and fell out of sight to the street below. The surrounding buildings were lit by the yellow glow of the fire.</p><p>The man looked at his stopwatch. Thirty-five seconds. Not quite enough time for the dialog as it had been written, but he thought he had made his point.</p></div><p></p><div
class="section"><p
class="title">Chapter 1</p><p>Penn Jetterson stared at the book lying on his polished oak desk. <em>Kissed a Snake</em>, the title read in bright red lettering, underneath that, <em>A Jake Marten story.</em> The type arched over a glossy drawing of a man in the crosshairs of a rifle scope. Behind him a hot nun stood in the entrance to a cathedral. She held a gun, and was poinging it at the man&rsquo;s back. Or was she aiming at the man holding the rifle?</p><p>As covers went, he&rsquo;d seen worse. This particular book cover had two real problems, though: His name across the top and the name of Andrew Zen across the bottom. The name at the bottom meant the book would be awful. The name at the top meant he would be blamed for it.</p><p>#1 BESTSELLER! A banner in the corner said, although the book had yet to sell a single copy. That didn&rsquo;t matter; his name was on it. Reviewers would rave in exchange for advertising dollars. Jetterson would make a lot of money. Preorders were strong, but not as strong as they had been for the previous book. Still, lots of people would read it. A few of those would never pick up a Penn Jetterson book again. People were starting to realize the Emperor had no clothes.</p><p>He lifted his whiskey glass and found it empty. Seemed like he&rsquo;d just filled it. He knew he shouldn&rsquo;t, but some days there was no helping it. He pulled open the large, lower desk drawer on his right and pulled out his bottle of Ardbeg, his beloved Islay single-malt. He poured himself a couple fingers of the amber liquid and paused to let the earthy smell fill his sinuses. He put the bottle back, noting that there were only two left in reserve. He closed the drawer.</p><p>The book sat in front of him, waiting.</p><p>Before he could stop himself he reached for his phone and dialed a number he knew by heart.</p><p>&ldquo;Penn! Darling!&rdquo; Emma Coe&rsquo;s voice gushed down the line. &ldquo;How&rsquo;s my favorite writer?&rdquo;</p><p>&ldquo;I haven&rsquo;t been a writer for a long time.&rdquo;</p><p>&ldquo;Poppycock!&rdquo; Somehow it didn&rsquo;t sound ridiculous when Emma said words like that. &ldquo;You&rsquo;re at the top of the best-seller list. Did you get the book?&rdquo;</p><p>&ldquo;Yeah. I&rsquo;ve got it right here.&rdquo; He picked up the object in question, gazed at the brightly-colored cover. &ldquo;Looks nice.&rdquo;</p><p>&ldquo;Wonderful! I&rsquo;ll tell them we&rsquo;re ready to go.&rdquo;</p><p>&ldquo;Uh&#8230; hold on a sec, Emma. I&rsquo;m not sure I&rsquo;m going to approve this one.&rdquo;</p><p>&ldquo;Don&rsquo;t joke with me like that, Penn. You&rsquo;ll give me a heart attack.&rdquo;</p><p>&ldquo;It&rsquo;s not very good, Emma.&rdquo;</p><p>&ldquo;Have you even read it, Penn? You can&rsquo;t have had it for more than half an hour.&rdquo;</p><p><em>Not that it would take much longer to read this fluff. </em>&ldquo;No, Emma, I haven&rsquo;t.&rdquo;</p><p>&ldquo;Well then, there you go. What makes you think it&rsquo;s so bad?&rdquo;</p><p>&ldquo;It&rsquo;s a Jake Marten story, written by Andrew Zen. They&rsquo;re <em>all</em> bad, and each is worse than the last. I think Zen is <em>un</em>learning his profession. And seriously, what the hell kind of <em>nom de plume</em> is Andrew Zen?&rdquo;</p><p>&ldquo;Oh, Penn, let me be the judge of what&rsquo;s good and what&rsquo;s bad. Didn&rsquo;t I help you when you were a struggling writer?&rdquo;</p><p>&ldquo;Yes, Emma.&rdquo;</p><p>&ldquo;Really, Penn, Andy may not be as good as <em>you</em>, but he&rsquo;s plenty good <em>enough</em>.&rdquo;</p><p>Penn flipped the book and looked at the back cover. His heard skipped a beat as he read the description. <em>An asp in a copy machine? Had that really been his idea?