An Easy Day

Slept late this morning, if you can believe that. Something about going to sleep after five in the morning makes me do that. Luckily, there was no location scouting today. The focus was on getting the key production people together. Toward that end, we met with a couple of key people.

First came Martin, bartender at LCNH and friends with lots of film students. His brother is also an editor, though Soup Boy had first dibs on the editing job. One key team member: a student, Czech, who is unafraid to ask bar and café owners for favors. Bonus if she’s a pretty girl. In our meeting Martin proved to be a more able producer than I am, and that may mean more than anything else. He has a candidate lined up, his brother is ready if we need him (the next meeting proved we did), and he can line up more production assistants than we need. I have some homework now; I need a syposis that can be translated into Czech, and… um… something else. I’m sure I’ll think of it.

We were a little early for dinner with fuego’s family and Tomaš (rhymes with “go mosh”), a cameraman of growing repute (proven by the fact that he’s working right now). We stopped off at Casino Royale, the place formerly known as the place formerly known as cheap beer place. fuego got a call from Soup Boy, the missing element in all our plans, and minutes later he was there with us. The place has changed a lot since he drew the storyboards for Pirates there in exchange for food and alcohol. The reunion was brief, pleasant, and we got a swift “camera, yes, edit no” from him. Alas, he could not join us for dinner.

The dinner meeting was good too. I ate a steak! Man, it’s been a long time. fuego paid for the steak! Right there you have the cornerstone of a good night. MaK and Z-Dawg were there and after I was finisehd eating I was given the kid so the parents could enjoy their meals, too. I have to say that I’m gragually getting a little more comfortable with the little guy. Helps that Z-Dawg likes to jump. I can understand that one, and since I don’t have to last for hours my rocket assist is much more powerful. He doesn’t just jump, he flies!

Tomaš and I once spent a night drinking, starting with his father’s homemade Slivovice, and I think he’s really looking forward to doing it again. On the film side, as noted above he’s working, but he has a few connections that might help us. Apparently there are some Panavision lenses areound here somewhere pining for light. I’m a little fuzzy on the details.

Then home for (relatively) early bedtime. Big day tomorrow!

1

Lookin’ for a Bluesman

zlato proved useful once more, sending me the info about and American guitarist and singer who works regular gigs here and there around town. It turns out I’d heard Brad Huff play once before on a night spent hanging with zlato, but I had forgotten the guy’s name, along with everything else about him. Last night he had a gig at an American-owned bagel place. “Looks like we’re having bagels for dinner tonight!” fuego replied when I sent him the info.

As the day wore on, I was overcome by deep and profound sleepies. Brad plays often enough, we could miss one night and the world would not come to an end. Through the innefficiency of text messaging fuego and I were not quite on the same page; I was getting writing done and was not inclined to go out, but by the time I stated that explicitly fuego was already on his way.

As well he should have been. Really it should have been me dragging him. This is my sandbox, my budget, and if I don’t drag this bastard project forward through sheer force of will, then who is going to? I resolved to rally. While I was getting my act together I got another message from fuego. He was quite a bit early for the concert, so he’d gone to another place nearby, a potential location for the film. He told me how to find the place and I started on my way.

Brad huff at bohemia bagel

A lonely bluesman at Bohemia Bagel

It took a while to get there by tram. fuego’s directions were excellent, and the place was easy to spot. I got inside and realized that finding the place and finding someone inside that place are entirely separate challenges. It is a crazy labyrinth of stone and metal, filled with mood lighting and kinetic sculptures made from old engines. It’s contrived, but damn if they didn’t get it right. The levels have levels, there are nooks and crannies everywhere. They had Sailor Jerry Rum, which I did not try. I didn’t take any pictures. We had a coupld of beers, discussed it in the context of “Moonlight.” It’s much busier and more modern than I imagined the location in the story, but it’s also way cool, which counts for a lot. It’s a place that is without a doubt Prague.