</em> He vaguely remembered an outline he had tossed off one night, maybe three years ago. <em>Paper Jam</em>, he&rsquo;d called it back then, but the publisher never kept the titles Penn gave the stories. &ldquo;Emma, I don&rsquo;t think that was one of my best ideas. And after seeing what Zen does with my good ideas, I&rsquo;m afraid to even open this one. The stink will kill me.&rdquo; Jetterson took another healthy swig of whiskey to fortify himself against such an occurrence.</p><p>&ldquo;Penn. Honey. Relax. The reviews are in, they love it.&rdquo;</p><p>&ldquo;They&rsquo;re <em>paid</em> to love it.&rdquo;</p><p>&ldquo;We&rsquo;ve got a big signing scheduled, we&rsquo;re bringing in busloads of people from nursing homes to pack the place. Blockbuster! Lines out the door. New York TV coverage. Great buzz on the blogs.&rdquo;</p><p>&ldquo;For <em>this?</em>&rdquo;</p><p>&ldquo;For Jack Marten. He&rsquo;s huge. They&rsquo;re talking about Schwarzenegger for the movie. People want this, Penn. Look, you and I both know that the books aren&rsquo;t perfect, but they sell. And that&rsquo;s what matters.&rdquo;</p><p>&ldquo;But&#8230;&rdquo;</p><p>&ldquo;Now, Penn. It&rsquo;s your name on the book. Jack Marten is your creation. If you tell me to kill this book, I&rsquo;ll kill it. I&rsquo;ll kill myself, but I&rsquo;ll kill the book, too. So. Do you want me to throw away millions of dollars and kill this book, or do you want me to push the hell out of it and get us a sweet movie franchise?&rdquo;</p><p>Jetterson felt one of the last remaining bastions of integrity crumble in his soul. He&rsquo;s sold out long ago. He lived on a farm in the country, drove a nice car, traveled the world, entertained mistresses. All he had to do was produce two outlines per year for each of six series that bore his name, along with the name of some talentless English major that Emma met at a party somewhere. He had no doubt that the hacks actually believed they were good.</p><p>&ldquo;All right. Publish it.&rdquo; He put down the book and emptied his glass.</p><p>&ldquo;Fantastic. I&rsquo;m sure you&rsquo;ll feel better when the checks start arriving.&rdquo;</p><p>&ldquo;Yeah.&rdquo; He reached for the drawer and stopped himself. <em>At least wait until the end of the phone call.</em></p><p>Emma&rsquo;s voice dropped and became breathier as she moved her mouth closer to her phone. &ldquo;They found out who was with Benny.&rdquo;</p><p>&ldquo;Who&rsquo;s Benny?&rdquo;</p><p>&ldquo;Benny Hamwich, of course. It was a <em>prostitute</em>.&rdquo;</p><p>&ldquo;I see,&rdquo; he said, even though he didn&rsquo;t. It didn&rsquo;t surprise him at all that his co-author couldn&rsquo;t get laid on his own. The only mystery was why anyone else would care. &ldquo;I don&rsquo;t pay attention to gossip.&rdquo;</p><p>There was a pause. &ldquo;You didn&rsquo;t hear?&rdquo; Emma asked.</p><p>&ldquo;About Hamwich and a prostitute? No. I couldn&rsquo;t care less about his personal life.&rdquo;</p><p>&ldquo;Benny&rsquo;s dead, Penn.&rdquo;</p><p>&ldquo;Oh? Really?&rdquo; Jetterson made a half-hearted attempt at sadness and failed. The man had actually used the phrase &ldquo;As you know, Bob,&rdquo; in a story. There were times his stores grew so preposterous that Bennie Hamwich made Andrew Zen look like Shakespeare. &ldquo;What happened?&rdquo; Jetterson asked to fill the silence on the line.</p><p>&ldquo;Oh my God, Penn. You will <em>not </em>believe this. He ran into a building in a car.&rdquo;</p><p>&ldquo;What an idiot.&rdquo;</p><p>&ldquo;Three stories up, Penn. Three stories up. Just like in <em>Two to Tango</em>. No one has the slightest idea how he did it.&rdquo;</p><p>&ldquo;When did it happen?&rdquo;</p><p>&ldquo;Three a.m. this morning. They say the car just came out of nowhere.