After a while we headed the few blocks to Bohemia Bagel for the show. We had no idea how crowded things would be, so showing up a bit early seemed like a good idea. In this case, there was no need to worry. Bohemia Bagel is simply not a place people think of when they’re going out for an evening. I assume booking a blues player once a week is part of a campaign to change that. We arrived, sat, ordered munchies and beer, and waited. Before long Brad sat down in the corner and started to play. He was good, and when we talked to him on his break he turned out to be a personable guy who understood what we were up to and was interested in working with us. Not only that, but his wife is a pianist and has worked as a hand double as well.

We talked about all sorts of things; the story he told about being abandoned in Tuba City, NM was especially good. No two ways about it, that man has some tales to tell.

The vltava at night

The Vltava, looking toward the castle and old church

After the show he joined us again for a while and we had a round of Becherovka for good will. Then we went our separate ways. In what has become a pattern fuego decided to do a bit more “location scouting” while we were out. We walked across the river down into the center of town, where the basements are the coolest, and trod the cobblestones looking for likely venues. Nothing presented itself right away, but we stopped off as a place called (something like) Fat Boy Bar, a place neither fuego nor I had even been before. It was fairly quiet in there by then. We got beers and made ourselves comfortable.

A while later I looked up and there was Brad, still dragging his little wheel bag with his amplifier, his guitar slung over his back. I waved, he laughed, and came over to join us. “I got on the wrong tram,” he said. “I used to come in here all the time, but I haven’t been in ages.” Yet there we were, as if guided by some divine practical joker, and more stories ensued. And more beer. Maybe some more Becherovka. Maybe not.

Time continued to stumble ahead toward dawn, clumsily but inexorably, dragging us with it. Eventually it was time to go home. We walked out into the quiet Prague streets. I really like the city at that time of night; one of my favorite Prague moments was a similar walk through fresh snow. We bid Brad goodnight at his (correct) tram stop and fuego and I started tromping homewards. We made it as far as El Paso.

tramsleeper.jpg

I wonder if he can play the blues…

El Paso is a bar I pass often but rarely go into. One of those visits was on a very similar walk home with fuego, late at night when we both know better but are willing to forget for a while that we do. El Paso is open almost all night, just closing long enouogh to clear out the drunks before they start a new day. We sat, chatted a little more, mostly about the project, and eventually there was just no denying that it was time to go home. I walked part of the way but I was passing the tram stop just as the night tram pulled up (still night trams — at least it wasn’t as late as last time) and I hopped on for the last half-mile or less. The tram itself was a fairly modern number, but all night trams come equipped with a sleeping drunk guy. This guy is living in luxury; he’s not forced into the standard slumped-forward posture you see on the older trams. I’ll tell you a story about that sometime.

Finally, home, happy to be there, I spent a little while chatting with That Girl. She called me a dork. (She loves dorks, luckily.) I didn’t last long, and then I flopped down on the Curiously Uncomfortable Couch and was asleep almost before I was horizontal. Quite a productive day, overall…

2

Episode 29: Clear as Mud

Our story so far: A lot of stuff has happened. Charlie Lowell is an aberration in the city, an honest man in a dirty job. He’s a private investigator. He was hired by Lola Fanutti to help her recover an item of great value. She’s dead now, shot down right after she killed Mr. Cello, a man crime lords and presidents bowed before. Cello had also wanted the treasure. Charlie is now in posession of a painting that supposedly contains the key to how to find the treasure, and he’s just discovered that Alice, newly promoted from being his secretary to his partner, was wrapped up in the intrigue long before she came to work for him.

There remains a fairly long list of dangerous people who would like to get their hands on the treasure, and another bunch, perhaps even more dangerous, who don’t want anyone to find the treasure at all. It’s going to be difficult to please eveyone, and these people don’t handle disappointment well.