&rdquo;</p></div> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/november-1st-2010/feed/</wfw:commentRss> <slash:comments>12</slash:comments> </item> <item><title>Three Beginnings Make a Story</title><link>http://muddledramblings.com/stories/three-beginnnings/</link> <comments>http://muddledramblings.com/stories/three-beginnnings/#comments</comments> <pubDate>Sat, 25 Sep 2010 04:52:42 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[awesome]]></category> <category><![CDATA[food]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=9186</guid> <description><![CDATA[When telling a story, it&#8217;s important to know where to begin. Do you start at the temporal beginning, the moment when, confronted with an idea so mind-bogglingly awesome, so blindingly obvious in retrospect that it must be the work of genius that you lose the power of speech? Or do you start at the other [...]]]></description> <content:encoded><![CDATA[<p>When telling a story, it&#8217;s important to know where to begin. Do you start at the temporal beginning, the moment when, confronted with an idea so mind-bogglingly awesome, so blindingly obvious in retrospect that it must be the work of genius that you lose the power of speech? Or do you start at the other end, a day later, with the moment of truth when that idea faces reality and your own personal test begins? Or do you approach the story sideways, beginning with the thought that defines what it all <em>means</em>?</p><p>Or do you find three sentences, one for each of those moments, and let them tell the entire story &mdash; a tiny play in three acts:</p><blockquote><p>&#8220;Peanut butter banana bread,&#8221; she said.</p><p>She set the two slices of banana bread &mdash; one chocolate, the other peanut butter &mdash; in front of me and said, &#8220;I really need you to be objective for a minute.&#8221;</p><p>I laughed and said, &#8220;I didn&#8217;t think I could love you more than I already did until you said, &#8216;peanut butter banana bread.&#8217;&#8221;</p></blockquote> ]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/three-beginnnings/feed/</wfw:commentRss> <slash:comments>4</slash:comments> </item> <item><title>Round Two: My Fake Entry</title><link>http://muddledramblings.com/stories/round-two-my-fake-entry/</link> <comments>http://muddledramblings.com/stories/round-two-my-fake-entry/#comments</comments> <pubDate>Sun, 23 May 2010 08:44:32 +0000</pubDate> <dc:creator>Jerry</dc:creator> <category><![CDATA[Stories]]></category> <category><![CDATA[contest]]></category> <category><![CDATA[cyberspace open]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[The Quest for the Important Thing to Defeat the Evil Guy]]></category><guid
isPermaLink="false">http://muddledramblings.com/?p=8433</guid> <description><![CDATA[As I thought about this prompt, I thought of the scene in the the classic movie Get Crazy, when Reggie Wanker emerges from a dressing room filled with naked women only to discover that the girlfriend he&#8217;s been ignoring (and who saw him in the room filled with naked women) is now with another guy. [...]]]></description> <content:encoded><![CDATA[<p>As I thought about <a
href="http://muddledramblings.com/writing/round-two-begins">this prompt</a>, I thought of the scene in the the classic movie <i>Get Crazy</i>, when Reggie Wanker emerges from a dressing room filled with naked women only to discover that the girlfriend he&#8217;s been ignoring (and who saw him in the room filled with naked women) is now with another guy. Said Reggie: &#8220;Betrayed! Turn your back for half a second and they stick a knife in it right up t&#8217;hilt.&#8221; As he goes back on stage (this has all occurred during a drum solo) he says. &#8220;I&#8217;ve finally found the meaning of the bleedin&#8217; blues. Ol&#8217; Reggie can take the pain&#8230; but can <em>they?</em>&#8220;</p><p>Classic stuff. Malcolm McDowell makes a great Mick Jagger.</p><p>Anyway, I pondered for a while about what to do for my scene, but because I didn&#8217;t want to work too hard at it, I borrowed characters from a story I&#8217;ve already been fiddling with, called <i>The Quest for the Important Thing to Defeat the Evil Guy</i>. Tatra is a new addition, and hey, what high fantasy story can&#8217;t be improved with a smart-mouth goth chick? Once again I&#8217;m heavy on dialog without much physical action.</p><div
class="screenplay"><div
class="scene_slug">EXT. FOREST - NIGHT</div><div
class="action">Tatra (17, Goth - black hair and nails, black dress with metallic accessories) is staring into the campfire flames. She has a blanket wrapped over her shoulders. Nearby she can hear Bixby snoring gently. The rest of the party are arrayed on the ground, all asleep.</div><div
class="action">Kitty jumps up into Tatra's lap, purring softly.</div><div
class="character">TATRA</div><div
class="dialog">Hello, Kitty.</div><div
class="action">Kitty settles into her lap, and Tatra strokes her fur gently. Kitty's purring intensifies.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">So pretty...</div><div
class="action">Tatra's fingers stop at the base of Kitty's skull.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">I could snap your neck in half a heartbeat.</div><div
class="action">The purring stops. Kitty looks up at Tatra in surprise.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">Can you talk like that?</div><div
class="action">Kitty shakes her head but doesn't try to escape.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">I should probably just kill you.</div><div
class="action">Kitty tenses, and Tatra tightens her grip. They freeze that way for a few heartbeats, then Tatra relaxes slightly.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">If I let you go, will you kill me?</div><div
class="action">Kitty shakes her head no.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">Can I trust you?</div><div
class="action">Kitty shakes her head no again. Tatra smiles. She releases Kitty's neck. Kitty jumps down from her lap. Space distorts and standing before Tatra is a woman, slender and lithe, with long black hair poorly protecting her modesty.</div><div
class="action">They both look around nervously to make sure the others are sleeping.</div><div
class="character">KITTY</div><div
class="dialog">Crap it's cold.</div><div
class="character">TATRA</div><div
class="dialog">Where the hell are your clothes?</div><div
class="character">KITTY</div><div
class="dialog">Which do you think looks better on a cat, an evening gown or a tutu? Of course I'm naked.</div><div
class="action">Tatra tosses her the blanket.</div><div
class="character">TATRA</div><div
class="dialog">Put this on. You're grossing me out.</div><div
class="action">Kitty takes the blanket but hesitates before putting it on, posing, smiling at Tatra's jealousy-fueled discomfort.</div><div
class="character">KITTY</div><div
class="dialog">There's still time for you. You might still develop a body like this one.</div><div
class="character">TATRA</div><div
class="dialog">Oh, goody. Then I can be a slut, too.</div><div
class="action">Kitty wraps the blanket around herself and stares down at Tatra.</div><div
class="character">KITTY</div><div
class="dialog">Be careful, Tatra.</div><div
class="character">TATRA</div><div
class="dialog">If I was careful I would have killed you already.</div><div
class="action">Kitty hesitates, then sits on the log next to Tatra.</div><div
class="character">KITTY</div><div
class="dialog">I guess I deserved that. So, what is it you want?</div><div
class="character">TATRA</div><div
class="dialog">What's your real name?</div><div
class="character">KITTY</div><div
class="dialog">Dacia.</div><div
class="character">TATRA</div><div
class="dialog">Who do you work for?</div><div
class="character">KITTY</div><div
class="dialog">What do you mean?</div><div
class="character">TATRA</div><div
class="dialog">What the hell do you think I mean? Who do you work for?</div><div
class="character">KITTY</div><div
class="dialog">I work... for The Master.</div><div
class="action">Tatra stifles a laugh.</div><div
class="character">TATRA</div><div
class="dialog">Who?</div><div
class="character">KITTY</div><div
class="dialog">The Master. Surely you've heard...</div><div
class="action">Tatra's face is blank.</div><div
class="character">KITTY (CONT'D)</div><div
class="dialog">How can you be here, now, with us, and never have heard of The Master?</div><div
class="character">TATRA</div><div
class="dialog">The Master? That's the best he could come up with? Oooo... The Maaaaaaster! Scary!</div><div
class="action">Kitty looks around in alarm.</div><div