To read the entire story from the beginning click here. It starts out quite silly, has a rough episode or two, and then settles down. Writing stuff like this is something I do when others might watch TV; it’s a brain-switched-off style, though I must admit that I am doing a little extra thinking lately just to maintain some sham of continuity.

We took a break from gabbing while Alice pulled quietly on the oars. In the predawn light a stillness fell across the world; the surface of the water was smooth as a glass pool table. I watched the ripples from the oars radiate away from us, still discernible until lost in the mist. In the silence I imagined that the gentle splash of the oars could be heard in China. It was the only sound in the gray world.

Everything I could call my own was in that boat with me: a painting called the Blood of the Saint, a partner with more secrets than a Swiss bank, and a gun. I didn’t think the shooting was over yet.

Alice was watching me, waiting to see how I reacted to her revelations. My partner, daughter of a famously dead mobster. Somewhere on the other side of the world a ship sounded its horn. The mist began to glow with the coming morning. “We’d better get off the water,” I said. “We’ll be sitting ducks out here.”

Alice nodded. “We’re pretty close, I think.” Even as she spoke I started to hear shore noises, muffled by the mist. She took a few more strokes and stopped, letting the boat glide across the water. “What are you going to do now, Charlie?”

I adjusted the package wedged in my sling, the package a dozen people or more had died for two hours before. “Take a look at this painting, I guess. See what I see.”

“I meant long term.”

“Sister, that is long term, the way things are going.” I thought for another moment. “And I need to beat the crap out of your uncle. I was going to let Meredith take care of that.”

Alice’s face went through every emotion in the book in a flash and settled back on caution. “I know you liked her,” Alice said, “but sooner or later she would have killed you.” She began to row again, and soon I could see the shore. “You weren’t her first lover.”

“Did she kill your father?”

“I don’t think so.”

“Who did?”

“I’m… not sure. It could have been anyone who knows about the Blood of the Saint. The same people who want to kill you now.”

“That’s reassuring.”

She allowed herself a ghost of a smile. “There aren’t as many now.”

“So what’s your angle, doll? What do you want out of all of this?”

She spoke quietly, looking straight through me into a world all her own, her eyes as vacant as 34th street after the parade is gone. “I want them all dead,” she said. The boat nudged against a stone dock and she smiled. “Here we are.” She hopped from the boat and I followed, feeling clumsy once more. I wanted to keep my gun in my hand — not that I could shoot it worth a damn southpaw anyway — but I had to put it away or fall overboard. I told myself that if Alice wanted me dead I’d already be in the long line waiting at the undertaker’s, and any other threat she could handle better than I could. I resolved to break my habit of spending time with dangerous women.

The thought made me chuckle. Was there any other kind?

“What’s funny?” Alice asked.

“I was just thinking about how nice this painting will look in my living room in San Fran,” I said.

“You haven’t even seen it yet.”

“I’m not that particular.”

We climbed gray stone steps slick with morning dew and reached street level. “I know where we are,” we said at the same time. Alice colored and smiled behind her hand. It was a gray world, robbed of color by the mist, dingy boats immobile in the still of the morning, the few people moving about wraithlike, the only color anywhere the red of Alice’s lips.

A truck roared past, six cylinders banging, a cloud of hydrocarbons in its wake, a staggering dinosaur refusing to die. Another followed, better tuned. Harbingers of the vibrant life the docks would know soon. “We need a place to flop,” I said.

Alice nodded. “The farther from here the better,” she said.

“How about San Fran?”

She smiled. Maybe she read more into my invitation than I intended. Maybe she was right. “Not yet. We have to finish here first.”

Not yet. I wondered how many people lay at the bottom of the river because they didn’t cut and run while they still had a chance. Not yet. Just a little longer. We’re so close. We’ve come too far to turn back now. The last words of saps and suckers and losers and lowlifes, the dregs of the world willing to trade life for hope. “Yeah,” I said. “I’ve got a score to settle.”