class="character">KITTY</div><div
class="dialog">Quiet! You'll wake someone up.</div><div
class="character">TATRA</div><div
class="dialog">Or what? You'll tell the master on me? Oh, no!</div><div
class="action">She makes her eyes round with mock alarm and puts her hands to her cheeks, then starts to laugh - but quietly.</div><div
class="character">TATRA (CONT'D)</div><div
class="dialog">What are you doing here?</div><div
class="character">KITTY</div><div
class="dialog">The Master&mdash;</div><div
class="action">Tatra snorts.</div><div
class="character">KITTY (CONT'D)</div><div
class="dialog">My people have a great interest in the outcome of your quest. There are prophecies.</div><div
class="action">That gets Tatra's interest.</div><div
class="character">TATRA</div><div
class="dialog">No kidding? Like what?</div><div
class="character">KITTY</div><div
class="dialog">For instance, in the great tome "Insane Ravings of Hu'upman and other Vague Pronouncements", it says that if the elf marries John the Smith, then The &mdash; my master's designs will be thwarted.</div><div
class="action">Tatra looks stricken. She speaks past a lump in her throat.</div><div
class="character">TATRA</div><div
class="dialog">Lada and John...?</div><div
class="character">KITTY</div><div
class="dialog">IF, my dear. I would prefer that not to happen.</div><div
class="action">Tatra stares at the ground.</div><div
class="character">TATRA</div><div
class="dialog">I would prefer that not to happen, too.</div><div
class="action">Kitty sighs and pats Tatra's knee.</div><div
class="character">KITTY</div><div
class="dialog">You like him.</div><div
class="character">TATRA</div><div
class="dialog">He doesn't even know I exist.</div><div
class="action">Kitty begins to say one thing, stops, then says another.</div><div
class="character">KITTY</div><div
class="dialog">No, I don't think he's capable of seeing anyone not of royal birth.</div><div
class="character">TATRA</div><div
class="dialog">Like Princess big-boobie bitch-face? Ugh! I just want to strangle her sometimes.</div><div
class="action">Tatra looks around now, alarmed by her own outburst. Kitty smiles and moves closer to Tatra on the log. She puts her arm around the girl.</div><div
class="character">KITTY</div><div
class="dialog">I agree. What would you say if Princess Skoda ended up with your friend Bixby instead?</div><div
class="action">Tatra puts her hands around her throat and makes a gagging noise.</div><div
class="character">KITTY (CONT'D)</div><div
class="dialog">He might become prince...</div><div
class="character">TATRA</div><div
class="dialog">He'd be better off with Elf-Lady.</div><div
class="action">Kitty smiles. Her teeth are white and even, her eyes gleam in the firelight.</div><div
class="character">KITTY</div><div
class="dialog">Then we are in complete agreement. Lada must not mate with John the Smith.</div><div
class="character">TATRA</div><div
class="dialog">Ewww. Thanks for that image.</div><div
class="character">KITTY</div><div
class="dialog">Tell me, why did you not kill me?</div><div
class="character">TATRA</div><div
class="dialog">Because... because I think you want Bixby to live. And I thought maybe you could help me. You know, with magic.</div><div
class="character">KITTY</div><div
class="dialog">Help you what?</div><div
class="action">Tatra turns away, suddenly shy.</div><div
class="character">TATRA</div><div
class="dialog">You know.</div><div
class="character">KITTY</div><div
class="dialog">Will you help me in return? When we find the Important Thing?</div><div
class="character">TATRA</div><div
class="dialog">Sure.</div><div
class="character">KITTY</div><div
class="dialog">"Sure?" That's all? You're OK with allowing The Master to plunge the world into darkness and despair?</div><div
class="character">TATRA</div><div
class="dialog">Pf. Welcome to my world, cat-lady.</div></div>]]></content:encoded> <wfw:commentRss>http://muddledramblings.com/stories/round-two-my-fake-entry/feed/</wfw:commentRss> <slash:comments>6</slash:comments> </item> </channel> </rss>
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