She took my arm and we strolled away from the shore, just a couple heading home after a longer-than-expected night. “Let’s find some breakfast,” she said. Three blocks up we found a diner, deserted except for a pair of drunks struggling to stay awake at the end of the counter. We chose a booth and sat across from each other while a tired-looking waitress in a pale blue dress dropped menus in front of us. She flipped our cups and poured coffee without asking. I guess we had that look. The waitress turned and left, and while Alice studied the menu I studied her.

She looked the same as always, only now everything was different. Her makeup was carefully applied to cover the fading bruises, red lipstick perfectly defined her full lips. The tightness at the corners of her mouth didn’t seem pensive anymore, more like determined. The way she narrowed her eyes as she surveyed the menu looked calculating. Her movements were compact and precise. She looked up and caught me looking at her; I didn’t look away. She smiled, a little sadly I thought, careful not to show the gap in her teeth. “I wanted to tell you sooner,” she said, “but things started moving so fast.”

“It’s going to take some getting used to,” I said. “How many people know who you are?”

“Not many. Some people know that my father had a daughter, but they don’t know anything about me. Daddy told everyone I was going to school in Paris. They’re looking for me.”

“You have any other siblings?”

“Not that I’m aware of.”

The waitress was back. I ordered steak and eggs, pancakes, and potatoes. I was hungry, I decided. Alice had the belgian waffles. At least her sweet tooth hadn’t been knocked out.

“Collecting your inheritance might be tricky,” I said.

She nodded. “There’s lawyers and detectives crawling all over it. Plus, my uncles would rather have Daddy’s money for themselves.”

More people came in, laborers grabbing a bite before going out to build the next architectural marvel. Must be nice, I thoug
ht, to build something that will still be there when you’re gone. Outside the morning was getting brighter and traffic was starting to pick up. The city was carrying on, the way it always did, indifferent to the lives that had ended in the night. Meredith Baxter, my client — perhaps even my lover, it was difficult to tell with her — was one of those lives. I should do like the city, I thought. Just move on, the way I always did. But right then I didn’t feel like I could move at all. I was beat, tired down to the center of my bones, a weariness that went beyond fatigue and weighed on my soul. My shoulder hurt.

Alice was inspecting me the way I had her. What did she see? If I looked in a mirror would I see the same person she was looking at now?

Breakfast arrived. I struggled with the cutlery until Alice cut my steak into bite-size pieces. She smiled as she did it, concentrating on her task, and briefly I saw the Alice I had always known. Her cheeks colored and she returned to her own breakfast without meeting my eyes. “Thanks,” I said.

“You’re welcome.”

We ate in silence for a minute or two, then still not looking up she stopped, her hands hovering over her plate, and said, “Are we… are we still partners?”

I thought for a moment and nodded. “We’re in this together. No point worrying about what comes after till we see who gets out of it alive.”

She nodded, not smiling, and returned to her waffle.

“It’s the Spaniards that worry me the most,” Alice said, watching as I shoveled pancakes down my gullet. “All the others are motivated by greed. I’m not sure what the Spaniards are looking for.”

“Maybe we should ask them. They seemed reasonable. They were even going to hire us. What happened about that, anyway?”

“We couldn’t come to terms on a price.”

“You made Santiago mad again, didn’t you?”

I thought I detected a hint of a smile. “Mabye. But the main thing is that I don’t think he’s going to be content just taking the painting back. He’s not going to rest easy until it’s forgotten. He won’t leave people around who know what the painting signifies.”

“You’re sure about that?”

“He never came out and said it, of course. Just a feeling I got.”

“Secrets are a difficult currency to spend,” I said.

“How’s that?”

“They’re only worth something if you keep them to yourself. The Spaniards are spending a lot of resources just to maintain the value of their secret. Not a good investment, unless they get a return some other way.”

Alice nodded. “If we can figure that out, it might give us some leverage.”

I put down my fork and signaled for the check. “Let’s find someplace quiet and take a look at this painting.”

Tune in next time for: The Eye of the Beholder!